The Sunday Oregonian. (Portland, Ore.) 1881-current, November 27, 1921, SECTION FOUR, Page 4, Image 58

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    THE SUNDAY OltEGONTAX, PORTLAND, NOVEMBER 27, 1921
FIRST ANNIVERSARY IS CELEBRATED
BY ORCHESTRA AT PEOPLES THEATER
Dinner at Oregon Hotel Is Serred to Members of Organization Who Are Proud of Record Not One
Change Made in Personnel Since Formation.
"v it - '
Photo by Da vies.
Front row, left to rltrht Arthur Wnrdenwald, concert master! Gladys Johnson, ceIlo Arthur White, violin; Manuel
Palacloa, clnrlnet. Middle row Ralph Osborne, or( John R. Brits, director; Joe Samplero, violin Earl C.
Btevers, cornet. Third row Emil Thlelhorn, Tlolaj Joe Amato, percussion; N. Golden, baaa violin) Jeaale Vannes
'' W luff, piano.
THIS Peoples theater orchestra cel
ebrated Its first anniversary
Tuesday night with a dinner at
the Oregon hotel. The orchestra mem
bers are proud of the fact that their
organization has remained Intact for
the year, under the direction of John
Brits, conductor. There has not been
a single change In personnel since the
.orchestra was formed.
The orchestra will contribute to the
BUNCOING OF RELATIVE IS '
EXPLAINED BY GEORGE ADE
Be Sure Knock-out Drops Are of Regulation Strength Is Moral Drawn
From Tale of Disappointed Orphan Asylum.
BY GEORGE ADE.
AN old Residenter, who owned a
Section of Improved Land, and
some Town PropcVty besides.
' was getting top Feeble to go out and
'roast the Hired Hands, so he turned
" the Job over to his Son. His Son. was
named Joel. He was Foolish, the
'same as a Fox. Anyone who got
; ahead of Joel had to leave a 4:30 Call
'and start on a Gallop. When It came
'to Skin Games he was the original
I High-Binder.
Joel took the Old Gentleman aside
one Day and said to him: -"Father,
" you are not long for this World, and
.to save Lawyer Fees and avoid a tle
' up In the Probate Court, I think you
'ought to cut up your Estate your own
self, and then you will know it is
;done Right."
"How had I better parcel it out?"
'asked the Old Gentleman.
"You can put the whole Works in
my Name," suggested Joel. "That
will save a lot of Writing. Then if
any other Relatives need anything,
they can come to me and try to Bor-
row."
Joel sent for a cut-Tate Shyster,
who brought a bundle of Papers tied
with Green Braid, and assured the
Old Gentlman that the Proceedings
was a Mere Formality. When a Legal
Wolf wants to throttle a Sucker he
always springs that Gag about a
Mere Formality. .
Joel and the Shell-Worker moved
the Old Gentleman up to a Table in
the Front Room and put a Cushion
under him and slipped a Pon into his
Hand and showed him where to Sign
' on the Dotted Line.
, After he got through filling the
; Blank Spaces with his John Hancock,
. he didn't have a Window to Hoist or
- a Fenoe to lean on. He was simply
! sponging on Joel.
This went on for a Month, and then
' Joel began to Fret,
"I don't think I am getting a
' Square Deal," said Joel. "Here is a
doddering old Has-Been, without any
. Assets, who lives with me Week in
' and Week out and doesn't pay any
- Board. He is getting too Wobbly to
TOP CAS PUT THE WHOLE WORKS
i "am-ai,nss
: !
1-
i
i- Sv
success of Portland's first annual nru
slc week by trivlngr'a concert Wednes
day night, which is the regular "night
off" for this orchestra. The concert
will be at 8:20 o'clock, and the fol
lowing request numbers will be
played: "Morning, Noon and NigUf
(Suppe), "Blue Danube Waltz"
(Strauss), "Prelude" (Rachmaninoff).
The orchestra will also hold a
unique contest tomorrow night at 8
do Odd Jobs around the Place, and it
looks to me Ilk an awful Imposi
tion." So he went to the Old Gentleman
and said: "Father, I know, the Chil
dren must annoy you a good deal
they must make so much Noise when
they play House. Sometimes we want
to use the Piano after it Is your Bed
time, and of course that breaks your
Rest, so I have been thinking that
you would be a lot better off in some
Institution where they make a Spe
cialty of looking after Physical
Wrecks. I have discovered a nice,
quiet Place. You will live in a large
Brick Building, with a lovely Cupola
on top. There Is a very pretty Lawn,
with Flower Beds, and also an orna
mented Iron Fence, so that the Dogs
cannot break in and bite you. You
will be given a nice Suit of Clothes,
the same as'all the others are wearing-,
and If you oversleep yourself
In the Morning, a Man will come
around and call you."
