46 THE SUNDAY OREGOXIAN. FORTXAND. NOVEMBER 18, loe. MX J 'I - T" mm mm m f, k. u. i y3o. J CALLED Tl i BY A. H. BALLARD. NKW YORK, Nov. 10. (Special Cor respondence of The Sunday Orogo gonian.) This is the way he does It. Henry W. Suvase has planted the fame of his name on the public mind. He has made his name stand for qual ity. We all know that he i.s one of the very rich, and that theatrical and musical productions are his hobby as well as his business. He combines culture with prac tical sense, and he lias unswervingly striven for excellence.- Thus it is that we trust a "show" when it comes from Sav aKC. , How lias he built tip this name, and how docs he continue to make pood with all that travels under his banner? He maintains here in New York a reg ular, fully equipped play and opera and "production" manufactory. It is'one of the most interesting , establishments in the city. It hives a lot of industrious eople, .160 or more souls, who contribute as much as any other collection of indi viduals in existence to the amusement of mankind. ' It is situated on Twenty-seventh street and runs through to Twenty-eighth street. Joining there with the back of the Castle Square Theater, where the complete pro duction is brought out. The raw materials go in at the Twenty-seventh-streeet end of the structure and come out a complete play or opera, as the case may be, at the other end. You can drive a 40-ton truck through the doors of the raw-material end. and there Is about everything in the way of Industrial appliance under the sun in the buildings and series of depart ments that intervene between the initial point and the auditorium at the "Hn ished" end of the factory. Mr. Savage has stamped his personality plainly upon all his work. It is usually the cas that every conspicuously suc cessful enterprise that deals with the public, as, for example, a newspaper or a railroad, breathes In its atmosphere the personality of some one vigorous, masterful man. So it is with Mr. Sav age's enterprises they all speak eloquent ly in their every part of the powerful mind, the active brain, the untiring per son who conceived and engineered their construction the aggressive and indefati gable human being who Is ever pushing them, toward higher and better results. In Savage's Office. I was not surprised to Hnd that he had a whole building to himself for his play factory, and 1 was quite prepared to know that he had altered over a fine brownstone house In Forty-third street tall four stories of it) for his general building. Where everyone can see it, to guide the people who seek Mr. Savage or his managers. Is a sign plainly telling the etranger or the friend that here are Hen ry W. Savage's premises. This is in strong contrast to many of the other big managers who aro wont- to wcclude themselves in the retirement of backrooms in some building and coop their employes up ' In little six-by-eight dungeons, where It is next to Impossible tor anyone to reach them. The Idea is to impress all comers that the managers In question are extremely busy men whose time can scarcely be bought for love or money. In good truth, it is necessary In some degree to hem these managers about with some sort of red tape, so that tho many people who seek them with -trifling errands may not consume too much time. Time Is their most valuable asset. You see this tiling carried out in thou sands of instances all over town in va rious lines of business and In professional octice. too. But what can we say of such men as J. P. Morgan, whom anyone can ee by going right In and walking up to blm? And what can we say of Henry AV. Savage? He does not coop himself up like some others. He Is probably as busy a man as any of the rest of them, but he can be civil and he can find time also. I suppose it is the man himself. Another manager to whom I must allude again is conspicuous In this respect. I haj-e . heard it said a dozen times of Mr. Cort: "Well, you can see him, anyway." That is true, you can walk right In to his desk, and woe betide the person who has no business to transact. I think that Is about the right policy to adopt. It doesn't take a long time to ascertain whether or not a caller has some busi ness worth while with you. It does not seem necessary for a really Influential man to make It Impossible for people to reach him. The rule is carried out among the press bureaus of the big producing managers. I will not criticise any of these brainy and hard-worked men rep resenting the big producing managers It' MM -.Mm" T. here, but I will say that several of them shut themselves up and are difficult of access to the general public, when they arc hired to see the general 'public. Some of them try to Imitate their chiefs In this matter. But here we have another grand exception, which seems to be tho excep tion that proves the best rule, and per haps points a moral, as to who in reality is the hipgest frog in the puddle. W. M. Bates, the highly trusted prees represen tative of Klaw & Erlanger. who has in comparably the largest interests to look after and who has much more work to do than any of the others, who can de cide things where others have to go higher up and consult someone else this man Bates sits at his desk in his own suite of offices in the New Amsterdam. Theater building, and anyone can walk right into his room and speak ' to him without being molested in any way -whatever. The man or woman orchiid. who ever or whatever they may be, will get right to Mr. Bates himself in the space of half a minute's time, and he will dis pose of them in loss if they have no busi ness there. If they are proierly there and have business with him they will get everyting that is coming to them., and If they are triflers they will also get just what is coming to them. The Play Factory. But I was telling you about Mr. Sav age's play factory. The factory is part of him, and his office building is distinct ly characteristic. 