TTTE SUNDAY OiranoXTAy. fORTLAND, JULY 23, 1913.
larger veils for wear with wlde
brlmmed sailora
Veritable awning rlrlpea does one
see on land and sea these days of
good golfing weather. A girl across
the links Is noticeable first by the
stripes in her skirt they are ur.es
capable. even half a mile away. Blue
and white stripes seem to be the favor
ites and usually the hard-worked caddy
bears, along with his other parapher
nalia, a sport coat or smock-coat of
blue to matcn the striped effect. Green
end white awning stripes and a green
knitted silk sport coat also effect a
smart golfing combination.
TOUCH OF VELVET TO HATS SOON
WILL MARK APPROACH OF AUTUMN
Sailor Covered With Heavy. Material Is Softened by Outstanding Frill of Pussy Willow; New Models Differ
Widely From Conventional Type.
STAGE PEOPLE MET AND OVERCAME
SOCIAL PREJUDICE IN EARLY DAYS
Small Towns in New England Frowned Upon Legitimate Drama and riayera. While Performances Under the
Guise of Concerts Were Patronized Freely at Music Halls, as They Termed Their Show houses.
Iodine Is Invaluable as an
Antiseptic.
Pexorfde ofIydroaea Shon! Be Ap
plied Inataatlr to 11a Prtrlt or
Scratch Iodine Will Cure Corna
or Callouars.
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BY AUGUST the rashlonable woman
Is ready to add a touch of velvet
to her headgear In token that the new
season is on the way. The airy hats
of tulle which form a becoming- halo
around the face have close-fitting
crowns of velvet and the effect Is
charming-. In one model the wired
brim of black tulle forms a sort of
aureole around the cap-like crown of
black velvet, and a soft bow of the
black velvet is placed on the tulle brim
at one fiide. Dangling ornaments of
white beads drop from the hat brim
at the end of each wire.
With midsummer frocks of sheer
daintiness, sailors of velvet are rich
and distinctive. One is a new, flat
brimmed sailor of the type Georgette
loves to create. Crown and brim are
covered with dark brown velvet and
the rather severe brim Is softened by
an outstanding frill of pleated brown
MILLINERY TO FORECAST CHANGE IN
SEASONS, VELVET PREDOMINATING
Sailors to Be Much in Evidence About Mid-August Tiny Toques Also Popular, While Sport Hate Are to Continue
to Be Alluring.
SOME time before the trees put on
their Autumn panoply of red and
yellow, womankind feels it. es
sential to forecast the coming season
by a change in millinery. And. in
deed, by mid-August, the lovely head
pear of early Summer begins to look
a little the worse for wear. Ribbons
have lost their crispness and sun and
tea breezes have done their best to
discolor straws and fade out flowers.
Borne change becomes necessary and it
is always so much simpler to buy a
new hat than to try to refurbish the
eld one.
Twenty years ago August brought a
gladsome array of bright-colored wings
to the millinery counters and with
these, and with bows of velvet rib
bon femininity trimmed over the Sum
mer straw hat, which took on, thereby,
a new lease of life, tiding over the
demi-season between Summer and
"Winter headgear; but that day is past
and gone and with mid-August now
comes the fresh, irreproachable hat in
advance Fall style.
Velvet la Favorite Again.
Notwithstanding the fact that velvet
has been almost done to death as a
Winter millinery fabric, it revives in
terest in Itself with astounding vi
tality each season and this year again
one sees velvet the favored material
for late-season hats. Many of the new
eailors are entirely of velvet and hats
of tulle and velvet in combination are
being worn with dressy costumes. The
wide-brimmed shape combining a close
velvet crown with a flaring brim of
airy black tulle is much in vogue for
August weir with frocks of sheer cot
ton crepe, net or organdie, and with
formal costumes of pussy willow and
faille silk. Such hats fit the head
snugly, the crown and head size being
rather email so that the hat sets high
on the hair and the wide, transparent
tulle brim forms a becoming halo or
aureole around the face. Women with
fair hair, or white hair, look best in
these hats, but they are worn by dark
haired women as often as by fairer
haired sisters and when the lines of
the brim are suited to the face the ef
fect is ethereal and lovely.
As for the big velvet and velour
sailors now ready for mid-Summer
teekers of new headgear, they are so
becoming that their vogue is assured.
