The Sunday Oregonian. (Portland, Ore.) 1881-current, February 13, 1916, SECTION SIX, Page 7, Image 77

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THE SUNDAY OT.EGOXTAX. PORTLAND. FEBRUARY 13, 1016.
Thumbs Down: or, the Girl
Who Wouldn't Register Horror
It Always Can De Done But
There Are All Ways of Doing It!
I 1 .... . r h.a mriu.:
. i i..ir .-!..
imtnl n-i -
f-.lt lie
onde-.en.Ub'a eenee. me
ovr whi.-ii he had '' h'"
on who h h- hat er-ended mu,":
thouarit rul tr.HlJM bore ;""l
nmitke:a sign ta! II aboit
t. in nam" from "'ril'
" i5itnrt of olr one
I-,. to bo un. but. ah. what dif
f.r.n - in the n.nlri: Tou r. I'.
t tht.
I'ruj.' wa th : 1 1 - of an un-ia'-ial
. tano whtrb lure-lor tnaiuw hat
l !! w ttb J-.jr
for l had tn an
. fri Cwj.! y writing
gooel iM rijn-lh(
n4 ty en .-: ta'
i,fT a..n In p'ota.
had .elated om
fjrbihd ui a
other had f irtht II erxi.-ae ti.-ne
before and n I tl la a orl.inet. flc-
fIj. - j
1
r
T I
(aia aokW a
h ha4 II nail.'
l-tr.e thre m-it b. rf
ef I a poar I4 Itini) had t (
Work -d aa-ain. but It hid -r,a
I.tr. tor Wjtnt h I" Tf "(
h a f .-!! -ri:- t- hf h...r.
tha fi h mn. barnln. hia drop f
tir, taa )arnia fatii'r h pro.il-
wa, a oun lwr hi Br.t r.
ant had t t work wun tin. iz-r
an. I tilaUty to make a punor. I J.
a rea. p.-frr
ft aapp4 fat one of l' part
cK for. a--orJin ! ta ' I
X-irv tor lrnl". a rathrr ur.uul
tvpa of K'rL iu aniou ara re
r- hd f r hr hm b l t. i-
aianrnt "ltra. altra tht horl !
fe and aaplranta -. hoi"d l'
k iilru. a:t wlLboul rlnlr ma on
at hart Jrlr-l- Ton . hJ-I
to t a girt comblnm .eic tvauty.
t.n !' r.- tat Br. Not all of tie
thr drairad I'lV.it.-a bad th l'ad.
aura who bop4 to he and a-
'llmiHf Ito waa Ha W.rale."
errant (Ha hel la b ettraa M IM
pit'ir lt. and at jrln wofnj
boura lirctr Ienlow bu.d h'mae.f
witr something '. h' off dut
wa on a eoailnual stilt h int f"r
tie nlniai link who waa to com pl
tta work e' art.
Tea. at laat. fc Saw hr On a trt.
ear. bb got at at some nnndeaerlfl
air. h war a onderlrt n
I tm. me waa accomr-ant- by a non-tfe.-r'rt
eorr pan ton. Pit she hraelf
wa not Road rlRt. Mh Bower. lit
a ftrulienl gseaaium from a dinar pot.
"CI a a ah tura4 bar brtlUant
WEior kim IMrevtor rtw gaaoej a
t; from Impact wl'a i working end
r a flr aaa. Reeeel. b a
proa.-k4 her ea-d. lift In hi bat. start
ed t aph. The) girl erad hi calmly
aa4 aa Li ca.mlr ta her com rtoa:
- maaK-r. Fit bin. cnier
t row whk h tk rapaaloea r'-le
f'it:t haipln from hr rot an4
waiM unrrouMed'y fca lnr-l It
wt.r It weuid have l tn nnoat
tarn hat tk rraairin, aprewr-la-
'.7-T. wia "lle tor. m at
fiat" I laa Ihi g-t- II a a f--lw-l
a m i n
pirtter Nana, rtlaiac hie y
t k till traen wkfcrkj hi d : l r .
trtt row THr. rtrrt tar or J
.win rr."rTr. rttiriu
Mary V V-atlte retailed
tk Mkt Wuaaber of o. tat
wek. Ile picEer. th.rfof.
l I appr In Th rrm of a
Fb!l Fa'-' nf fndy. Of
tit ether player voted nra tf
f lMla ' are th l-dr:
rlrt Trwwbrtde. Ia'rlt
c-bale. N'ai, K are. f I u
l''a-a. dial Un Jjm b4
Uti:aa Cub.