1 was going -up the stairs to the private office when I heard Hie sweet and thrilling notes of some good soprano coining forth from the room the door of which bore the inscription, "Applicants received here." ' " - In there was a girl having her voice tried out by one of the Savage lieuten ants. Oh. the thoughts that voice gave rise to! How many hundreds of aspiring young women have been in that room and tried to pass the judgment of the people who decide upon the musical and dra matic capabilities of the applicants! Nearly .all the members of the Savage companies have passed through that door, and from the thousands who ' have en tered and come out. the present Savage forces have been recruited. I could hear the hope, the ambition, the anguish, the enthusiasm of that girl who was singing, and I offered up a little prayer at the moment for her success. 1 Down on the ground floor there are gen eral offices where ill comers are directed to the various departments on, the other floors. On the second floor Mr. Savage has his particular private offices. The third floor back, contains the desks of all the managers. When a company reaches New York the traveling business man ager has a desk of bis own in that build ing and he feels at home. That cannot be said of all the other managements In New York. Nearly all the traveling :'.W 1 Co' J. . nil - - f .asr t4 i f ' - ft ' . . i ' ' ' - S- vJ : ..... ':j..ii..: jvkafap. m nJ Personality.! of One of New York'sO Successful Managers in. Opera Jfw- ana Drama 3 e 2 l AH s Y'pm so. P irrjtf managers, when they arrive back In this city, must keep their offices In their hats practically. This is one' of the little things that I noticed which, in my esti mation, tends to keep Mr. Savage's force cemented together as a unit, and helps coalesce all factors that make up the united strength of his enterprises. There Is an esprit de corps cultivated and fostered Jn this manner that is Invaluable to this astute manager and business manipulator. The play factory Is the result of many years planning, and is praotlcaily the combination of several minor establish ments' that have grown up under the de velopment of the Savage Interests in several citit?s. r Formerly Mr. Savage had different de partments In Baltimore, Washington,' Boston and New York. Lately he has PR 2 i A mm n - oiss - ir rs-r"-su stLTCA fs? united all umicr one :oof at the Eavaga play factory in this city. All theatrical companies organized ' and controlled by Savage are drilled here, and all their equipment -is devlseO, planned, and manu factured here. To the minutest detail the production, the oostumes, the scenery, the properties are made, fitted, combined and gathered together, here by skilled hands that have been hired by Mr. Sav age, by workmen - and workwomen who swear by their chief and who are the most expert that he' could obtain in a very wide experience. When you think of the magnitude of Mr. Savage's undertakings in the past with hit? grand opera enterprises and other companies, and when you remem ber that this year although 'he has aban doned the English Grand Opera troupe that he pleased all -America with last year. -he. Is up to his ears in successful labor with the Puccini masterpiece "Madam Butterfly"; which opened the other night to an amazed and delighted audience at Washington and will come here to the Garden theater. November 12, and that he has already opened "The Student King" opera troupe In Boston, that Reginald de Knven piece that is said to be better than "Robin Hood" that, bis ,v.-t,v. a .vv- r .i -. . it" n-- r -f o3 SAr Vnr7svr. ours forces are now rehearsing "Die Lustige Witwe." the last year's popular success In Vienna, Berlin and Hamburg and which is so electrify us in December; and when you do not lose sight of the fact that he has on tour now the droll and deliciously .fun -making fellow Harry Bulger in "The Man From Now" with a gorgeous production and enough hand some girls, music and dancing to satiate all the bald heads in the Northwest: when you jot-down In your mind that Raymond Hitchcock is being starred by Mr. Savage over the country in Richard t 5 " ; v s a; 1 'to m. - 1 3 Harding Davis' splfndid farce comedy "The Galloper" which has been almost entirely rewritten this Summer; when you keep in mind that this hard working Savage has the original production of "The Prince of Pilsen" with Jess Dandy and the rest touring this country, and other productions of the same thing touring Australia, the English provinces and France; when you note that Savage lias also on the road in the United States three "College Widow" companies, in which the title roles are taken by actual college, widows who have graduated from American colleges; and when you take the sweet unction to yourselves that all of these "attractions" will visit the Pa- (Concluded on Page 4'J. ) t . . 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