"In other Words, me to the POor
House," said the Old Fluff.
"You need not call It that, unless
you want to," said Joel. "If you
choose, you may speak of It as the
Home for Aged Persons who get Fool
ish with the Fountain Pens."
So Joel put his Father into the Fllv
and hauled him over the Hills to the
Charity Pavilion. , where all the Old
Gentleman had to do was -to sit
around in the Sun looking at the
Pictures in last year's Illustrated
Papers and telling what a Fat-Head
he had been.
But sometimes a Man is not all in,
simply because he looks to be
wrinkled.
Joel's Father had a Few Thinks
coming to him. Although he bad
been double-crossed and kicked in the
Solar Plexus, he hail a Punch left.
He sent for a Lawyer who was even
more Crafty than ths one employed
by Joel and he said to him: "There
Is a Loop-Hole In every Written In
strument, if one only knows how
to find it. I want you to set aside
that fool Deed."
Next Day the Lawyer came for him
In an eight-cylinder Sedan and said:
"They forgot to pay the War Tax,
and so the Transfer does not go."
"And do I get all of my property
back again?" asked the Old-Timer.
13 MY SAJU3." SUGGESTED JOEL.
V
o'clock. The orchestra will compete
with a phonograph, equipped with an
amplifier, and) the- audience will de
cide which furnishes the better en
tertainment. On the programme will
be "Kamenol Ostrow" (Rubinstein)
"Poet and Peasant" (Suppe) and prob
ably one other number. This is the
first time, bo far as is known, that
such a contest has ever been present
ed in this city.
"You get half and I get half." was
ths reply of the Lawyer.
"Give me mine In the Mitt," said
the Residenter. "I'm from Wiscon
sin and I want it laid right In the
Lunch-Hook. Whatever I own from
this time on, I carry right in my
Clothes, and any Relative who sepa
rates me from it will have to eet his
Request to "Music."
Then, he sent to a Physician,
"Doc." he says, "they are counting
nine on me, but I figure that before
I cash liv I have time to blow all
that I have eet aside. Look me over
and tell me how long I would last
on a Rits diet. I want to gauge my
Expenses so as to leave nothing be
hind for Joel except a HJ-Ha Mes
sage and some scornful Advice.
"If you want to euchre your Fam
lly. why don't you leave it to an
Orphan Asylum? suggested the
Lawyer.
"Nix on the Orphan Asylum," said
the Vet "They would bring a mil
lion witnesses to prove that I had
been cloudy In the Peach for 20 Years,
and I wouldn't be there to contradict
them, I learn that, by a singular
Coincidence, all the Old People who
leave their Money to Hospitals and
the like are Mentally Irresponsible.
In order to prove that I am in my
right Senses, I will put mine into
Circulation.:'
So he went to Palm Beach and other
Winter Resorts, at which they charge
by the Minute, and wherever he went
he made them set up and exclaim,
"Oh, gosh, ain't he the Cat?"
He bought himself a blond Motor
ing Coat with a surcingle around it,
and a very zippy line of Cravats, and
when he went into the Dining Room
he picked out a Table which com
manded a View of the Door at which
the Girls came in.
All this time Joel was worried. It
seemed a Sin and a Shame for an
Old Man to go around spending his
uwn Money.
The Residenter had so much Fun
during his Second Time on Earth that
he decided to make It a sure-enough
Renaissance, so he married a Type
Writer 19 years old, that he met in
a Hotel Lobby, and then Joel did go
up in the air.
When she began to pick out Snake
Rings and Diamond Wish-Bones the
Old Gentleman saw that there was
no longer any Hope for Joel.
Moral: When buncoing a Relative
be sure that the Knock-Out Drops
are Regulation Strength.
(Copyright, 1B21, by the Bell Syndicate,
Inc.)
NEW BILLS AT THE MOVIES
(Continued from First Pag.)
Into the Saharan desert despite the
protests of her brother and friends.
