0 TIIE SUNDAY OREGOXIAN, PORTLAND. MARCH 12, 1922 PORTLAND WILL HEAR MANY NOTED SINGERS BESIDES MARY GARDEN AMD MURATORE IN OPERAS COMING SOON Edith Mason, One of Chicago Company's Stars, Wins Her Way to Fame by Voice of Brilliant , and Flexible Qualities, While Rosa Raisa Is Acclaimed as Greatest Dramatic Soprano in World After Her Escape From Pogrom in Kiev Van Gordon and Johnson Climb Rapidly. i I 8 $ VIII . " f i v - . . k "' - sr'-Slf AW sfV:: ,:' Y ' - v '. ml I 1 1 . I ! - , ' - - - 'ill I ( 1 v j - tiff - '.w.' - u " :-V;Cv7 - , r xx?;, iff Cysr Terr, fo.. X. I t " 1 1 J 111 - llll - "A.- ' V'W?A ; f ll-x ' Si ; 4 i 11 1 V A iuli I ; r r ' '-.llll' mi'' 4 $ S tlvi"' I' j i t l i"mru al l " t - I f 111 J Fr v f ! 111 ' .-'t "V'" llll v.? . . 7 I ' iHE Chicago Grand Opera season, will brine to Portland many noted singers, in addition to the two foremost stars, Mary Garden and Lu cien Muratore. The Chicago Opera association, of which Mary Garden is general director, has embarked upon its 1922 transcontinental tour at the close of the most brilliant opera sea eon that Chicago has ever known. Last week the music lovers of Balti more heard the artists and this week Pittsburg will have its season. Portlanders are looking forward to hearing Kdith Mason, prima donna soprano, who will sing in "Romeo and Juliet," Friday night, March 24. Mlsa Mason'a Voice Beautiful. "Miss Mason has won her way to her present eminent position because nature endowed her with a voice, brilliant, high, flexible, shimmering as burnished silver and crystal clear," wrote one critic. "She had the will and the keen power of analysis which grasps and holds essentials, which is the requisite factor for success in very field of human endeavor. To this she added the compelling per sonality of a cosmopolitan artist, who brings the benefits of research and experience to her performances and her interpretations1." Miss Mason, who in private life is Mrs. Giorgio Polacco, wife of the mu eical director of the Chicago Opera association, wa born in St. Ixuis. She attended schools in Philadelphia and Washington, D. C, and completed her collegiate career at Bryn Mawr. Rosa Raisa Acclaimed. Rosa Raisa, who will appear in Lohengrin Thursday night, March 23, and in Aida on Saturday . night, has been acclaimed the greatest dramatic soprano in the world. Her rise to prominence as an art. ist has been rapid. She was born at Bielestock in Russian Poland, 27 years ago. A dramatic experience of her early life was her escape from the pogrom that led to the massacre in Kiev. She fled to Italy, where she took up the study of music with Madame Marchiaio. In August, 1913, her teacher took her to Parma, Italy, for an audience before Maestro Cam panini, who engaged her immediately for the Chicago Opera company. She mad her debut at Teatro Reggio in Parma in Verdi's first opera, "Oberto." The success she achieved then marked her as one of the great singers of the world. She is an accomplished linguist. Contralto Is Distinguished. Cyrena Van Gordon,- contralto, is another distinguished artist with the Chicago Opera. She will appear here in "Alda" and "Lohengrin." Miss Van Gordon rose from a music school student in .Cincinnati to grand opera. The late Maestro Campanini was In Cincinnati while a pageant was in progress, in which Miss Van Gordon distinguished herself suffi ciently to attract the attention of the famous conductor. When in the sea son of 1914, an operatic exigency made the finding of a worthy Am-, neris In "Aida" Imperative, the maes tro recalled the voice and statuesque beauty of the Cincinnati music stu dent. Decided Hit Is Scored. He sent for her, and true to the conductor's guess, she learned her part practically over night, took part in one dress rehearsal and then scored a decided hit. Ever since then she has been with the Chicago Opera company. Edward Johnson, another of the American, who achieved his first great success in Italy, where he sang under the name of Edoardo di Giovanni. Leading Italian composers, Puccini, Monte mezzi and Pizzotti, selected him to create the tenor roles in their operas. 'His voice is hntli lvri , nH Aro matic," said one critic "In emotional .best bid between the combined hands tone color, he is unexcelled and in for same, or, tailing a game oia, oe practically assures eight tricks the double should be made; if it does assure eight tricks, the player should bid. Before the advent of the double the player had no alternative but to bid; now he has a choice in the mat ter. Putting the case In the form of a rule, it might be made to read as follows: Never, under ordinary conditions (this means unless there Is the prob ability of the hand being good for eight tricks at the bid), overbid a no-trump bid on your right; double first, if able, and bid (if a subse quent- bid becomes necessary or ex pedient) on the second round provided- you are well able to defend game against any possible shift made by the opponents. A double, it should be borne in mind, is not a bid, nor does It increase the value of a pre vious bid. This being so, the nega tive double affords one's partner the opportunity to indicate his longest suit, and in so doing gives the dou bling player inferences which are eften of the greatest value. Exceptions to the above ruling oc cur only where the player holds an exceptional hand, as for instance; AJ10SI K J 8 A Q J 