TH BALLOT.
ro.'a th pleaaarw
ai aaalaf
the t.torh ef
aprr
la tk reamv oa
Pwbli fa voe
f Wk from aest faanday.
Mm
had cm and brhoMlng In the uni
formed cn a man who bad sometimes
wr,! for him. caught said deliverer
by t!io arm ami told him the why and
the wherefore arid b- kd hltn to '
hi power of .erir amn to gel Ihc girl
to a-f.:r: any Mm. I-lreclor Wnslow,
to tr al'ldto.
To uia.c a lone alory ho' the T
otie one f-rally ronrntrt. Tho of you
who have panted a a hart after lb
a t'.er bn"in for Ji-l im chance to
h'( w Jl y-J r .i;. Jo In j.U-lur
ari l hiirii: un.'-rnn.l tho alllliu! of
Natria borclna :h.it a her na:na.
yr. wa nil In th Irani thrlllrL S'ia
aM . a!n:!y hr ril In't l;ke mot.on pic
,, rr hl cory n-'n to In her UTa.
Wltft tie -: l.l'irblnl ralin h
M. krrr-t orr It-al rv. raltn hr
pru 10 r.:ii vrry time a. um l
n ntl-n-t. Iltvrr. a rontra 't
ftially :find aiv.1 th a--tual work of
l.n t! ft' l ira r.-iirrrnic1.
Thoujh y.itlie. i-r n.ntrait. mnt
h a'. Ihf t ii rry t y troi.i :o
nr.lll S. i-ie .ia by no inran ron!in
ually tr !it. Afl"T hc a on'l
mat" up. k'r tinio ma her own pro
.'J h h:T within rail an i o h
ra plety rf oi.rtuni!r to l"0
ar'tr.-i. i ro:i!-r. or fall In lova.
wl.l.'i U't l Jut prorerll
t'l ! ''" ' !oro "I'h th r.
JWo,r ,:! Hrown w a o in chan,
anwarrie.1. f-ilt -f th Joy of life and
al tr rrorerlt
an un ii'nnri i.iri. in o
Birl inf atatin fir b.n. thr-rcfi-re.
aa oon h it--or r 1 It. Catt--rr4
h i.n.li. Il-r biuir hida at
Iractrd hii". an.t whrn ct workln be
int wi'l'i ".! of I I time t.;j
ln( ab-ut wl'h br. A f r Nu!'.
h ro-:!.i thti 5. t! potliml :. To to
prf. tly frank. i:niir that I jaurlant
tror of unruSjr hair thrr w iv.oatly
n bu-ly b.Miir. an a) . At loal w will
b frani)
And dawnrd th morn In of Pl-r-
lor In!ow A fr
ami IN ' r I w It. A far
ar.ytbLua ' nt h an It. II
could nrit."-r r I'. iHii- uta nor brow.
b any in(oti!rn-- Into her work,
ai. waa n-'n t..n-p inrniia whrn
:ruwn w J vt a' 'l and not! compoe
r ar.t.r hn b w ufcln rr.e
of r or t ar.
-And thi.. !. ' h' '" h'1'1
ti r.'fre t rr I'trevtor Wna.ow
r..n-l lljt h labored on. And the
ljy tlrrw when t b.u acrne
mul b Ukm-ar.d l'o -rnari. bad
It trial Nju;; i.iui hutd thr center
of tb a!
"j low h.'rrorr- eroaned th director.