At Biskra, the Paris of the desert,
she disguises herself as a slave girl
and enters a gambling casino, where
Sheik Ahmed, who is holding a fete,
meets her. .Learning that she Is to
go into the desert the next day, he
bribes a guide and later she falls info
his hands.
. The sheik Is" determined to bow her
to his Imperious will, but The rebels.
He makes a slave of her and one day,
while riding with an attendant, she
attempts to escape. Her horse falls
and breaks its leg. and at this mo
ment Omair, a deBert bandit, sees and
decides to abduct her. The Bhelk ar
rives at this juncture and takes Diana
back to camp. When he hears of
Omatr's presence in the vicinity he
decides to send Diana back to Biskra
While Diana and Saint Hubert, a
friend of the sheik's and a novelist,
are riding in the desert Omair swoops
down upon them. Saint Hubert la
wounded and Diana made prisoner.
When the news of the abduction Is
brought to the sheik he summons his
tribesmen and hastens to her rescue
Diana is about to commit suicide
rather than endure Omair's loathsome
embraces, when the sheik's followers
attack the camp. In a hand-to-hand
battle Omair Is slain and the eheili
badly wounded. Diana nurses ths
sheik, whom she now loves, back to
health, but he treats her Indifferently
and decides to return her to her peo
ple Diana, who has learned from
Saint Hubert that the sheik is an
American of excellent family, pleads
with him, and when he realizes that
she loves him as devotedly as he
adores her. he takes her in his arms
A few days later they start back to
civilization, on the first leg of thel!
honeymoon. Journey.
ALICE LAKE STAIi OF FILjI
"The Infamous Miss Kevell" Of
fering of Hippodrome.
Alice Lske in a screen version of
Carey WorMerly's story "The Infam
ous Miss Revell" will be the offering
at the Hlppodroins beginning this at-
ernoon. In this picture, in which she
has practically as all-star support.
Miss Lake portrays ths dual role- of
the Kevell e liters, Paula and Jullen,
a feat which required the most adroit
acting In order not to spoil the sur
prise climax at the end of the play.
The story of the play, or as much
of It as can he told without spolllns
It for the audience, deals with sisters,
the Revell elrls, who are left penni
less with four little brothers and
sisters to support.
One of them, Jullsn, in order to
provide a. living; for the little ones,
takes the position of nurse to a rich
old man on a trip abroad. After their
return the old man dies, leaving;
Jullen his entire fortune instead of
bequeathing' it to his nephew and
niece. Max and Lillian. This .angers
the brother and sister and they plan
to euchre Jullen out of the Inheri
tance. Max procures the position of
tutor and Lillian that of g-overness In
Jullen's home in the furtherance of
their scheme.
The plan is upset through Max
falling- in love with Jullen. Ha, how
ever, is too much of a man to propose
without confessing- his perfidious pur.
poss In Jullen's home, which she mis
construes into supposition that it ,1s
her "past" that is deterring- him.
From this point the picture works
up to a startling- conclusion.
SIAKY PICKFORD AT KTVpLl
"Mttle Xjord Fauntleroy" Vehicle
, for Famous Star.
T! a 'millions Af r&dra f nvances
ftodg-soa Burnett' world-loved novel.
"Littlo Lord Fauntleroy." will be de
lighted to know that Mary Pick ford
In reproducing ths story for ths
screen has preserved all its qualnt-
ness and charm, and has been espe
cially faithful to the costumes and
manners of the period depicted so
vividly by the author. This picture
Is now at the RlvolL
As a vehicle for the lovely Mary,
this story is ideal, running as It does
the entire gamut of emotional drama,
pathos and rtofoa comedy. She has
a chance to let hex public see her
as a mature woman and also as a boy
of 7.
Through the medium of double ex
posure, that most bafflng of photo
graphic methods. Miss Plckford Is
able to appear as two different char
acters in the same scans, thus pro
ducing the most perfect illusion pos
Bible.
The Victorian dresses with their
puff -sleeves, bustles and long trains;
the thatched houses and the magni
ficent castle shown in- this film tend
to make it an achievement in pic
tureland.
And yet who can ever forget the
rheumatic old apple-woman, the
portly grocer, and the lovable boot
black who were such great cronies of
Cedrlo Errol? The human interest
and heart appeal in this picture is
said to top anything ever yet trans'
lated into celluloid.
