THE SONDAY OBEGCXNIAN, PORTIAlfB, MAT 20, 1900. 17 PR ThLTMA J"- THE OLD STROLLER. He's five-and-flity. If a day; As yet, his hair Is Iron-gray. He's clothed In Mack from head to feet In rather shiny black but neat. He's rather toll and rather slim. His eyes are red around the rim. Those eyes were black when he -was young, And lightning glances flung among The ladles In their furbelows, "Who saw him In pale passion's throes; But now they are a bluish white For In them Hope no beacons light. HUr hat is Tilgh. as is his head; The man that made the hat is dead These twenty years. It has no mate For. like himself, it's out of date. Wide and level Is Its brim. And. like his hopes., its gloss Is dim. His coat is always buttoned tight; His linen's frayed but then It's -white. His low-cut shots are wedded to Grjm gaiters, not exactly new. In sun or shade, In snow or rain He twirls a light Malacca cane. Preoccupied, with thoughts afar. As his first dreams and great-coat are. The last-named article he scorns At least, his form it ne'er adorns. His face is bare of hair, and blue Trom constant shailng he Is true To the traditions of his art! And jet he has not played a part (Although he's looked for one through tears) For five-and-twenty sorry years. He still hopes on will, till he's dead. Through years as empty as his head His hollow head, on which are curled (He thinks) the locks to charm a world. If he but had a chance to show The fire within him and the go! He haunts Broadway from 3 to 6, And practices hli harmless tricks To catch the managerial eye. And then goes home to groan and sigh. He sometimes gets a ticket to A first performance: then. If you Should pass down to a parquet chair, Tou'd see him, wrapt and posing, wrhero There are no seats. He sneers and smiles At our degenerate tragic styles; He shrugs his shoulders, flouts at grief. And fumes, frets, shudders gasps. In brief! At what the'audlence calls "soul," Our poor old stroller's weak eyes roll. Approach: "Enjoy it, sir. I'm sure?" "Enjoy be damned, sir! I ENDURE!" "An actor, jou?" with smile and nod. "I played with rORREST. sir. by Godl" And then he turns and strides away To his bleak room, but does not say He played with Forrest In the year Of '03. and held a spear And trod the boards behind a shield. On Bosworth's bloody, famous field. Among grim Richard's battered troops, When he was captain of the "supes." Fpor fellow! Leave him to his dream; " He's drifting down the hackneyed stream Of life in such a leaky boat That he can barily keep afloat. And If he wears with pride a rose He never plucked what then? God knows That ho belle es to be a tact That he did once with Forrest act. John Ernest HcCann, in Dramatic Mirror. WITH ENTIRE FRANKNESS Stochrvrell Company's Production of "The Magistrate" at Cordray's, as Seen by "Meriwether." Mr. Stockwell did -wisely in selecting "The Magistrate" for the second -week of his newly mustered company. It is gen erally acknowledged to be a grateful task to give one of Pinero's comedies. Most playwrights are prone to think of the audience und forget all about the actor. But Pinoro, who is stage manager as well as playwright, is clever enough to keep both in his mind. He gives the player a generous allotment of clever lines, although he may be a butler. Instead of concentrating them all upon one lucky star, and altogether treats him like a man and a gentleman. As a rule there is no part so small in his plays as not to give the actortanvonnortunlty to make a hit, if he uses it properly, so lavish is Pinero w ith his sparkling dialogue and that warm humor that never appeals in vain to an audience. An illustration of this may be found in the part of the French waiter, Isidore, Introduced Into the second act of "The Magistrate." He has few lines, for about all he has to do Is to bring in decanters and deviled oysters, yet his part pos sesses such clear-cut individuality that Mr. Francis Yale was able to produce a distinct impression upon the audience. And this may be taken. In a general way. as a type of the quick and sure reward that awaits every actor of ordinary clev erness in the humblest roles of Pinero's plays. Handicapping? Circumstance. "The Magistrate" is a comedy that can almost be said to carry itself. It would take a poor company Indeed to make It fall flat. Mr. Stockwell has gathered absut him some actors of real ability, but these are handicapped in their efforts to do seriously artistic work, by the neces sity for jumping into unfamiliar roles at short notice, to accommodate themselves to the needs of a newly organized com pany. The character of Mr. Posket has become in Mr. Stockwcll's hands an admirabla and delightful study of diffidence and naivete, mingling with magisterial stern ncss, in the dissimulation so unexpectedly forced upon him. There is no temptation to introduce horse play into this role, as there was Inst week in the characteri zation of Marks the Lawyer. It was somewhat odd to see Miss Hef fron in lace, bare shoulders and diamonds, after our glimpse of her as sputtering Topsy in the kinky, vari-colored curl pa pers, and the dross-slip of brown burlap. She gave an interesting picture of Agatha Posket's shlfl-.g moods of Ingenious finessing, historical abashment and out raged dignity. But the effect of the scene in the. hotel came pretty near being spoil ed by the bombast and ranting of Law rence Griffith and Glttus Lonsdale, as Col onel Lukyn and Captain Vale. Heroic Efforts. All of Mr. Griffiths' cnergV and that was a great deal was consumed in & heroic effort to acquire the military depth of voice that befits a British Colonel. But with all his arduous efforts, the re cult was hardly satisfactory. Mary Scott, as Charlotte, the unmarried sister, seemed rather indolently indisposed to make the most of her role, and was caught in a state of undue mirth once or twice at critical moments, when the place foi smiles was in the audience rather than on the stage. She gave the Impression of unused force. Mr. Steinle had, perhaps, the