I .Ka-.;;;i::;: H:-;;' Jv . K-X-'-.-:-,-.-'-; ( k,.:ii.;.' l - . .:.'i;,r:- -'V ';.'.- Ri: .:;V: I i' "' " - !- v mm i-it:' : i:tt l V '':i:-...;v,L.v..,? i. - 0 mm "VJn. i it I IS ' THE SUNDAY OREGONIAN. PORTLAND. DECEMBER 3 1912. U -'; --7 X V .V k2L ff A j Mi IfiW (..l -i-r:'-;. V . . ' . 3a m m w Jrl iff il 5- 1 Eastern Draperies as Modified by the Women of the West r i the Women of the J I J t f . West i fT Baroness ucnioa, an oriental tx ponent of Occidental Fashions H East Is East and West Is West, and nerer:f !;;K--P-the twain shall meet," sang Mr. Kipling. ''sr-Hl&SV : But he hadn't reckoned on that fatal com bination of woman and fashion. - For to-day tn the realm of the woman decorator, under which banner march all the cohorts of those who help in the exterior bedizenment of the sex, there Is no East or West. The woman of the Orient, when she can afford it, sends to Paris for her gowns, and the Paris designer sends to the Orient for motives and suggestions. The woman of the Orient kicks herself free from her entangling draperies, the symbol of her re stricted sphere is life, and reaches .out toward the freedom of the short skirts and tailored simplicity, while at the same time the woman 'of the Occident demands draperies, and draperies, and yet more draperies, and pro ceeds to swathe herself in skirts so mod elled that a good free step Is impossible. "My progress has been long enough im . peded by shawls and scarfs and tied in ankle's," says the Oriental feminist "Loose my bonds and let me go In the independent Western attire." And her sister of the West calls Just as In sistently for all the shawls and scarfs she iau Heap upuu iicr. jr x ve gotten past ine ume wnen x iuiiik 11 is interesting to walk well," she says. "I want now just to be able to support my fas cinating complications of drapery across the' sidewalk to my carriage." Then she adds to her Orientation by adapt ing the kimono sleeve from Japan or China to her outfit, adopts the head band, of the Egyptian, the turban of the Turk and the hip draperies of an Indian dancer. She wears long, barbarous earrings of lapis lazuli if her eyes are blue, and of amber, if they are brown, or of jet or filigree gold or Chinese jade, according as her coloring is brunette or strawberry. "But not the nose ring?" remonstrates a believer in Occidental civilization. "Not in the nose, perhaps," replies the dealer in Oriental jewelry. From his case filled with wonderful gauds of gold and amber and amethyst and pearl he takes out a tray full of filigree gold orna ments, all of them wonderfully wrought by the skilful goldsmiths of the East, to whom time doesn't mean very much money and who can sit all day In the bazaars working and gossiping and makins a sale now and then when times are good and the European stranger arrives with ready money. Present Use of Nose Ring. "This," says the jeweller, "is a piece of the sort that is very much desired just now.' He holds up a curious gold ornament which has been made into a pendant. It is in the form of a broad, flat crescent, fully an inch and a half in width and perhaps two inches and a half across. It is a mass of exquisite gold filigree. "The upper bar the one that went through the nose I have removed," he ex plains. "This is the ornamental part of the nose ring. We use them now for pendants. They are much admired." - "A barbarous custom," shuddered the young woman who was looking for amber beads in t'-e next showcase. Then the young woman turned a very lovely head and the dealer smiled, for from under her auburn locks there depended from a pearly ear a wonderful amber eardrop. "Charming, eh?" said the dealer. The person Kao was looking for informa tion about Oriental jewelry had to admit that it was. "And so," said the dealer, "why should one criticise the nose ring?" Although the voyage may have been per formed quite unconsciously, it was to Egypt that women of fashion resorted for the one-sided effects to which they have been so devoted for evening gowns. The Egyp tian person, of fashion who first had her picture taken In a one-sided ball room frock was a little more daring, ' it is true, than the Occidental disciple of the - one sided art of dress- has ever cared to be. Her gown was extraordinarily diaphanous and it was cut much lower on one side than even the frankest fashions would permit in an opera gown or ball gown of to-day, but otherwise it was much the same as the one sided evening frock'. which reached us by way of Paris chiffon back drapery , and all. "No doubt Cleopatra Included several j - ' , ? )tw If Afk J .K Oi"h I ff xii - 1 NW I ' . lit it r i . , iiwvwv .m: It Iff- I. - i If V -:&f r J gowns after this model in her wardrobe. It was one to have made a decided appeal to Antony, or any of the rest of them, in fact. When Mme. Bernhardt visited this coun try a few years ago her costumes attracted great attention because of the use she had made on all of them of a very broad scarf, which was tied around the hips and knotted directly in front, the ends falling part way, if not all the way, to the edge of the skirt. Mme. Bernhardt is so original in her cos tuming that she may have evolved the fash ion from her inner consciousness, but there is no doubt that the belles of East India had been wont to set off their charms in a similar garment for many years. The Indian woman puts a shawl or piece of drapery around her body below the, waist, lets it fall in soft folds to the knees and fastens it up in front usually by tying it so that the ends fall free. That is exactly what Occidental, women have been doing with their most beautifully" draped gowns in the wake of Mme. Bernhardt's suggestion. Models After Nautch Girl's Costume. Some of the extraordinary new wraps are made after this model, which was orig inally designed to set off the charm of an Indian Nautch girl. The introduction of so many Oriental designs, the full ions with philosophy and strike a balance by shielding ourselves from a critical world behind the most expensive and dashing new veils on the market The women of the Orient have been equally as generous in their adoption of Western fashions as our women have In adapting the Eastern designs to their needs. The Japan ese women were the first of their sex from drnpedjtbat side of the world, to take eagerly to fashions, &c, has caused an amusing con- paris fashions. Well dressed Japanese fusion between the fashions for the boudoir women of to-day have almost universally and those meant to be worn in public. Bro- adopted European fashions. In their own cade and satin, velvet and embroidered homes many of them still cling to their native silk wraps are very much like the garments draperies, which, however, no longer set them which are intended for wear over lace under- slips in the boudoir. As in the case of the boudoir cap, which was so very like a theatre cap, and both of which so closely resembled a fashionable nightcap, one cannot always apart as belonging to the East. In public, both for gala occasions and for ordinary wear, they have exchanged their traditional robes for those of the West. A number of years ago a society of women was organized In be quite sure whether the new draped gown j Japan which had for its object the develop or wrap which one's friend has just received ment of a style of dress which would be suit from the modiste Is meant to shine at 'theiable to modern needs, as the classic dress of opera or to be reserved for the privacy of the Japanese couid scarcely be said to be, and at the same time so constructed as to show off to the best advantage the beauty of Japanese women. The Occidental skirt in Its ordinary rendition was particularly objected to by some of the leaders of this organiza tion, as it was said the Japanese figure fc too short to look well in a skirt and waist style of costume. Much was accomplished by this society, but Its efforts to protect Japan from the home circle. There are some members of society who object to this, notably a group of Cincinnati women, who want to have a grand investigation of the entire clothes question and a careful classification of those suitable for the boudoir and those suitable for the street , If the government takes it up and sets experts to work it may possibly be determined once and for all what is the actual difference between a kimono the shirt waist and skirt were not successful. coat and a kimono, one being meant for the street and one for the dressing room. Until then we shall have to take our Oriental fash- The American shirt waist triumphed because of its practicability even in the land of the chrysanthemum. xt Week tins W Interest the Women i