Miss Fickford will be seen in a
greater variety and a more novel eet
of costumes in "Little Lord Faunt
leroy" than in any play in which she
has ever before appeared.
"IROX TRAIL" AT MAJESTIC
Rex Beach Production Said to Be
More Thrilling Than Book.
"Stirring melodrama with all of ths
spectacular features ana none oi tne
crudities of this popular style or en
tertainment." Is the classification that
the motion picture officials have
given to the new Rex Beach produc
tlon of his great Alaskan railroad
story, "The Iron Trail,' which is at
the Majestic
The new Beach production, was
made under ths eye of the famous
author himself. Every location was
approved by him as being faithful to
the Alaskan country in winch ths
theme of his story Is laid, and the
all-star cast tjiat portrays the leading
roies ana tne incidental cnaraciers
were approved by him before any of
the scenes were made.
In reproducing the spectacular rail
road construction scenes, Mr. Beach
In close collaboration with Director
R. William Nelll elaborated on his
original vivid descriptions, and the
reported result Is that the film vers
ion Is twice as blood-stirring as the
book.
Those who have read the book and
who are acquainted with the popular
artists that play the leading roles,
will anticipate the strength of this
new production, in visualizing- Wynd
ham Standing as "Murray O'Nell,"
Thurston Hall as "Curtis Gordon,"
Reginald Denny as Dan Appleton,"
Alma Tell as "Eliza Appleton." Har
lan Knight as "Tom Slater," Betty
Carpenter as "Natalie," Lee Beggs as
"Dr. Gray," and Eulalie Jensen as
"Mrs. Curtis Gordon."
The production was made under the
direction of "R. William Neill from the
scenario of Mr. Beach's prepared by
Dorothy Farnum.
' CAMILUE"
IS AT PEOPLES
Xaziruova Production 3Iodernlzed
Version of Famous Play.
"Camllle," the Nazimova production
still playing at the Peoples, is a
modernized version of the famed
Dumas play, adopted by June Mathls,
who made the continuity for Rex
Ingram's two productions for Metro,
"The Four Horsemen of the Apoca
lypse" and "The Conquering Power."
Nazimova plays the role made famous
by such great actresses as Bernhardt,
Eleano-ra Duse. Clara Morris, Rejane,
Modjeska, Laura Keene, Olga Nether-
sole and Ethel Barrymore.
The story Is of Armand Duval, the
young Parisian law student, who
loves Marguerite Gautler, called
Camllle, a notorious Parisian woman.
Together they leave the city and de
cide to live for each other, he sacri
ficing his career and she abandoning
her mode of life. The climax comes
with Camllle's leaving Armand so
that lie might continue his career.
and her death in neglect and poverty.
Ray C. Smallwood directed this
Metro release, which Rudolph J. Berg-
qulst photographed, Natacha Ram-
bova had charge of the art direction.
Nazlmova's supporting cast includes
Rudolph Valentino, Edward Connelly,
Rex Cherryman, Arthur Hoyt, Zeffle
Tillbury, Ruth Miller, Consuelo
Flowerton, Mrs. Oliver and William
Orlamond. i
QUEEN OF SHEBA" IS BOOKED
Picture for Opening of Bine 5Iouse
Theater Announced.
"Queen of Sheba," which enjoyed a
sensational run in New York, Los
Angeles, San Francisco and more re
cently a big three weeks' engage
ment at the Blue Mouse theater, in
Seattle, will be the opening attrac
tion tomorrow eight at 7:30 o'clock at
John Harrlck's new Blue Mouse the
ater at Eleventh and Washington
streets. It Is described as a stupendous
spectacle, centering about a great love
story. New York critics hailed it as
one of the greatest photoplays ever
produced. It was declared that the
pageantry of the "Queen of tSheba"
is unsurpassed . for magnificance on
the screen, and that few such thrill
ing spectacles as the chariot race
ever have been presented in motion
pictures. "
The filming of the "Queen of
Sheba" under the direction of J. Gor
don Edwards, took an entire year.
Throughout ths period a hugs feres
of workers in many lines was am,
ployed.
The construction of massive sets,
Vti designing and making of the
elaborate eostumes, the perfecting of
the dances, meant a vast deal of
labor, and the difficulties In the way
of completing Ihe production on the
scale originally planned were many.
Miss Betty Blythe appears in the
title role of the "Queen ef Sheba.'