10 8 A Q J 9 8 6 5 A Q J 7 6 8 In both these cases the player should bid; in the first case he should bid two spades, and, then should it become necessary to bid a second time, three hearts. In the second case he should start with hearts, and be governed as to his second bid, in case he gets the chance for a second bid, by the intervening bids. As is seen in both cases given the hand is unusually strong. Were they pos sessed of less strength, a pass would have been the proper procedure, un less perhaps In the first example, three suits being well protected, the double might have been given. Whitehead states emphatically that the best defense against a no-trump bid on the right is to pass.. He says: "A suit bid in this position when sure of saving game against the no trumper and not sure of saving game against a suit bid deserves honorable mention in the category of ibids popr ularly termed '.'auction crimes It is rarely the case that a player is justified in bidding two no trumps over the adversary s one no trump, and as a general thing the better policy in a case of this nature is to double, thereby telling the partner of his strength and leaving it to him to bid his best suit, two no trumps, or to pass if he has reason to believe the no-trump bid wilK fail of its con tract and the side get doubled pen alties. An Interesting case justifying the use of the negative double over no-trump bid came up a short time ago. The dealer bid no trumps and second bidder, with all suits protected and the probability of going game doubled. Third bidder passed, and fourth bidder, the doubling partner's partner, who was protected in three suits and believed the adverse bid could be set, passed. The dealer then went two diamonds on five to the ace, queen and jack; second bid der passed, and third bidder bid two hearts on seven hearts to the jack and 10. The bid held and declarer easily went game. This player would have been entirely justified in bid ding hearts on the first round of bid ding after the adverse double. In fact, though the double had not been' made, he should have bid two hearts over his partner's bid of no trumps it being desirable to overbid one's partner's no-trump bid with two of a major suit when holding six or more of the suit regardless of their high-card value. Against a. suit bid of this nature the adversaries were powerless to save game. Had the no trump - bid stood, they could easily have set the doubled contract. The negative double of a no-trump bid calls for protection In all suits; of a suit bid protection in all suits save the one bid. This, in fact, is what the negative double of a suit bid indicates; the ability to taka care of all suits save the one named, and therefore the desirability of the part ner's naming the suit in which he can give the greatest support, in the event, that is, that he cannot him self bid a no trump. This he should usually do if having two sure stop pers in the adverse suit, unless, as in the case given above, he feels the side will make more by letting the doubled contract stand. As has been stated, it is seldom advisable to bid two no trumps over a one no-trump bid. In' rare cases, for instance, when one holds two stoppers in the adverse suit, with protection In the three remaining! suits, and the probability, not sim ply of making one's contract, but game, two no trumps may be bid. Take a case, for instance, like the following: Q J 6 ' AK54 AKJ A J 8 This hand fully justifies the no trump bid. Had the ace of hearts only been in hand, and more espe cially if It were but once guarded, the double would be infinitely the better policy. With but one stopper in the adversary's suit and the type of hand just given, the player's only chance for game depends upon his partner's holding better than aver age cards, and if he does hold such a suit bid . made by him offers as good or even a better chance for game than the no-trump old. This is par ticularly so if his bid Is a major suit bid. As Whitehead says: "The bid of no trumps at every opportunity, first. last and all the time, amounts to an obsession with certain players who have been taught to believe no trumps to be the most desired bid. Whereas, the most desired bid is the Han Schaffner & Ma?vc coats for women ' are different YOU'LL find in these coats those qualities yoihave admired in Hart Schaffner & Marx men's clothes. There's the same matchless tailoring; rich, all-wool materials the smart patterns are ex quisitely colorful. Polo cloth, earners hainN ormandy cloth and English plaids. In our spring assortment are the smartest of sport coats and knicker suits as well as coats for street wear. J f Copyright 1923 Hart Schaffner & Marx HarlSchpr cNarc . Clot Kes OKop 366 Washington at West Park by him are liable to block the suit in where he has been engaged by the dummy s hand. He notes that his I bank officials many of the operas in which he sings, he combines a certain Scotch vigor with the delicate shading of French expression with a touch of long list of artists with the Chicago Italian emotionalism. BY ANNIE BLANCHE SHELBY. mHB subject of the negative . or I informatory double, which I have treated in my last two papers, could be continued Indefinitely, but in the limited space at my disposal this is not feasible. My aim has been to "touch upon Lthe high lights only, hoping thereby to stimulate the interest of the