2 TftE SUNDAY OREGONIAN, PORTLAND. MARCH 1, 1908. FAQ3ER- OF 1HE JMEBlCffl- 3KTJCBAPEILP; 2''" - ,--":-'""- -v V-.-.. - v . .... ... ... . . r . - . .. ... . . . v . . ., ., ..v . ... . : ,rs " x , , - , , ' - P- -- - . . . - - .? ... .InU., - . l i kO- 1 ' sl; r I . hi-'- - - r - f ... - i. 1 o .vT-- ,,J . 2? TVOKLX) jFAMD77S jiBCHZTSTCTZZRE XOWSR. y$&W TOBJZ FROM TUB BROOKLYN. X7Z sSZZVGEB. UZL2ZZTG- TOfVSTUTS- OIZEIL Daniel S. Osmte o! Chicago, Who Phas Net x Merely Bofldlsgs, Est Cities Also Other i Men Who Have ElacSe the Architecture of America Famous Z7JiN&ST FY,A.G&, HATER. Or SKYSCRAPERS. ANZ ARCHITECT OF THE SZN TPVRLD'S TALLEST QFFTCE STRUCTURE OF C722ES u43 ZFZELL AS BUILUmG-S BT DEXTER MARSHALL. IT Is said of many men that they ar at the head of their professions, but It In tru of few. One of the few la Daniel Hudson Burnham, of Chicago, certainly America's leading architect using the word In the broadest sense and, perhaps, greater in his line than any other living man. He does not plan buildings, merely; he is planning cities. And yet he said not o very long ago in answer to a request for some Information about the work he has done: "I haven't done much; I have just served on a few commissions." Mr. Burnham's "not much" Includes the creation of the famed "White City" of the Chicago World's Fair; the maj esty and beauty of the buildings, which made the great exhibition an artist's vision of loveliness, were inspired by hlrn. He is looked upon as the father of a business accessory peculiarly Araerioan the skyscraper; In a score of great cities he has designed mass lve commercial structures In which del icacy of outline and skeletonlike con struction have been combined with en during strength. The Mafeonic Temple and nearly all the other famous sky scrapers of Chicago are his work, while the Flattron building is among the big structures in New York for which he furnished the plans. As a representative of his Govern ment, he planned great sweeps of driveways and harbor lines and Im pressive public buildings in Manila. The architectural beauty of San Fran cisco, blotted out In the great earth quake, was due to him; and what arch itectural beauty the new San Fran cisco will have will be due almost solely to blm also. He Is chairman of the commission whose plans will eventually make Cleveland one of the most beautiful cities in the world. He la chairman of the National commia sloon which has for its task the beau tifying of Washington on a scale so vast that the Improvements are esti mated to cost 'between a half and three-quarters of a billion of dollars. And some of the things he has In mind for the beautifying of hie home city are harbors, outer parks, great boule vards, widened streets and uniform architecture. Truly, a man whose art is varied, whose Imprint Is almost indelibly shown In every type of structure that goes to make up architecture of the present generation: yet he himself says that he has not done much only served on a few commissions. Sixty-one years of age. and now In the prime of his achievement, Mr. Burnham's friends say, and his course in life quite bears the statement out. that the greatest luxury which his successful yeaTs have brought htm is the fart that ho need not work en tirely for money. It Is undoubtedly true that more commissions are wait ing for him than wait for any other living architect, yet he gives a large portion of his time, to their exclus ion, to labor along spirited lines. This is his great hobby to make the great cities of America even more beautiful than their European rivals, and when he sees the remotest possibility of fur thering his hobby he will not allow so little a thing as a fat commission to stand in the way of his schemes of beautiflcation. When Mr. Burnham works for pri vate Individuals his fees are probably larger than those ever paid to any I .... t . " m -i ii ' tun V - - JTTX J I'pSl Hl:-:fc:v life pH?l i i . ' jj6 ..v-'":- . ; :--;"';::::::"::'.':':::';:v :?::5'-:,':::::;:';:-;y:"':::':-i s-y:i'y ';:---v:;:''r:-::.':::'-:;:::-:'';V:;:'::'.:';:-:j:' - - ' , SI . r K 1LL - ' " 1 .Mt&oxK t ft 'wm- mm ri ?! :m-. ?y$ .:: - " x ! TWO VZZ3Jr JTATZOTS .AMERICAN ARCEZTECTS. 7Z2nT 'AND HEAD CA5S G-ZLRJPRT AND THE: TZZNNESOTA. CAPITOL WHICH: HE. CONSIDERS HIS WORIZ. other architect, but, now that he has plenty, when he works for the public his services are given gratis. This is a matter of pride and principle with him. He considers he is sufficiently rewarded in seeing the city beautiful brought a step nearer to realization. Another matter of principle with Mr. Burnham is that he will take up no work in which there could be a sus picion of political jobbery. 