She receives splendid support by an
all-star cast of players.
One of the features of the presenta
tion of the offering at the Blue
Mouse theater will be the novel light
ing and musical effects. Special
musical score will be rendered by the
new Blue Mouse symphonic orchestra
under the leadership of Lee Cullen
Bryant.
"GREATER PROFIT" AT STAR
Edith Storey Is Star of Film That
Deals With New York.
Edith Storey Is the star ef "The
Greater Profit," now at the Star the
ater. Crowded with moments of great
dramatic tensity and other situations
of subtle comedy, "The Greater Profit"
gives to Miss Storey one of the best
roles in which she has ever appeared
and provides a story of abundant in
terest throughout.
"Th Greater Profit" was adapted
from an original story by Clifford
Howard and Burks Jenkins, well
known screen writers, and Miss Storey
is seen In ths role of an east side girl,
wise to the ways of the underworld,
who. through a series of circum
stances, finds herself in the home of a
wealthy social leader in the capacity
of secretary to a society for ths in
vestigation of profiteering.
Ths locale of the story Is laid en
tirely within the boundaries of New
York and there are scenes depicting
ths swarming masses and life as it is
known In the crowded east side, as
well as the life of those who reside
in ths residential sections of the big
eity.
William Worthinrton. who has been
in ckZ
iMnJwiil i 1 ' - -' "IT I I ' " ' ' ' - " - wil Im
rT9mMiymmjm n ,111 m ol n 1 '. in umi'ne'iiui M"iwi .wn'wi TA-.-a
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"America's Sweetheart" never did anything like this
before. She plays as a boy the role of the "little Lord"
and as a young woman the role of "Dearest," his
mother and both are perfect, superb. ,
CAT VATORF offers a special accompaniment by the unequalled Rivoli Orchestra, embodying
V .A 1 J l.La 93 different selections that he has spent weeks to arrange.
SANTA ELLA Usual concert today at 12:30 by augmented concert orchestra.
U U j im-''' " i in 1 -- 1 1 r
III -'! I.. -V -I: -I - ; - r s . "w U&. a V - i lift
a I K - -SF sV . . . W jT . J si K i 3w ' r W W . "
sWA MM.J
PRICKS This production Is nlayinr
att 9-i at the Apollo in New York and
In other mNtem rltiB. Our prices are:
Mntlaee. till 5 P. M., admisstion. Srct
lorM c KveninKM. admiMiiun. M)ci
lotrea, 75c. Chlldrca always lie Ail
yncM luclufliv ot war Ulx.
f2 ' ft: -V-. . a iii's ' 1 ni 1 t m ' 111 r -i- - - -rs--- - 1
associated with Sessue Hayakawa. the
Japanese star, for some time, directed
Miss Ftorey in "The Greater Profit"
and the artistry of his efforts has
been given full expression.
In ths supporting cast of "Th.'
Greater Profit" are such well-known
players as Pell Trenton, who plays
the part of Captain Ward Ransom,
l.loyd Bacon, son of the famous Frank
Bacon, star of "Llghtnln' "; Lillian
Rahbeau, mother ef the stage star,
Marjorle Rambeau, and Willis Marks.
DUAL ROLE IS IMPERSONATED
"The Great Impersonation" Fea
ture at Circle,
James Kirkwood has a difficult
dual role in "The Great Impersona
tion," which la at the Circle today
and tomorrow.
The skill required In the portrayal
of this role will be understood when
one considers the fact-that Mr. Kirk
wood must enact two racial charac
ters with entirely different charac
teristics one a German, the other an
Englishman.
The role becomes further involved
when, as ths story develops, it ap
pears that ths German has killed the
Englishman and Impersonates him In
Britain, acting as a spy of ths im
perial Prussian government Just prior
to ths great war.
After many- thrilling scenes, a
smashing surprise develops which Is
calculated to make the average no
tion picture fan gasp It Is said this
finale is unequaled in interest and
dramatic power by any similar situa
tion ever shown in a motion picture.
Mr. Klrkwood's portrayal of this dif
ficult role Is highly artistic.
This Paramount Picture Is an adap
tation by Monte M. Katterjohn of E.
Phillips Oppenrteim's novel. Ann For
est, Winter Hall, Truly Shattuck,
Alaa Hale, Lawrence Grant, Fontaine
La Rus and other noted players are
associated with Mr. Kirkwood in ths
all-tar east.