"Nk po (bat ln I horror! V04 oo
I. a a dlna ca:f. Wereo't ) ever In
an estrth-tuahe or a ull r. or any
tH;n;T l-Mul r)U:ii r horrify
ou: I Hint yoi know tie i:ienin of
tbe word? ta-ar"
- tb'ointf. Nata i replied calmly.
My fr ta.l mjr etapmother.
Put U waa :i rlkht. S.ie bad It com
ma "
-Mood Lord.- praye.l IVnulow.
ma trncihr And et a h praya
th Innrtratlon earn, tie eto;'id work
abru;tlv. anno mclns lat le
ne
won' J be rurttlnunl Ibe loiiowin na.
Natal: departed in aearrb, of Brown, zsr-r'---
aha waa n.-t t- h found, and want
diaconaolately home. Gradual! t.'ie tu- iMatlr.- eye. Iho.e uhllenin Hp, tri
al. btMldln emptied. The laat to leave ajW'e:, t.KbtMin of all the mu.clee
... n,, actor rwn.low. and be was mr-
tilr whlatlln lk!tUe.
ru-fore lb actor appeared In tM
Biornina- be waa on th Job and dap
B.ifh Ylm earner. DUO.
When I turn try thumb don you're
to crank." h ordr-L "Now. no slip
up.
-No cban. .- the non-committal ge
nius of the machine replied. He lit an
Inspirational rlearott.
An$ tb worker assemble 1. all but
Natalie looking rather bopelrsa. Nata
... , . i j v it. .in't Krown 1 it
kia-d her lly behind a convenient
door? Work beean.
Hot what wa tMa Wa tbe Italian
O.rl -ei:y a er:i In . :." a
arte ..f ! d iat liiat I'ia and !:em
hardta at mad of? rr h wa rea-.t-n
horror hirrlbl horror! Thoe
TOPIC OF INTEREST TO
MOVING-PICTURE FANS
WHY ar to r-.anr p. p.e lea i are
t .1 of their manner. In a motion
r,. tor. theater than they are m
other pia-ea of amjmnt?
I1 o. .r hear of a man taking
an ;l .mailing cKr butt Into
alt. mate theater; I yoj e men anl
women hcnc nd .! I" legitimate
theater or vadei:; bou- or hr
them abuae Babr when ronrtantf T
ak4 In more alorg? Tei you
avpt waa.lerln all over th theater
or th vaudlli houaea. h"d!c of
tk rom'ort of oiltera. onill tbey ba
fount Ik a-at they want?
-f rmru n. t. tel the are daily
a.nnrn.,1 in maoy rnolio" plct'Jr
kooae. kfc ahould lhr b on c.-te
foe roa-n.r for th leg tlrr.at the'-r
oe ufll ho-ia and another f-'r
tk motion picture tbeater?
Thou ah: inni rather than rv.wrih-
i ik cau.e f a mciloa pl-'-
.rantl moving, tk c I for a liitl
aonableiktioi I t fa conTenlenr. an l
romforl of other la ralr thai In
otker pi., e. ef amieieet.
tm ef th ireateii ul of ha
root on pi. lur theater I th- chatr
bii. photoplay hou ar rornaniril
pU.-ee far people to drap Into to hl
ir from Inclement weaihr or to rt
a while.
Hot ire pamenl of I- rf IJ reata
doe not gN an too a icn to dial
ler nrr...4ntly and mh hlm.c'f oe
bereif a nulaanc to "O""' around.
oi met unorant and Inonalde'al
chatterara la ry place of ami:a
mni. but a wf.aerlng leok from an en
tered neighbor la genrraly i!f.'.tlehl
to produce t effect desired In a 1
gltimat th.tr.
1'nfortunatcly. auvb ta not the ra-
la the n.o'ion pklira bou v . A pro.
l-ai too otten brina n ahuaiv re
.loder en frora PT' w''0 ought
in know batter. It la a.! a uueiti.T. of
aoi ate and fi'HUUvu c crtva.