'Burnham," said one of his close friends, "has re fused many a profitable commission simply because politics controlled the undertaking. Tou will not lind his name upon the frontal of any Govern ment building in the country. He even eschews courthouses and city halls!" It was Burnham who. almost single handed, made the Chicago World's Fair a memorable one, architecturally. When Chicago secured the fair, Mr. Burnham was a member of the firm of Burnbam A Root, which was among the first architectural firms called on to help build the "White City." The firm had gained an enviable reputation in Chicago, and Mr. Burnham was early made chief of construction and super vising architect of the exhibition. Later, he was given the additional power and title of Director of Works. This was subsequent to the death of his partner. Mr. Root, -when the whole responsibility of the architectural suc cess of the fair devolved upon his shoulders. When he was made chief of construc tion wise men went about declaring that Burnham could never get the buildings completed In twice or thrice the time allowed him. When he became the one directing hand of the work his detractors were well-nigh legion, and not a few influential men went so far In their enmity of him as to throw all sorts of obstacles In his way. Burn ham knew all this, yet not even to his closest friends did he make a. re i tice his profession, when he was given, mark that could be construed Into a complaint or protest. The only notice he was ever known to take of the doubters and the opposition was em braced in a simple declaration which he was overheard to make to himself one day as he stood surveying the half finished buildings of the fair: "By heiivens, I've undertaken to build this fair and I'm going to do it." With the White City at last com pleted and its beauty apparent to every one, Mr. Burnham's detractors raised the cry that the result was not due to him, but to the plans of his dead partner, which he had simply followed. Again there was no public statement by air.. Burnham, but to every one who talked with him about the architectural side of the fair he freely gave a large portion of the credit to Mr. Root. One of his strongest characteristics is to take no notice of cavillers. When he feels that he is right no amount of adverse criticism, no matter how sting ing, can move him. His World's Fair work revealed his eye for beauty on a grand scale, his wonderful executive ability and his shrewdness In surrounding himself with a corps of architects recognized as leaders of their profession in this country. His architectural daring was shown when, some years previously, he became the father,- so-called, of the skyscraper. "Father of the Skyscraper. The late W. L.' B. Jenny; of Chicago, had erected an office building in Chi cago on plans approximating the mod ern skeleton construction to the extent that some of the walls were carried on iron beams. A year or so later the idea was carried a little further in the Tacoma building In the same city. An architect noted for his progressive ideas from the time he began to prac- CHRISTOPHER G-RANT ZA- TARGE, ARCHITECT CT THE ZATHEZ)&AL OF ST cTOHN THE DIVINE in 1889, the commission for the Rand McNally building. Mr. Burnham dared to take a the step that brought the skyscraper into being he used a steel frame throughout, carrying the walls for each story separately on beams, thus doing away entirely with the ne cessit yfor heavy masonry support at the base. This was a veritable revolution In the building world. The enormous thickness of walls hitherto considered unnecessary in the construction of tall buildings, with attending contraction of valuable apace, had long been a seri ous problem with property-owners. Then, too, the Immense cost of stone and the slowness of erection had re tarded building operations In every great city. But here was a building go ing up with a dead wall area one-eighth that of the all building preceding It; and the cost was tobe less tha half as much If erected under the old way. Small wonder that Mr. Burnham's experiment was watched with the kencst interest by architects throughout America and Eu rope. There were numerous predictions, of course, that the building would col lapse and not all of them were made by laymen, gaping upward In astonishment at the skeleton frame and the walls be ing stuck on here and there in apparent haphazard fashion and without appar ent means of support- Indeed, months after the building was occupied archi tects from all over the country traveled to Chicago especially to Inspect It and incidentally to marvel at Its failure to crumble Into" twisted beats and shat tered masonry. " The Masonic Temple, which does not revolve at high noon on its axis. d?epite assertions to the contrary; the Rookery, the Monadnock, the Woman's Temple, the Railway Exchange these are but a few of the many buildings which have made Chicago famous, architecturally, that are the handiwork of Mr. Burnham. Cleveland, Philadelphia, San Francisco and New York are some of the other large cities that number Burnham sky scrapers among their noted ones. In brief, nearly every city of the first and second class in this country can boast of towering specimens of Burnham architec ture. He has been the father of more famous skyscrapers than any other architect. And yet. from his point of view, he hasn't done much. His friends say that he will probably go to his grave eet in the belief that he hasn't done much, unless he can be assured beforehand that his plans for beautiful Cleveland, or beautiful Chicago or beautiful Washington, or beautiful San Francisco will ultimately be carried to completion in wbol or large part. So wrapped up is he in