. '. . ' '. v ' ' " - . 4 " THE SUNTJAY OREGONIAN, roirTXANTJ, FEBRUARY 18. 1917. " " 1 ii - ' K r -3!1 ' M 1 ' -' V :- J - -7" ) xnx1 i i t iL N I! . IH- .v .. A-l -A- ' W-' I awarded to Horkhelmer Brothers by TODAY'S FILM FEATURES. Broadway Kitty Gordon, "Vera the Medium." Columbia William S. Hart, "The Gun Fighter." Sunset Norma Talmadge, "The "Social Secretary." Star Charlie Chaplin, "Easy Street": Kathlyn Williams, "Re deeming Love." Peoples Alice Brady, "Bought and Paid For." Majestic; Valeska Suratt, "The New York Peacock." Globe Mabel Trunnelle and Marc MacDermott, "The Destroying Angel." Now that Mary Garden Is about to 3have her dramatic personality project ed upon motion picture screens throughout the world. Iter managers, the Goldwyn Pictures Corporation, Jiave determined to inviV motion pic ture audiences everywhere to have a voice in the selection of her photoplay productions. Goldwyn aske all observ ers or pictures to make knowr' the play in which they would prefer to see her on the screen. Opera lovers have spent millions of dollars In tickets and season rentals lor the privilege of hearing and see ing Miss Garden in "Thais," in "Sa lome." in "Louise," In "The Juggler of Kotre Dame." French audiences have seen this dramatic artist achieve su premely difficult things on their stage. Before a motion picture camera she Imay prove the greatest surprise creenland has ever had. Goldwyn could arbitrarily select some play or opera wtih which Miss Garden has long Ttteen identified and decide upon its production, but it prefers to let the public have a say in the matter. Shall it be "Thais," a story known to hundreds of thousands of you? or "Salome," or yet "The Juggler of Notre JJame"? If you have still other plays in mind there will no way for the Goldwyn of licers to divine your thoughts unlees you write to them or to Miss Garden herself. The final determination of her first Goldwyn play rests with the majority vote of photoplay audiences. "And why shouldn't my first play be greed on in this manner?" Miss Gar den asks. "If I were tinging in con cert I would have certain set numbers, hut my encores would reflect the pref erence of my audiences. If there is that democracy in opera and in. con cert, there should be, and is, an even greater democracy in pictures. "In opera and concert I fe'tel that I have reached but a remnant of the people. On the screen I shall reach the people themselves almost all of the people. So why shouldn't I do the things they wish me to do? I hope the volume of mail in response to this in vitation is tremendous. I shall an- Bwer every letter I receive and be un der obligations to all who write to Me." Alice Brady, star of "Bought and I'aid For," started on her public career "with a rather small part, under the management of the Messrs. Shubert in . musical piece called "The Balkan Princese." The first-night audience voted h-er (rxtremely pretty and attractive, with-i . sweet voice and a charming manner. Khe had not much to do, but the little that fell to her lot was executed capi tally, and William A. Brady, her father. Wis not the only person in the house who instantly perceived that she "had Jt in her." From that point Alice Brady passed Into the big Gilbert & Sullivan opera revivals, playing at first the secondary or ingenue roles, and playing them so well that- only a ehort time elapsed "before she was a very highly success ful prima donna singing -all the so prano parts in the famous all-star productions of the Gilbert & Sullivan repertoire After that she passed on to a widely divergent series of dramatic charac terizations, ranging from the lightest of light comedy to what are known in stage parlance as "emotional" impres sions of the most tear-compelling de scription. She was coming along so fast that It was only a question of a very little time when the moving picture mag nates would be after her, and, surely enough, they came. During the filming of the latest Chaplin two - reel comedy entitled "Eaey Street." the inimitable Charlie was called upon to hold a squalling in fant for one of the big comedy scenes of the production. As the infant was handed out Chaplin gingerly grasped it by the shawl enveloping it and held it wrong side up until they, were ready to start the camera. . The child evidently thought that it was being very ill-treated, as it let out l most unearthly yell and screwed its face into the worst possible contor tions. Nothing daunted, Chaplin kept n. firm hold on the babe and finally Sfot it in a comfortable position. The baby kept on crying, but finally at light seemed to light the little tear dtalned face and the howls ceased-. Sud denly a tiny hand shot out fro; under the shawl, Chaplin jerked back, but New York Peacock." ..VV XZ V,.t T'.. "l ' - - I I ' in AVf not in time, the fuzzy adornment on his upper lip came off and also a part of the said lip. Finally in order to go on with the filming of the scene, Chaplin had to re pair to tthe dressing-room to get a new mustache. The babe held tightly onto his new possession and even went to the extent of insisting in a way all his own on taking it home with him. Many are the people who would give a great deal to have gotten a hold of Chaplin's mustache. The career of Kitty Gordon, star of "Vera the Medium," has been as spec tacular as her beauty. Beginning in the London Musio Halls, she quickly won the attention of the British public and became one of the most popular musical stars in this country. Her mar riage with the Hon. H. H. Beresford, the youngest son of a noble British family, gave her a distinctive position in aristocratic society. In America Miss Gordon has been seen as a star in a number of highly successful musical comedies and light operas as well as in the principal vaudeville