IaJ-.ct.x J-u'uva rlctuit
A is ! ' o
7c '"" ' o i
o - - v- i V
to s - f y
rg ... . 4 I gy
I O " , .) nrfjLj:- ,. o f
' ' 8 1
So . - o I
1 1 q! . .. .... . . . of
vl i K. - --- - - wm m
Al.r X ANI-r
the Gail
li waa
I.KXAM'KK OAPK.V la new wltfc
aumont Mutual Company.
formerly with the Unl-
naraal Company. I'fl l a Canadian
fnlve'al Company. He. la a Canadian
and w.ia born In Montreal. Fabrnary
1. Hrfore uoin into picture he
WB- on n. Ktim.ttc at
where n
or br o:t younir iac. me
of t'i formerly Immobile bands until
the knuckle were white. And what
wa 1'iM? A trickle of blood? Tea. It
waa. from the under lip. where
ber
..rail wMte le-th had unk suddenly.
rwtr h.r.ilow'i thumb went
down. Th camera turned. Th lrl
trout!-.-! leaned forward, sprang sud
denly. "Camera:- shrieked the director. The
camera stopped. The big acen had
been taken. Ti e picture "waa Bnlahed.
And neein for dear Ufa were Blake
mown nn.i a in n - .. -
-ly careainT ni i"
iroment within plnln view of the girl
who wouldn't ret later horror.
iTtirrr are many aldellnhta to the
t.r,n-al on "How Picture Are
:de! )
theatre 1 not the proper place for a
man t- laV" hi poat-prandiel nip.
There la n ryed fnr Bopl- lo ap
pear I I brd Ju..t beius tbey hap
pn to b In a motion plrtnr thtcr.
A little cor-.tderelrvn for the feelings
of oihr and mlntenne of their
own eif-repect on Ih part of pholo
p:T patrona would h!p manaeer and
make for much greater comfort and
pleaaure for a'l.
The deapicable pe.t who molet and
Inauli. women ar.d girl In the smaller
pi i ir bi'Une ia t.comlnr eilnct.
Ila:iui-l offend- ar anowii to moat
maro.'K. but be.tter Hichtin; of In
terior old rttr than anything else to
ilrlve tMa pat from pti tu-a thaater.
Another thirg which eom motion
picture palrora rrishl remerrber with
advantaae lo thrmaelvr and others
I t at uaheis ar provlde-l to aaalat
aaleoo I'.ber ar human beings
wl-h'hnman f-elma aa well as human
faians. Trey are at leaet woitby of
Se a - r-ir rou'leay and mn.iderallon
tv.r a, a In eiirnd to the lltor.'
a a
Wi.4 ia eh? Ilow oia la ? What
color are her eea? What color la her
heir ia aha married? is she engaged?
Where was .he boTn? Was aha ever on
the stace? Peea she prefer the movies
or the tag? I ah the daughter at a
theatrical fartnly?
F !- and bundle of lettee-a have
bean written aaking theae and a tbou
aand other inaiiona abmit that !
Ireinely fopuiar Itltl wreen star. Mar
g terlto Clark, till th etre.a of them
rauaad U.e editor of Photorlay Maga
sire to demand that there should be
written an otTirlal account answering
a l q.icatinner once and for all. fhe
I a sirtaer as well a an artreaaKho,
waa b-rn In Cincinnati In HIT. ao ah
I : ' eara old, and I American to her
heart core. Hh went t achool at
ltron County Convent. In Ohi and
lado tier brat iUfa j g ycaxaoce ia ilal-
!.- la af.-u-k The laat nroductlon
In which h- waa featured waa "Madame
X." About four year ao he decided
to to Into motion r'ct'ires. and since
that time has been In number of
companies Famous Tlayers. Vita-
rapb. Life Thofo. Universal and with
.
tlmore In Two of her moat
popular photoplays are "Gretna Green"
and "Seven Sisters."
"When my alster and I were left.
both pretty young, with just a little
money in
the bank by the .death of
our father." saya Miss Clark, "we de
cided that we would not touch our
capital, but would start out to make
some more money, so that we would
always have a little to add to it. That
waa how I came to, go upon the stage,
and we have our lint little capital to
this day!"