the idea of the city beautiful that it is the one subject on which he will talk to any great extent with a stranger or an acquaintance. Of late years he has spent a good-sized for tune studying the cities of Europe famed for their beauty, and in collecting data on his favorite subject. He is, beyond perad venture of a doubt, the country's leading authority on the city beautiful, and his collection of data cannot be equaled in this country or abroad. His fellow mem bers of the National Commission for beautifying Washington freely admit that his was the master mind in the prepara tion of the plans which, if carried out, will make Washington a city of greater beauty, even, than Paris. These plans were much written up in the newspapers about four years ago. Whenever any one has the temerity to mention to Mr. Burnham that he may have a personality other than that of a boss architect he shies like a scared colt. A Chicago Interviewer once called on him by appointment. Mr. Burnham answered politely enough all queries put to him re garding architecture. Then the inter viewer worked the old gag of asking him who some of his friends were. Burnham looked the caller In the eye and said ac cusingly: ''You are after funny stories, aren't you ?" The other didn't answer. "I haven't any friends who will tell you any," he declared, and, rising, bowed the other out. One of the man's dominating traits is his wish to be taken seriously, and to this end he has succeeded admirably In hiding his strictly personal side behind his professional one. To those who have mot all three, ' Mr. Burnham at first sight Inevitably sug gests two other notable men In lines not far divergent from his own. One of these was Stanford White; the other Is that poet-novelist-arcbitect-engineer whose ge nius Is equally at home when he sits be fore his easel with his water-color brush es poised, when he stands upon the rocks of famous Diamond Shoal directing the construction of the most difficult light house on the American coast, and when he sits In silent study, pen in hand, pro ducing notable works of fiction F. Hop klnson Smith. The men can scarcely be said to resemble one another facially, but the resemblance is at once apparent. Both Stanford White and F. Hopkinson Smith came instantly to my mind when I en tered Mr. Burnham's office and saw him for the first time. Mr. Burnham's voice is pleasant and reverberant, as Is Smith's and as was White's; he has a habit of the other two In studying habitually some small object on his table as he talks; like both other -men, he is very loath to speak about him self. It Is conceivable that Hopkinson Smith might tell a good story on himself, even to a stranger; Stanford White would have been almost sure to do it. Daniel Hudson Burnham is quite incapable of it. If his surroundings are to judge him. he is simpler in his tastes than either White or Smith. His offices in the Railway Ex change building, one of his late skyscrap Ing children, are purely business; hand some enough, but severely plain. Smith's are more elaborate. White's were ele gant, luxurious. ' Burnham's office win dows command a splendid view of Lake Michigan; it is one of his delights to have a few minutes of spare time to gaze out over the panorama of water and study it with the eye of an artist He frequently becomes absorbed as deeply in this pleas ure as he does In his other still more de lightful recreation of planning cities beautiful. Born in . 1S4S, Burnham is eight years younger than Smith. A native of New York, he was taken to Chicago by his parents when he was 10 years old. He received his preparatory education there. After getting his collegiate and technical education in the East he re turned to Chicago and began the prac tice of his profession. He was burned out in the fire. You already know how he has helped to build the new Chi cago, and to him Chicago is the choic est spot on God's footstool. Mr. Burnham is more than medium in height, gently inclined toward portli ness, with a complexion bright and clear as a boy's, and hair and heavy mustache in which gray has not by any means en tirely overcome the natural brown. 9 Cass Gilbert, famous in tne North west as the architect of the Minne sota Capitol and in New York as the architect of the new Custom-House, has felt the hardships that come from lack of money. something that Mr. Burnham, whose father was fairly wealthy, has. never experienced. Perhaps his "leanest" days came to him when he was studying abroad and paying his way with work. While he wa's in London he engaged In newspa per work to get his dally bread, and, truth to tell, he made such a poor newsgatherer that he was often com pelled to subsist on one meal a day, and that not a very satisfying one at times. He and a companion, like him self a newspaper worker, often lessened the importunities of hunger by re maining in bed most of the day. Before going abroad he had been a student of architecture at the Massa chusetts Institute of Technology, where he had won various prizes in scholarship. One day, while ho was wandering about the London streets and wondering where his next meal was to come from, he fell In with other form er students of his