theaters. Last year she suc cumbed tothe lure of the moving pic ture camera, ana although hampered by inferiority of scenarios and produc tions, her first film appearances proved her exceptionally equipped to become one of the greatest screen stars in the world-. i ' Though William S. Hart's name never appears in print as author or co-author of any of the stories in which he ap pears, he could rightly assume part authorship of many of his vehicles. This is especially true of "The Gun Fighter," written by Monte M. Katter john. an Ince-Triangle author, who iays: "When I am put to it for a Hart idea I hunt up the screen's foremost 'two gunman' and talk Just talk. I never suggest stories or ask about parts. We chat about border characters of the past, incidents r.f their checkered ca reers, and the like. Bill Hart knew many of them. He has read about every gun bully who ever gained reputation enough in that line to preserve his name for notorious mention. He likes to tell about them, and his way of de tailing events and incidents Just nat urally suggests a story. ' " 'The Gun Fighter' is the result of one of these conversations. Mr. Hart realized it and told me so the instant he read my scenario. This method of working, I have learned, arouses the star's personal interest and in every case, assures a good rendition of the feature role. And I have other Hart stories coming, in which the chief char acter had a silent hand." Marie Doro has begun to see the light and now realizes the real mean ing of tie words "'moving pictures." Atiss Doro has discovered that the word "moving" refers not to the pictures but to the stars. Since becoming a photoplay star, she has traveled over 12.000 miles in search of settings for her productions. Beginning her motion picture career at the Famous Players studio in New York, she went to the Pacific Coast for one picture and then returned to New York to do "Diplomacy." Then she was transferred to the Lasky studio in Hollywood, where she remained for several n.onths, starring in "Oliver Twist" end several other notable pro ductions. Now she is back in New York at, the Famous Players studio, having completed a circuit of 12,000 miles, exclusive of a Journey to Florida and many phorter trips up and down the east and west' coasts in search of locations for her pictures. When Mis3 Doro first became a bird of passage she used to destroy her stationery every time she moved from one coast to the other. Now she Just packs her California writing paper away when she comes Cast, because she- feels sure in her heart that she will need it again. The experience of Miss Doro since becoming ,a star on the Paramount programme should prove an awful warning to those stage folk who dream of becoming photoplayers because it does away with the necessity for trav eling. Olga Grey is a graduate of one of the big European universities for women, and since affiliating with the Triangle-Fine Arts studio as a leading woman has Interested herself actively in the conduct of the studio school for Juveniles that is run undar the aus pices of the Los Angeles sPliool board. While she was a student Miss Grey took a special course under Madam Montessori. originator of new methods of educating children, and recently she obtained the permission of the school authorities to inaugurate in her studio school ft course of Montessori study. George Stone and the Burns children are now receiving instruction in this course and are said to be making ex cellent progress. Miss Grey is also tutoring the youngsters in French and Italian and hopes to give them at least a vi orking knowledge of these lan guages. And now that Mary Piekford has completed her work on her newest pic ture to be released in March by Art craft, "A Poor Little Rich Girl," the matter of shipping her many pets s 1 HCuium, nao vwn as spec l ; v ,-.y r ff 7f Z . .rySl7' S-sLa! i-. ? across the continent- to Los Angeles, where she will produce her next photo Play, is occupying much of her time. "Hulda," the famous duck that swam all' the way from Chicago to New York in a Pullman wash-basin, expects to break this record by swimming from New York to Los Angeles in a tub like arrangement, especially built for her, and in which she will have plenty of room to display her aquatic talents. "MacTavish." the truculent parrot who recently lost his Scotch accent on which account he was about to be executed by his master when Mary saved him, will make the trip to Los Angeles in a brand new cage. Various other mem bers of Miss Pickford's large family. including "Sneeze," the pet white rat; his mortal enemy "Fritz," the big black cat, "Jack" and "Jiil," the two descrip tlonless little mongrels found homeless by Miss Piekford some months ago and several other quadrupeds are to be made comfortable. It is expected that George Pardy, the well-known veteri .or j ji . 4 , r. , v ", - NEW The dizzy, swirling;, ruinous white light life of New York you can live it for one night with safety. NEWS narian, will have immediate charge of the animals during the long trip West. "Adam." the prize camel, who ap peared in "Less Than the Dust," and re cently prevented a Hula act from go ing on at a Bronx theater when he ate the straw dress of one of the perform ers, has rebelled, it is said, ovy the fact that he is to be left behind.. For many months the camel has been re ceiving the kind attention of Miss Piekford at her Fort Lee studio, where he lived in a big. stall, and it is little wonder that he should be broken hearted on parting with his benefac tress. We love nature Just as much as the next fellow, but enough is more than a sufficient plenty. We hereby want to register our mild protest - against the over-abundance of "back to nature" close-ups dragged into almost every one of the later dramatic subjects. Most directors seem to think that unless they phow us anywhere from 10 to B0 Special Foxf ilm Comedy Feature in Three Acts "THERE'S MANY A FOOL" A BCRLESdUE OX A FOOL THERE WAS." ii Him in i jumiwim iiniiWJ ii iiiuliiiii I in n I 1 1 i . 