Her eyes are brown, her hair is a
reddish brown almost tltlan . she Is
not married, has.no Idea of being mar
ried, and swears that she was never
engaged to be married In her life.
Have you any trained rattlesnakes In
Adventures of the Silly
l i. .
- " v I MAT AUK. I
I ' eT-etU.: J p'- f Ar tvt. frAwr a CoMPAbty
' ' Ace Cua' cuh mMtCK VOU W 4e
1 ' ewH Aw- 8 VtkeQ. CHlH I
AAut TUtry 3U5T rAT YOU I
7h Vjj ' sf ,v!SL.
el
the concern which he now favors with
his scintillating- presence. Mr. Gaden's
hair la dark brown In color, and he has
eyes to match. He Is 5 feet 10 inches
tall, weighs 170 pounds, and Is an ar-
dent auf fragist-er. Now, girls, I guess
you will go to see him act, won't you?
-
, ,, ...... , ,
your "home a docile pet that will s.t
ud and smile at the snap of a finger
and eat out of the hand without tak
ing part of a Anger as lunqfi?
If you have' perhaps you can rent
him to J. Charles Haydon. who is pro
ducina- "The Strange Case of Mary
Tage." in which Henry B. Walthall and
Edna Mayo are starred.
An ambitious young man who lives
In Baldwin, Kan., has offered the fol
lowing scenario to Mr. Haydon, sug
gesting that Mr. Walthall and Miss
Mayo be co-starred with the snake.
Read on:
T 1. 1. . a .nnncr TO a n fa hflfmen
agent and telegrapher 'at a country lace Reid irf care of the Triangle Corn
station. HU.o lonely he catches a pany. 71 West Twenty-third street.
rattlesnake named Gus and keeps it
around the. Telegraph office.
"Aftrr several 'years Luke (Henry
Gallilllas in Movie Land.
Walthall) gets a better job in the city
and he lets Gus loose to race the Held
again.
"In the. city Luke falls in love with
a girl (Edna Mayo), who turns him
down for a rich city fellow. So Luke
returns to Ms old home town three
years later and goes hunting. Out in
the woods he hears a rattle. A snake
is in the path, coiled to strike. Luke
raises his sun to shoot. Before he can
do so he hears the rattler rattle off
'Dash, dot, dot, dash, etc' on his rat
tles. "Luke stops astounded. The rattlor
has clicked off like a telegraph instru
ment the old call at the office where
Luke worked when he had his snake
Gus., Luke looks at the snake, who
wags his rattles happily. It is Gus!
"While in the telegraph office Gus
had learned the station call. Now it
saved his life.
"Luke, overjoyed, starts to pick up
Gus. Gus twists away into the woods.
(This will give suspense.) In a minute
Gus returns, followed by'Mrs. Gus and
a lot of little Guses.
"Luke gathers them all into his
arms and takes them home and lives
happily ever afterward."
Mr. Walthall was shown the scenario.
"At last!" he exclaimed. "For years
I have heard about 'rattling good
plots.' Now I have read one!"
a a a
Nat Goodwin Is the oldest inhabitant
of feature films and America admits iC
He was the first star from the legiti
mate sta?e to appear in what is now
called a feature film. It was "Oliver
Twist' and he expected to make
enough, or nearly enough, to retire on
from his characterization of the part of
Fagan in the ancient film version of
that famous story. Mr. Goodwin told
the story the other day when waiting
for a scene at the Mirror Films studio
where he will be found working for
some months to come.
"It was about four years ago,"' he
remarked by way of reminiscence, "a
year before the Famous Players began
to put stage people in the films and
star them. A man came to me with a
wonderful idea. He proposed to put me
in a picture and make a few millions.
It was to be a big picture of several
thousand feet, but as I did not measure
dramatic effort by the foot in thoso
days, it meant nothing to me.
"Well, we did the picture and I be
lieve it 'had some "success, but the daj
of the feature was not at hand and I.
at ieast, did not make millions. It did
add to the famo of Goodwin by heaping
upon him what was at that time the
i-omewhat doubtful honor of being the
first legitimate actor to he starred in
a photoplay.