The sailor is usually flattering to any
wearer not actually middle-aged and
when the sailor is made of black vel
vet, its dense, soft blackness around
the face, giving the complexion daz
zling fairness and making the eyes
appear more shadowed and darker
than they ordinarily seem, is irresist
ibly becomirg. Most of the Paris mil
liners hpve concentrated themselves on
sailors this season and every house
has brought out a new style.
Frenth Sailora Are Allurlngr.
Georgette is always to be relied on
for a stunning sailor and the Georgette
sailors keep much to the conventional
pussy willow taffeta. The small coq
feather ornament is oddly and smartly
poised at the edge of the brim in front.
Many of the new sailors for Autumn
wear show a wide divergence from the
accepted and conventional sailor type,
in brims that flare at one side. This
effect is illustrated in a smart model
of black velour felt with upper brim
type rathsr low, flat crown and wide,
straight brim. A sailor cf this style,
copied in New York, is of seal-brown
velvet with a low, soft crown fitting
the head closely, and a wide brim
made wider by an outstanding pleat
ing of brown pussy willow taffeta.
Pleated brown gros grain ribbon forms
a narrow crown-band rnd one of the
new, tiny coq fancies is perched at the
extreme edge of the brim in front of
the left eye.
Georgette is also responsible for- the
new "Boy Scout" . sailor which flares
at one side of the brim, giving the hat
an Irregular line. Made of field gray
faille classique with a scarf to match,
this sailor is particularly smart. Both
the scarf and the brim of the sailor are
boldly buttonholed in gray chenille
and the scarf buttons down to the' brim
with a chenille loop and button. Other
Paris milliners who have originated
new sailors are: Lewis, Marie Crozet
and Camille Roger.
Not all the sailors have conventional
brims; some of them roll up at one
side, others roll up all around. A smart
model of black, velour felt with low,
soft crown has a brim that droops at
the right side and widens and turns
sharply up at the left in rakish line.
Two bands of gold braid and a stiff
feather ornament which points out
ward from the crown lend this sailor
a military suggestion. . .
Tiny Toqnea Are Closely Veiled.
Lewis and Reboux have brought out
some small toques which fit the head
like a cap and which are not height
ened or broadened by outstanding
trimming. One sees these little toques,
mostly in white, and worn with neatly
drawn back white veils, with smart
tailored costumes of white serge or
mohair and worsted rep. or with suits
of navy blue serge or frocks of navy
pussy willow taffeta.
A model in mind is a tiny toque of
white faille classique trimmed with a
close wreath of large, flat white flow
ers with black centers. Over It is
drawn a white hexagen mesh veil
neatly pinned at the back of the hair
with a jet and pearl pin. The trig
little hat accompanies a tailleur of
black and white worsted and buttoned
boots of patent leather with white kid
tops.
At a country club dance the other
night a well-dressed woman wore a
white pussy willow frock made with
extreme simplicity the simplicity of
cordings cunningly applied and a
tiny toque of white velour draped with
a white veil of sheer mesh showing a
delicate vinet design. For It has come
to this; that veils are so excessively
fashionable now that they are worn in
the evening as well as with daylight
costumes.
Sport Hat Is Alloring,
Never has the sport hat reached such
beauty and luxury as this Summer's
models are showing-. In their gay silk
coats and graceful sport hats women
make a charming picture - of - color
facing In white. The soft crown with
its slightly gathered top-piece is in di
rect contrast to the stiffly blocked,
flaring brim and the trimming sug
gests the military Idea two bands of
gold braid encircling the crown of the
hat, while a feather "tassel" made of
short quills shoots smartly off at one
side.
against this Summer's background of
green and sea-blue.
During the disembarking from a
large sailboat ' that carries Summer
people across . a Long Island bay to
ocean and dunes, one Sunday morning
recently, the long procession of women
in gorgeously colored coats and hats
aroused many expressions of delight
from a group of spectators seated on a
hotel veranda nearby. The long pier
seemed fairly alive with brilliant
flowers ranging through the golden
yellows, deep orange, rose, petunia and
dahlia pinks and exquisite blues.
Cretonned-crowned straw sport hats
wih wide brims are especially pretty,
and the basket hats with ribbon bands
and streamers have a charm all their
own. One of these basket hats in
white has a crown of glazed black
straw with bands of white and black
ribbon. Shade hats for country wear,
of loosely woven, inexpensive straw,
have huge flowers cut from gay cre
tonne, appliqued to the hat with but
tonholing done with worsted. Other
hats of Panama show crowns of cre
tonne with trimming bands of silk
fringe. Some young women match
their silk coats with hat scarves of
colored pussy willow silk and wear
stockings in the same shade below
skirts of white linen.