stu dent and leaving it to him further to investigate the subject and become acquainted with the various forms under which this double may develop. One further word only do I wish to say on the subject, and that is per taining to cases where a player finds himself In doubt whether to double. thereby asking his partner to bid, or himself to make a bid. Often the player has no choice in the matter, and his course is a double or a pass. it is not cases or this kind, how ever, which I am considering, but hands rather which Justify a bid and also seemingly justify the double. I will take first tne case of the ad versary's bidding, a no trump and the second player also holding a no suit which apparently justifies a bid. Before the negative double came into general use the rule governing a case of this nature was: Never overbid a no trump made by your right-hand adversary unless able to go game, or at least able to rebid regardless of what your partner may do, and at the same time able to save game against any shift to a suit bid. This, as Is seen, presupposes . a very strong hand; in fact, the min imum tactical requirement (indorsed by practically all authorities) for an immediate overbid of a nofrump bid on one's right is: First, the prob ability of at least ' eight tricks in the hand, and, second (this, in, fact, being of greater importance than, the first requirement), the ability, or at least equal ability, to save game against any possible shift that the no-trump bidder or his partner may make. As a minor suit bid rarely prom ises game, the above rule has ref erence to the bid of a major suit. and the question is whether or not ! under conditions as above stated it is better to bid or to double tween the two hands for contract.' V The following hand Is instructive as showing how one may unblock by the discard of commanding cards: v J8 A 9 8 76 Q J 7 3 ... 6 , 1 Q 10 9 5 543 2 10 9 8 10 8 A4 3 2 Q J 10 AK A Q 5 3 Z, the dealer, bid no trumps and held the bid. The hand should go as follows: I V K76 Y K A B I 4 6 5 4 2 Z I K J 9 7 2 Trick. A Y B Z 1 fi Ti 10 Q 2 24 34 84 A4 Zt 44 74 94 K4 4 K A 3 Q 5. 54 Q4 104 10 6 64 J4 2 , J t. e 9 4 3 r 8 2 8 5 5 . 9 9 7 6 2 V 10 7 6 8 3 ' Jl. K 8 9 Av 12 J 6 10 A 13 K J Q if cards of the suit are in sequence with those held by the dummy, with the lone exception of the ace. When a condition of this sort exists very pretty play often becomes possible, and it always stands a player well in hand to see if such is possible in his case. ' Declarer also notes that the two hands contain the four com manding diamonds, the declarer's ace and king blocking Uie suit in the dummy hand, werein, nowever, jies his chance to bring in dummy's clubs in case it should turn out that dum my's ace of clubs will have to be played .before the third round of clubs. To prepare for such emergency, de clarer at trick 2 leads the ace of diamonds and follows at Trick 3 with the king of dia monds, at Trick 4 leading the queen of clubs. To this trick A, per force, plays the kiner and dummy the ace. Now, had not declarer prepared for just such an emergency dummy's clubs would have failed to make. As it is, de clarer at Trick 5 leads the queen of dia monds.- and at Trick 6 the jack of diamona, on these two tricks discarding his two commanding diamonds and leaving dummy in the lead with his ciuds fnllv established. Therefore at Tricks 7. 8. 9 and 10 dummy manes his four remaining clubs, declarer wins trinlc 11 with the ace of hearts, triRk 12 with the ace of spades, and trick 13 going to adversary with the niipan of hearts. Declarer's play Involves very clever reaanninsr and shows in a marked ae eree how skillful players can otfen turn to their advantage situations which at first sight seems practically h'nnelBHH. and indeed would be so if handled less skillfully. Had declarer adopted any other system of play he could not possibly have made more cards, his contract. Had he waited until later in the hand to give up his ace and king of diamonds dummy's one re-entry, the ace of clubs, would already have been played and the play would have been of no avail. Yakima Bankers Train. YAKIMA. Wash., March 11. After Paul Huedepohl, director of physical education for the city schools, gets through making high school students stretch their muscles, he has a sup nlementarv class in a downtown bank. Every member of tlie bank staff, from president to janitor, stands first on one foot, then on the other, "bend ing the crab," varying tite exercise with a series of movements which would readily intimidate the nerviest bank robber. The money goes un counted for half an hour, from 4 to 4:30, and then the staff goes back to work. The diversion seems to b en-Joyed. Unless you are accustomed to buying upstairs at Petersons you have no idea how cheaply nice garments are sold. WHY BE FAT? You can r r d n e e your. TM-iK-ht SAFELY, IXKX PfiNSI VELY and PER MANENTLY. JVO DRUGS. If you are not perfectly satisfied with rour, fig ure, come in and have it PERMANENTLY ' MARSHKLLED, " Portland lady reduces weight 24 pounds in exactly four weeks. If you live out of the city, write for free informa tion. Special Rates for March. ELIZABETH MARSHELLE SYSTEM OF REDUCING lone N Ii-Uerxon, Manager. Suite 807-8 Broadway Bldg., Portland, Oregon. Main 2735. : 0: "3 r ft . -Vf Denotes winner of trick. 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