"In those days we did not have the
lighting facilities which we have now.
If we had, I have no doubt we would
have produced a much better picture.
I never aald much about being in a
ANSWERS TO
Helen B.: Your baby must be a dar
ling. I don't wonder you are proud
of her, but I must say that If she were
mine I would not think of putting her
into pictures. Personally, unless such
course of procedure is absolutely ncc
essary to keep the wolf away from the
door, I don't believe in allowing chil-
dren to work at anything. They need
to gTOW an(j develop naturally in a
natural atmosphere, and no matter how
crean the atmosphere of stage or stu-
dlo. It is not natural. If you will send
me a stamped, self-addressed en-
j m you a gt of the
.
various motion picture firms.
Terslstent: My dear child, if your
letters were received they were an
swered. Sometimes, you know. it
takes a long time to answer questions
on this page, as I have only so much
n n n Artvrtt in nuHps and must
ii . in inrn Francis
answer all that come In turn, rrancis
X. Bushman's wife is a nonprofessional.
Mary Fuller is still in pictures. She
Is with the Universal company. Thanks
ever so much for your appreciation of
the page. Mighty glad you like it.
Billy Co.: If you will write to Wal-
New York, ho win receive joo.
Nellan Admirer: I have not the ex
act age of Marshall Neilan. but know
hlin to be in his 20's.
Gertrude H.: In "Cabiria" the part
of Maciste. the slave, was played by
At the time of tho
Ernesto Tagani.
presentation of the picture those pro-
moling it declared Maciste - - witn B colLX
genuine black whom Gabriel Id Annuo or ,nveilod
zio found walking along the wharis work best alone,
one day. Recently a story has been cur- wear diamonds,
ciliated that he Is white. The conflict- because the dik
ing stories are each based on author- mond is her birth
,ty. Umberto Mozato took the part -tone
of Fulvius Axilla. No trouble at all. (e(, o be a frieni
Write again some time.
Patient Waiter: Too bad you persist
in belnir anonymous,
for I have not
th, slightest Idea what your letter
rr,.n in order to play safe I i
means. In Oraer w pmj
make no conjectures, but will merely
Inform you that Francis X. Bushman
has been married for a number of
. n 1. 1 1 n Rcr-
yeors. lie nas .it -
erlv Bavne
is not married, i u'P"
that one might be able to obtain pho
tnai one nn..t " .
tograaphs oi ine .u
if when you wrote asking for them
. - , . a A ca In
yon mcioaen s ceni i-.i,i -
X do dislike anonymous communica
tions. Ruth: I have no personal Information
regarding the actor you mention. You
might write to him In care of the Es
sanay Company. IV3 Argyle street.
Chicago, and see if he will tell you
about himself. It was not he you saw
in "The Virginian.'
In
Marjory: I received your votes.
"Tha niamond From tho Sky" there
were 20 episodes. No, Charles Chap-
Iin is not married.
Irma F.: I am glad you think I am
nice, but I'll tell you a secret. I'm not.
I'm a b'ar. Mabel Normand is noi
. t i
Charles t.nap..n . w .i- , ZZi
would be all right for you to become
a moving picture actress when you get
older If you possess the ability. How-
ever if I were you I would not do too
much dreaming about the subject, for
the field is much overcrowded at the
present time. Better devote your cn-
ergies to something else, I am think-
Ins:. Write to Anita Stewart in care
of the Vitagraph Company, East Fit-
teenth street and Locust avenue,
Brooklyn. N. T. She would probably
answer your letter if 5 on inclosed a
stamped and self-ftddressesd, .envelope,
moving picture at the time, because as
the old English woman said when an
earl proposed to her daughter, "it had
never been done before."
The fact that Charles T. Horan. the
Rolie-Metro director, wears a light
gray velour hat, the envy of all his
friends, and a fur-collared coat, result
ed in his being taken for a duke not
long ago,
Mr. Horan took Mary Miles Minter
and the cast supporting her in "Rosa
of the Alley" to Washington to make
some exteriors. He asked his co
director, Howard Trusdell, to take the
cast to the hotel, while John Arnold,
the photographer, went with him to
get the locations for next day's work. .