Star of Court Plaster on Arm
Now Is Chic -
Malda Cover Marka of Vaccination
lT Small Star of Black. Making
Kleh Appear Marble White.
A COQUETTISH whlmsey of the mo
ment is the small star of brack
court-Dlaster on the- arm. If thnm in
a scar left from a vaccination mark in
earlier years, this coquettish bit of
court-plaster is an excellent way to
hide It but vaccinations on the arms
were a. mistake, of an older generation
and few young women have arms thus
mutilated nowadays. The saucy bit of
black, placed midway between elbow
and shoulder, makes the arm look
marble white and Is, after all. a harm
less conceit of fashion.
The pale can stockings so fashion
able this Summer with skirts of dark
material, are often of natural silk, this
shade having a particular delicate, lus
trous appearance over the flesh of In
step and ankle. With slippers of patent
leather, natural silk stockings are very
smart, worn with frocks of black or
navy blue pussy willow silk.
The new Paris veils are in Intricate
ramage. or scroll designs, and in defi
nite little figures squares being the
favored effect. More becoming to the
average woman is the American-made
veil which is designed to fitter the
complexion s well as to look smart
on the hat. New hexagon and filadora
pattern are ready In Fall veilings, and
1 many .. charming . bordure design on
THAT ammonia will remove stains
made by tincture of Iodine on un
derclothing, bedlinen. etc.. Is a thing
to remember. The ammonia must be
applied before the material is touched
with soap and water which immediate
ly set the stain.
Also remember that iodine is Inval
uable in the household as an antisep
tic. Peroxide of hydrogen should be ap
plied instantly to a pin prick or a
scratch, but if the flesh is cut or
scratched badly as in the Jagged man
ner made by a broken tin can or piece
of glass, iodine is a better and safer
antiseptic to apply. Iodine also will
cure a corn or callous on the foot if
regularly applied for two weeks or so.
The callous should be scraped down
with sandpaper each night and the
spot touched with iodine. Be careful
not to apply iodine to the flesh oftener
than once in 24 hours or a bad burn
may result.
Remember that the bite of a dog not
always means danger to the victim
and that it is worse than foolish to
lose one's head and fly into frantic
hysteria- when such an accident oc
curs. Neither Is it essential that the
dog, which may be a valuable one to
its owner, bo instantly killed. There
Is not the least danger of rabies re
sulting from an ordinary dogbite, if
the animal has shown himself to be
healthy and in good condition, 'and
many a tine dog and beloved pet has
been sacrificed to appease the anger,
fright and revenge of someone who
has been bitten while playing with the
animal or because he crept up to the
house in what was. to the faithful pro
tector of the family, a stealthy and sus
picious manner. Pour quantities of
peroxide into the wound immediately
and then if the victim seems nervous,
s"nd for a doctor to cauterize the bite.
If there is 10 doctor within quick call
ing distance, apply carbolic acid your
self, but be careful in doing so, not to
spill the acid or let any of it get on
the flesh around the bite. "A serious
burn may be the result of such carelessness.
Castoff Party Gown May Be
Used Under Dancing: Frock.
Silk: or Chiffon Garment la Kaaentlal
la Theae Iars of Diaphanous
Ureas for Ballroom.
IN these days of diaphanous dancing
frocks the little Bilk or chiffon slip
which goe under the costume Is of
utmost importance. . Some girls use
outworn party frocks, cut over on
simpler lines, for these little slips. A
very modest allowance of material will
make a charming underslip, for the
skirt is short and rather 'scant and the
bodice rarely rises above the bustline
where It is held up by lace or ribbon
shoulder straps.
Paquin has given enough thought to
the importance of the underslip to de
sign an enchanting one which is fur
nished with dancing frocks of tulle or
net this season. There is a gored skirt
of thin silk like crepe de chine or
pussy willow taffeta, gathered only
slightly at the waiat and flaring well
to the lower edge, which escapes the
ankles by three Inches. This simple
skirt is attached with a corded seam to
an equally simple camisole bodice
merely a strip of the silk, gathered
into the waistline and upheld by rib
bon shoulder straps. On the ekirt are
five ruffles of tulle and bands of tulle
to match, shirred at both edges, are
appliqued to the bodice.