college. They soon made themselves acquainted with Gil bert's state. Through their influence he gave up the London struggle, re turned to America and secured employ ment with McKim, Mead & White. Some years later, when that firm se cured the contract for constructing all the stations and other buildings of Im portance on the Northern Pacific Rail road, Gilbert had risen so high in the estimation of his employers that he was sent West to handle all this work nnder Henry Villard, who had obtained control of the road. Everything looked rosy, Gilbert was in the seventh heaven, or fast nearlng it, when Vil lard fell from power, the Northern Pa cific passed into the hands of receivers, and the architect, stranded In St. Paul, was left to his own devices. It turned out all right In the end. Being a little shy of money, and also because his widowed mother was liv ing In St. Paul, Gilbert decided to open up an office in that city. Three years later consistent, hard plugging had made him one of the city's leading architects. That waif in 1386, when he formed a part nership with James Knox Taylor, now supervising architect of the Treasury De partment. Quite a few years later, when his plan for the Capitol of Minnesota was accepted. Mr. Gilbert had cause to thank his star fervently that on a day way hack in the early 'SOs he had been stranded In the city of his boyhood, his parents, when he was 5, having moved to St. Paul from Ohio, where he was born. SL Paul is full of Gilbert's work, just as Chicago is of Burnham's. When Gilbert went Into partnership with James Knox Taylor the latter was the big man of the firm. A few years later it was really the other way about, though Taylor was still looked upon by laymen as the brains of the combina tion. According to a story of Wide circu lation in St. Paul, - Gilbert stood for bt ing the second man for some months; then, one day he went to Taylor and in the friendliest spirit actually talked him Into the belief that he was tho one to leave the firm. At any rate, the part nership was dissolved by Taylor pulling out. This occurred in 1S91, quite some time before Gilbert received the commis sion to build the Now York Custom House, recently occupied by the Gov ernment. In certain quarters the opinion has been held that Gilbert got the big job because he and Taylor were still part ners at the time It was handed out. As a matter of fact, Gilbert had no thought of entering a design in the competition for the Custom-House until he was urged to do so by the Boston capitalist for whom he planned the famous New York skyscraper known as the Broadway Chambers. Then he turned out his de sign under high pressure, partly because other work was pressing, and partly be cause he believes that he does his best work when so keyed up.. Gilbert's first training in his profession was acquired several years before he went to college, when he helped to build a church at Red Whig, Minn., under the eye of one RadcllfT, a curious character who combined the callings of architect and patent medicine seller. Radcliff was forever preaching attention to the slight est detail, and practicing his preaching, too. Gilbert has been known to throw over remunerative prospective business that he might have time to look after the details of work in hand. He is a phe nomenally rapid worker. Were It not for this fact, he would be compelled, doubt less, to leave the oversight of detail to assistants, as other big men of his call ing do. Gilbert has a remarkable memory. Let him catch a fleeting glimpse from a rail road train of a building with some nov elty of construction, and days later he can reproduce It "true to life" In a sketch of water colors. In which he Is fond of working. He has found this power of memory of such great help to him that he drills his assistants with the persistence of an old-time schoolmaster in the same methods of quick compre hension and retentiveness. As a devotee of the sport made famous by Izaak Walton, Mr. Gilbert has whipped many a stream In the Nortn west. When he was a resident of St. Paul he also got from under business cares by helping to row the shells of tho Minnesota Boat Club to victory. He has a great reputation In St. Paul for sor ciability, which he has not dimmed as a resident of New York. He delights in the company of artists, sculptors, musi cians and the like, and his friends say that he ever stands ready to assist any such deserving it. By way of illustration they tell the story of a young Norwegian sculptor who, penniless and stricken with consumption in Minneapolis, loneed to see his old home aeain before he died. Gilbert having accidentally become ac quainted with the sufferer and incidental ly learning of his wish, promptly sup plied the necessary funds for the voy age home. Small and stooped, with an extremely prominent forehead, a clean shaven face, prematurely gray hair, the chin of a doer and the eyes of a dreamer this la Ernest Flags, hater of the skyscraper and yet the father of the Singer building, the loftiest business building In the world today. Fifteen years ago Flagg was writing vigorously against the skyscraper and doing all else in his power to arrest the (Concluded on Page 6 )