11 n u I feet of the star feeding a kitten or lisping sweetly to a canary w won't get the Idea that the girl Is the sweet est. most home-loving thing in the world. There is some appeal, of course, in these touches of homeliness, but when they are dragged in by the heels time and time again we do get sort of tired of them. Within the past week we have not seen only kittens and puppies a la closeup, but also suckling pigs, calves birdlets. calflets. horselets and almost every other kind of "lets." After hours and hours of painful figuring we have reached the solution that if every ani mal closeup now lying In a dramatic subject were clipped therefrom and placed ent to end, the result would be a high-class educational equal in length to 13H times the height of the Woolworth Tower and capable of reaching from here to there and back. Motion Picture Mews. . A million dollar contract has been , ?t . JHL A woman with 1000 wonderful gowns and the only actress who really knows how to wear them. 11 A. M. to 11P.M. j the General Film Company for 63 fea ture pnoiopiays Ol mur reels eauu. a ma Is said to be the largest order ever placed In the film world for photo plays. They are to be produced at the Horkhelmer studio, in Long Beach, Cal.. during 1917. The plays will all be screen versions of the strongest stories appearing re cently in such magazines as Alnslee's. the Peoples, the Popular and other Street & Smith publications. One fea ture is to be released a. week. These productions are being produced by some of the best known directors in the film world. ' Bertram Bracken has Just returned to the Horkhelmer fold again, after a season tn the East, where he directed Theda Bara and other notable Fox stars. Cdgar Jones, late of the Metro forces, is another director who has' been enlisted by the Long Beach studio. The two other companies are charge of Harry Harvey and II- liam Bertram. The productions are to be of the highest dramatic quality. Some of the foremost screenplay ers of the newer generation have been en gaged for them. Among the women are Kathleen Klrkham, Vola Vale, Winnl fred Greenwood, Louise Sothern, Mar garet Land I a, Gloria Payton, Ethel Ritchie, Mignon LeBrun-i Male leads will be taken by Arthur Shirley. Clif ford Gray. Melvin -Mayo, Cullen Lan- dls. R. Henry Grey. Lewis King and James Warner. Max Linder. the screen funster, was born in Bordeaux, France, in -1883. At 12 years of age he was sent to an art school to learn sketching. After two years he told his parents It was not his calling and they sent him to a musical school. He decided this also was not his career and asked his par ents to train him for the stage. Al though the elder Linders were actors they flatly refused. Max pretended to attend the musical conservatory, but instead registered in a conservatory to learn the srt of acting. In one year VlTAGRAPHf Excitement grows still more intense, action swifter, interest more ab sorbing, and the story stronger as you watch the unfolding of each episode of The Secret Kingdom THE SUPER-SERIAL OF THE, SCREEN In this week's episode you see the Prince of Alania in desperate plight fighting for life, the sealed packet and the winsome princess. All the secret emissaries of the bold usurper are arrayed against the rightful heir. Sirens beckon bim, spies trail him, in their re lentless efforts to encompass bis destruction. Charles Richman, Dorothy Kelly and Arline Pretty are the stars of eThe Secret Kingdom." Read the synopsis'of each epi sode published weekly in this newspaper. Then see the great super-serial at your favorite motion , picture theatre. Don't miss this , week's thrilling episode. he won first prize tor his work, con fessed to his parents and they per mitted him to go on the stage. He first appeared at the age of 19 in the Classic Theater. Bordeaux, in plays by Moliere and other French play wrights. Later he went to Paris, where he played In the Ambigu. Begins, and Varieties theaters. He played in "Romanesque," "Cyrano de Berserac." and other dramas by Rostand and later in variety. At the same time he was working for' Pathe in motion pictures. When 27 years, old he quit the staga altogether for pictures, playing only with Pathe. The "Cinema Max Lin der," the theater named after him, now Is being rebuilt in the heart of Paris, on the Boulevard Poissonlere. He en tered the army as a volunteer when tho broke out and for some time was an, ' automobile scout, using his own ma chine, under the special direction of General Gallleni. After his automo bile was blown up by a shell, he en listed in the - artillery service. In tbe battle of the Aisne he was shot through . the lung Just above the heart. When recovered he Joined the aeroplane serv ice, but his lungs could not stand the change of air in rising to the neces sary heights. He was honorably dis charged. Thousands of suggestions are being received in the contest which is being held Jointly by the Lasky Film Com pany and the Los Antrelcs Times to select a fitting role for the next picture In which Geraldine Farrar is to appear," According to Miss Grace Kingsley, of the Times, one of the Judges in the, contest, history is being covered with a microscope to secure the best charac ter for Miss Farrar in her next Lasky production. The suggestions range all the way from a portrayal of the life of Mary Baker Eddy to a discussion in pictures of certain phases of the ques tion of birth control. ,The Judges in this contest, which closes this week, are Cecil B. D Mille. who will pro- , j m jJm 9: ! 9