For less than $10 one may buy a sat
isfactory underslip of accordion pleated
crepe de chine a simple affair, mere
ly tn-o lengths of the pleating, held
up by shoulder straps and drawn in at
the waistline by a beading -through
which is run elastic. These underslips
come in pink, ciel blue, lavender, corn
color, white and black. Mora elaborate
dance frocks of spangled tulle er
draped-up chiffon or daphne silk, re
quire satin underslips, for the sheen
of satin is required to add to sump
tuous effect of spangled net; and chif
fon or daphne silk are loveliest also
when mounted over shimmering satin.
Goldenrod satin, which la rich in tex
ture, yet wonderfully light and soft.
Is the best choice and this beautiful
satin comes in every possible shade de
sirable for evening wear.
Black-and-White Craze Is
Reaching Dining-Room.
Table Linens Show Embroideries and
Prlntlnga With Touches of Color
to Show Effect.
THB black and white craze Is ex
. tending even into the dining-room
and the newest table linens show em
broideries and printings in black and
white, with touches of color now and
then to ret off the effect.
From a specialty shop where exclu
sive styles in house and table linens
are displayed come thne new dining
room belongings; a table center and
sideboard scarf ornamented in the new
mode. The design represents a con-
Black and White Table Llaena
Fashionable.
ventional spider-web surrounding a
flat wreath cf leaves and flowers, also
much conventionalized. -
The striped border is printed In black
on the whitd linen ground and the
leaves are soft green, with flowers
stamped a delicate pink. Thu entire
pattern is outlined with black and
white embroidery stitch.
People Are Different.
Exchange.
The law Is disposed to regard every
man as innocent until his guilt ia
proved, but the people aren't anything
like that.
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TENTH ARTICLE.
WE went on from Portland, Maine,
through the manufacturing
. towns of Sew England. Curious
to relate they had no "opery houses'
nor "the-a-tres." they Just had "music
halls." People were supposed to be go
ing to lectures or concerts, although
plays were frequently being produced.
There was great prejudice, outwardly,
against the drama, and even Shakes
peare came in for his share of odium.
But if doses of drama were given them
In a music hall they could swallow
freely all that was offered. Our ma
terial was most classic, if a trifle
sombre. Considered as music it was
all right. People around the hotels
would say: "Are you going to the con
cert?" or, "Are you going to the music
hallT" Of course all this Is changed
now and "opery houses" or rather
barns, under that name, abound in the
smaller towns of New England.
Although we dressed and conducted
ourselves as ladles and trentlemen at
the hotel, and our dear, kind actress
manageress transported us to and from
our hotel In carriages, we were al
ways actor folk and for such people a
large supply of religious tracts bad
been laid in. We found tracts with
dreadful descriptions of the actors'
coming fate slipped under our doors,
laid on our breakfast or dinner tables,
placed on chairs or table in the parlor
ready for our reading wherever we
might come across them. It was queer
that people who wrote the tracts and
who thought It a sin to go to plays
should have such seemingly deep
knowledge of theaters and actors and
their supposed mode of life.
Large Cltlea Were Different.
In New Tork and all the other large
cities. opinion had been changed.
Theaters were well thought of and
people of tne dramatic profession had
come to be very much sought. Re
cruits for the stage came from the
best families, the society drama had
come in and everything In dramatic
art had risen in esteem. But as yet
New England towns did not know that
the bar sinister had been removed,
that the Thespian walked with head
erect, that his art stood on a par with
other arts, that he was as good as the
painter, the sculptor, the musician, the
singer, the famous lawyer, the emi
nent doctor' and the wealthy banker,
as long as he behaved himself as well
as they.
Poor Shakespeare and his fellow
players in their time came under the
ban. had to go in at the bark door,
could not enter where the quality did
until they placed themselves under
the patronage of some snobbish, pos
sibly empty-headed nobleman., and
were called the players of my Ixrd
so and so. Thus had splendid and in
comparable genius to bow before
mental Inferiors with but a scant
thimbleful of brains.
Our heroic manageress played every
town our tour called for and sank dol
lars everywhere, we had only tolerable
houses, "papered" at that. We that were
not financially responsible and had
nothing to worry about had a most de
lightful pleasure trip. We had a good
many curious experiences as we went
through the manufacturing districts.