Accordingly, the two got off the
train at Union Station. Washington,
separated from the others, and no soon
er had they landed on the platform,
than two aggressive-looking men
stepped up to the director and mum
bled something. Mr. Horan was pre
occupied, as usual, with vignettes, dis
solves and what-not, and merely nod
ded absently.
Mr. Horan invited the cameraman to
have a bite with him at the restaurant
in the station. They sat at the counter
and Horan, looking back, was amazed
to see the man who had done the
mumbling stunt in the station, and an
other, standing against the wall, keep
ing an eye on himself and Arnold. From
that time on the two moving picture
men began to feel strangely self-conscious.
They left the restaurant,- and
the evening being clear, thought they
would walk down the avenue.
The crowd that moves along Penn
sylvania avenue at night would have
been a good place to lose any ordinary
pursuers, but not these two. They kept
at a respectful distance, but they were
there every minute, and Horan and
Arnold were deeply concerned with
visions of spending a night in the station-house,
as suspects for some crime.
The situation was becoming tense,
when a man of the same general type
as the two came along in an auto and
called to one of the men. The director
and the cameraman stopped and heard
the man in the car say: "You fellows
are escorting the wrong person." They
steeped up to the trio at the car and
politely asked for an explanation. It
turned out that his Excellency, the
Duke of So and So, had been expected
on the same train with his valet, and
his Excellency was described as wear
ing a light velour hat and a fur coat.
The men belonged to the secret service.
V
A. de la Plaza, a famous matador of
the bull rings of Mexico, and Anita
Conrade, a Spanish beauty, play a most
picturesque role in the splendid pic
turization of life of the early days of
California, entitled, "The Water Car
rier of tian Juan," which has just been
produced at the American Film Com
pany's studio by Charlei Bartlett for
release In the Mutual programme.
MOVIE FANS
You are a thousand times welcome.
Ruth: I received your note. Pearl
White is still living. John Bunny is
dead. Victoria Forde is the daughter
of Eugenie Forde. Grace Cunard is
not married to Francis Ford. Y'wek-
kum
Stars
Mary Plckford.
Little Mary Pickford was born April
8 and Aries is her planet. Her horo
r ...
scope says that to be an Aries girl she
should
Be earnest and
sincere.
Have vurr" active
brains. (Bzz - Bzz
Ezz.) Be extremely ac
tive and adore mu
sic and dancing.
Have an individ
uality, thoughts of
NO ONE. CAN her .wn- and aI"
tXCTATE TO HER wa5"", imt.resg other
people
"somehow different."
Not allow anyone on earth to dic-
tate to her as lo what she should think
or believe.
of "Little Mary"
you must havo
hn born between
SUBJE.CT
TO fAS0r
July 23 and August 23, or between No-
December 22
Maarlee Coatello.
Pisces! That is the name of the sign
under which Maurice Costello was
. bavins entered this world of sin
a ,i it on h. 2'i
sorrow and motion pictures on the 2-'d
of February.
And Mr. Costello. In or-
d t follow the signs of his time,
siiouia
Be naturally In
clined to question
everything.
Be always on the
alert to learn what
ever ha can.
Re industrious
and persevering.
Be extremely de
termined. Not be particu
larly religious, tis
ualy subjecting tho
SuidECTS SPitbToi
TO MATR1
gpiritual to the material
ge inclined to despondency when
things do not go right.
Have manufacturing ability,
Be nervous, exacting, severe and
uii. .
business and do- 1
mestlc life. (O. Mr.
rostelIor 0. Mr.
Costelo)
Have a pale com-
plexion and sensi-
live skin and a full,
Vut or
exnlJarated by
chamrea in the
woather.
AD PtEWERIN&
Has for a birthstone the bloodstone,
and counts the friends he can depend
on anions those born between Juna 22
and July 22 and between October 24
aiid November 22,
' I
r
(V