ISN'T IT GREAT TO
Rare Treasure of Art Given
to City of Paris.
Collections of Mr. and Mrs. Edward
Tnrk, Americans, Innllrd In tne
Champs Elysecs Petit Palais.
PARIS. Nov. IS. The deed of gift
by which ths city of Taris be
comes possessor of tbs art collections
of Mr. and Mrs. Edward Tuck, with
1,000.000 franca for their Installation
in the Petit Palais, Champs Elysees,
has been signed. Mr. Tuck la an
American philanthropist who has long
lived In Paris.
These collections Include tapestries,
tapestried furniture, furniture, pic
tures, china. Sevres and Saxony porce
lains, Battersea enamels, watches and
several articles connected with Ben
jamin Franklin.
Of the tapestries, the principal piece
Is "Psyche Led by Zephyr Into the
Palace of Love" and "Psyche Show
ing Her Riches to Her Sisters." manu
factured at Beau vats, after designs
by Boucher and formerly in posses
sion of tbs dukes of Marlborough at
Blenheim.
Among the furniture is a sedan
chair of unusual model, painted by
Jean Beraln. which was made for
Madame ds Chartrea, niece of Louis
XIV.
The pictures include some rare
primitives, "La Belle Jardiniere" by
Boucher and two Fragonarda.
Benjamin Franklin is represented
by his portrait by Greuse, another
portrait attributed to Duplessla, a
plaster statuette by Cafflerl, probably
a model mads by the king's order for
copying by ths Sevres porcelain
manufactory, a terracotta bust by
Houdoa (1T7S), a portrait In wax by
Madame Tussaud. and several terra
cotta medallions by J. B. Nlnl.
Edward Tuck Is a retired banker,
born In Exeter, N. H-. 1842. who grad
uated at Dartmouth In 1863, where
later he founded the Tuck school by
a donation of 1400.000. He was
United States vice-consul In Parts In
mm
-AND INTADDITION
-TO MAI2Y - THE
GREATEST CHARACTER
PA&T EVER CREATED
"GRANDFATHER EARL."
PLAYED BY 'CLAUDE
G I LLI NGWATER
cTX: i
1 - - i-r
LIVE IN PORTLAND?
v.. : - - : . , ' 1
3S86-98. He built the American ho
Pltal In Paris and with his wife. Jul
Stell. has been a great benefactor
the town of Reull, close by which !
lives and to which he has given
hospital and public park.
lie has made many gifts to Ma
rnalson, former residence of Napolec
which Is Just outside ths gates
M. Tuck's country house among the'
the Iron he'd on which Napoleon di
and a rose garden containing all t
kinds of roses that Josephine on
grew there.
STUDENT MAGAZINE 0U
Engineers at Corvallls Trepa
32-Puce IMItton.
OREGON AGRICULTURAL CO
LEGE, Corvallls, Nov. 26. (Specla
Ths Student Engineer, monthly pu
ltcatlon of the associated engineers
the college, has broken from custr
and tradition and put out a 12-pa
masrazlne with a two-color cov
showing a picture of ths White 8
mon generating station at Wh
Salmon. Wasn.
Electrical engineers and ths elt
trlcal engineering department pr
dominate the lesue, practically t
whole subject mattr being a'o
!ftrii.i l(n Protect In ths we
supplemented by a plan for a supi
power connection on the Psclfio cos
suggested by Professor Dearborn, a
explained.
Pictures and statistical charts gi
life to ths pages, and alumni notes 1
Ject personality Into the publlcatli
John C. German of Portland Is t
representative of the electrical en
neertng department on ths editor:
staff. Sidney Dean of Castls Roc
Wash., Is editor in chief.
Masons Postpone Decision.
GENEVA. The international :
sonic congress here has postponed t
consideration of the question of t
admission of women to Freamasor
until the Brussels conference In 19
i " '7 .,
- - - '-ni if- - ' 1
r
Prrfnrmnnre enmmrnce on t
day nt 1U:0 A. M., Vl:i. S, S, 1
U I'. M. DiMira nipn at KIMS A. M.
hunilay nt ICI.:C. 1:1... S:20, 11:25.
anil V:35. rii-MHA attrml thn as
yerXoruutoccs it ou puuibl can.
tierow
4 . ' ' t
1