On one occasion we offered a mntlnee,
which was just coming Into fashion
at that time. Hitherto day perform
ances had not been dreamed of as pos
sible realities, backward New England
towns had not heard of the Innovation.
We all dressed and "made up" and
waited and waited, and nobody came.
Then we sneaked back to the hotel
quietly and humbly.
sneaked back to the hotel quietly and
humbly.
Audience Wanted More.
At this period all plays had been
written in five acts and Ave acts al
ways were expected, and many times
a farce afterwards. It happened
that "Lucretia Borgia" had only three
acts. When the curtain was rung
down on the end of the third act and
every character In the play had been
killed off or otherwise disposed of, the
audience kept its seats and would not
go. We were all thunderstruck and
could not tell what was the matter.
There was perfect silence for a minute
of two, then there was commotion and
shouting. We thought it was a cur
tain call and the principals answered,
but all in vain; they were calling for
something else. At last our manager
went in front and they said they were
waiting for the other two acts. It
was explained that everybody had
been-polsoned or killed or married off.
but still they lingered, and Anally
grumblingly took their departure and
we braved a grateful sigh that we had
got rid of a near-riot.
This tour waa something like, barn
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storming, only it as done with a full
purse behind. There was no danger
of having baggage seized (I do not
know how It Is now. but personal 1uk
gaire could then be held for managers'
debts), or having to walk home. s?ome
of this ia what you will have to do. oh.
stage aspirants. You will be com
pelled to wear off the novice ways, you
can be spotted at a glance until you
do. You cannot deceive a manager.
Traveling companies and "My Ixird.
the carriage waits" parts and gradual,
ly better ones is the only thing that
will obliterate the novice from your
appearance.
Stage Tralnlnar Ia Neceaaarjr.
It Is quite absurd to hear critics of
amateur performances say In praise of
them. "The acting could not be ex
celled by professionals." or "that Miss
so and so was equally as good as Miss
somebody who had years of experience
in a stock company." That lack of ex
perience could equal or excel years of
actual acting under a skilled stage
manager. All this was proven false
some years ago in New York.
A young man of New York City went
to Paris and studied under an elocu
tionist named Delsarte. An elocu
tionist is not an actor, very far from
It. lie can know nothing of the act
or's art without study of stage busi
ness, crossing, grouping, working up
to climaxes, knowledge of makeup, nat
ural delivery of lines, quiet but ef
fective gestures in short, action ap
propriate first, speech secondary. The
elocutionist can train the voice, teach
breathing exercises, also graceful gym
nastics, which will lead after while to
unconsciously beautiful action and
distinct articulation. The elocution
ist's field is oratory and the platform,
and even there If he does not look out
his pupils will be forced and mechani
cal. He does not realise that real
feeling must come first to prompt the
true action.
Well, as I said, our young man went
to Delsarte in Paris. Delsarte had
worked out a system which he said
would revolutionize the stage, that no
previous stage experience was neces
sary. You had to study the muscles
of the face and find out which muscle
controlled a certain emotion and then
work that muscle. Certain movements
of the arms and fingers meant certain
things and when you placed your arm
and raised your eyelid that way It
meant this or that. To sum It up. it
produced the most ridiculous artificial
ity. Experiment Was Kallure.
The young man learned this new
method and came back to New York
boasting that no stage training was
necessary. Then ho got a capitalist
to back him, hired a small theater, se
lected a young lady who. like himself,
had never been on a stage, and trained
her in his method. As he could not
get enough amateurs, he selected some
of the humbler professionals. New
Y'ork was thoroughly advertised and
was quite excited over the new path
way to dramatic art. the jump in
through the cabin windows instead of
working up from before the mast.
The auspicious r.!ght arrived. 1 was
there. The would-be actor pulled
this muscle, stood upon that toe, ele
vated one eyebrow, winked an eye and
twisted a finger" here and there, as dl.I
his leading lady in the way she had
been taught. The result was that
they were a most entirely mechanical
pair. True emotion and feeling had
been left out; they were too busy pull
ing the wires of their anatomy. The
audience grinned and the professionals,
although on the lower rounds of the
ladder, shone by contrast.
The newspapers next day commended
the professionals and said they were
convinced that there was only one way
to perfect a person in stage work and
that was to begin at the bottom or
study long and well wi,th a good actor
or actress. Our young man did not
act again, but devoted himself to lit
erary work. Elocutionists took up the
gymnastic part of the Delsarte system.
Thus In our experience wtth our com
pany and the Delsarte exponent of
New York, James Steel Mackaye. It
was proved that one cannot act until
the rough corners are turned down and
stage polish applied.
We finished our tour and came back
to New York. Mr. J. and Miss C.
made more efforts ano spent more of
Miss C.'s money, until the fine brown
stone, high-stoop mansion and other
dollars went by the board. Mournful
to relate. Mr. J. committed suicide. I
do not know what buina of Miss C.
In private they were IrVllghtful people,
but they could not realise that two
things they must have to be successful,
artistic temperament and stage expe
rience, through small parts up to the
heights.
C. W. Buller. a very excellent orne-
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dian who was with our New England
company and who has been here with
conipaniei several times In these later
years, told me 1 had very excellent ma
terial to build on. that though admit
tedly awkward in Emilia. I certalnlv
had the dramatic fire. I thought h
was an excellent Judge and I resolved
to work.
After a while my husband died and
I was working in earnest, but had to
work secretly. My mother was of the
old school and very strict. She thought
to be an actress aa a terrible thing.
She had been with m. but had gone
back to California, so I a as going to
stay in New York and work out my
destiny. I went first to a fencing
master. I was told that fencing would
achieve the highest grace. I learned
both foil and broadsword fencing. I
grew so expert that the teacher urged
me to give an exhibition, which of
courso 1 would not do. My fencing
master was some years afterwards in
San Francisco, was interviewed by the
San Kranclsco Chronicle and In a gen
eral discourse on his art spoke of me
and my proficiency and wondered what
had become of me.
Traveling Coaapanr la Start.
I next went into a traveling company
and played small parts. In the same
company was Joseph Gusner. Just start
ing out for experience. We pUved all
the smaller Hudson River towns and
Albany and Troy and many Interior
Nfw York towns. It was most always
the custom then for stage people to
have assumed names. If ever they be
came renowned they would frequently
resume their own names.
The elder Sothern played under the
name of Stuart until ho made his great
Lord Dundreary hit. Then he dropped
the Stuart and became Sothera again.
I followed the usual custom and hunt
ed up a name. As 1 was in pursuit
or a niche In the temple of fame I
thought Temple would answer the pur
pose, and as Helen was a very digni
fied name. 1 became Helen Temple
We played "Blow for Blow." "The
Ticket of Leave Man." "Fernande."
Rough Diamond" and "Sketches in
India." Joseph Urismer. although onl
about 50 years of age. played old men
and was usually my stage father and
I. ai a leading Juvenile, comforted his
declining years in some cases nnd in
others brought his gray hairs with sorrow-down
to the grave.
When I returned to the city I took
lessons of Matilda Heron, one of the
greatest actresses who ever walked
the stase. She was a woman of
abounding genius, who could shine as
an author, actress or brilliant conver
sationalist. My lessons were a per
fect delight. Her method was re- I
Philadelphia family, the members of
w-hlch were Just as opposed to the
stage as my mother was. but in her
case they could not put out the fire of
genius. It might smoulder, but finally
would burst forth into a great, irre
pressible blaze. e
Miss Heron had made quite a repu
tatlon in great classic plays, Phedrc.
Conclud-d on Pan io. Column 4.
TODAY'S BEAUTY aTHF
To clear up and whiten the skin and
secure that charm of pink and white
youthful freshness so much desired by
all women you will find it far safer to
rely upon a good face lotion rather
than powder. To get rid of that shiny
and muddy appearance in your com
plexion, dissolve four ounces of spur
max in one-half pint hot water, and
add two tea&poonfuls glycerin. Apply
this to your face, neck and arms, rub
bing gently until dry. This lotion doea
not show or rub off Ilka powder and
Is much better. It is splendid for re
moving tan. freckles, pimples and sal
lownesa. You can make a delightful shampoo
for a very tririing cost if you get from
your druggist a package of canthrox
and dissolve a teaspoonful In a cup of
hot water. Pour a little at a time on
the scalp and rub briskly. This cre
ates an abundance of thick, white
lather that thoroughly dissolves and
removes all dandruff, excess oil and
dirt. After rinsing, the hair dries
quickly, with a fluff. ne that makes it
seem heavier than it is. and takes on
a rich luster and a softness that maker
trraosiBK U a pleasure. Adv,