most dif ficult part in the play that of the vola tile youth of 19, whose mother kept him still in knickerbockers and ruffled waists for chronological reasons. MERIWETHER. "IN PARADISE" TONIGHT. Will Open Last Week of StockvrcU Engagement nt Cordray's. The last week of tho engagement of Mr. Lk R. Stockwell and his company opens tonight at Cordray'fl, when "the English adaptation of the French farcer "In Para dise," -will be presented, with, Mr. Stock well as Moneleur Pontlchot. This farce was produced for the first time in Portland by the Frawley Com pany, on the occasion of the last appear ance of that organization here. Its story is too familiar to our theater-goers to need repetition at the present writing. It is full of humorous complications and incidents, and offers good opportunities to clever players. At tonight's presenta tion, Miss Mary Scott plays Claire Tau pln, the artist's model, who Innocently caures all the trouble; Miss Heffron, Mme. Pontlchot; Miss Lonnon, Mme. Crestll llon, and Mr. Lonsdale. Raphael. "In Paradise" will be given only three per formancesSunday, Monday and Tues day. On "Wednesday evening "The Magis trate" will be repeated, and the balance of the week, including Saturday matinee, "Uncle Tom's Cabin" will be given. GREATLY APPRECIATED. Enthusiasm Over the Dos; and Pony Show. Enthusiasm has been rife all the week among the little folks on account of the Norris & Rowe dog and pony show. Big audiences have been the rule every day. Thousands of children have been enter tained in the great tents, and have gone home afterward to dream about the pretty calico pony captain, who rang a bell and directed the maneuvers of a troop of soldier-ponies; or the old coach dog who Jumped through the blazing hoop with as little concern as he would gnaw his way through a bone, at dinner-time; they have been kept busy wondering whether or not the poor dog who was hurt in the boxing match is going about with his- fore leg in a splinter; or whether the wee doggie -who was carried out of the burning building by the brave fire man dog has recovered jet from the shock. All these, together with the per forming sea-lions, the clever tricks of Fargo, the young elephant, and a hundred other brilliant antics beside, have kept the children's tongues busily wagging. It was all they could do to find time to sleep or to eat, so eager were they to exchange opinions on these interesting topics. And their elders also have set the seal of their approval upon the exhibition, pronouncing it one of the best that has ever been given in Portland. SHAKESPEARE PAYS. "When Properly Presented, His Plays Do Well Incidents. ASTORIA. Or. (Mr. Editor.) From time to time we read of the decline of the Shakespearean drama, and that there is no longer money to be made in the "le gitimate"; that the people want something light and will support nothing else. I think this is a mistake on the part of those who make these assertions. The companies I am speaking of the llrst class companies, now who included Shakespeare In their repertoires this sea son have all made money. Shakespeare's plays must either be presented In an almost faultless manner, or not at all: it is only when they are presented thus that they are a paying attraction. They must have not only actors of more than ordinary ability and how few there are, though the cry goes up that the profes sion Is an overcrowded one but there must be an enormous outlay of money In costumes, scenery, etc. Thomas McKee, manager for the late Thomas Keene. was a firm believer in the "legitimate." During a late tour of his "star," he was in St. Louis. The mana ger of the theater at which his company was to appear spoke to him in a very discouraging manner as to the business he thought Keene would do; said that everything was running to -vaudeville, and that the "legitimate" was dead. It Caught On. However, McKee said he would at least let the people know that Shakespeare was In town. The result was a banner week's business and a Shakespearean boom in St. Louis. The local stock company took up "Hamlet," and played it 14 times a week every afternon and evening. Mme. Modjeska. Frederick Warde, Wal ker Whltslde. Louis James, Crcston Clarke, Richard Mansfield and Ada Rehan are among the .foremost exponents ot Shakespeare's drama we have left, and now that Augustln Daly is no more, New York is without Its customary revival of the famous bard's plays, for, with the ex ception of the performances given by the traveling companies, New York Is not any better off than many of the smaller towns in that respect. It reports are true, Mrs. Leslie Carter has the Shakespearean "bee" in her bon net, and possibly next season will be seen In a sumptuous revival of "As You Like It" and "The Winter's Tale." I trust this latter play will not put a "frost" op her aspirations; the title is a chilly one. Speaking of tragedians, reminds me of a good story I once heard of WUtcn Lackaye. This actor made his first ap pearance on the stage in support of Law rence Barrett. In "Francesca di Rimini." When the company went on tour. Barrett decide to put on "Julius Caesar" for a few nights. Lackaye expected "Frances ca" to -run all season, "and was not sup plied with classic wardrobe, esnecially the Senatorial toga, with the broad red stripe. The company was -way up in the country, and Lackaye was stumped how to acquire a toga. Waking up one morning in his little hotel, his eye was caught by the window curtains long white affairs, with a red stripe running across the bottom. "There'a my toga," exclaimed Wilton, who forth with proceeded to "swipe" the curtains, and drape them over his manly form. Not being matched properly, the stripes did CARICATURE PORTRAITS-MEN DAVID BELASCO, PLAYWRIGHT, AUTHOR, MANAGER, not come together exactly, and made him look more like a stick of striped pepper mint candy than a noble Senator. However, he carried his prize to tho theater that night. His part In "Julius Caesar" was Metellus Cimber, which he was wont to make up a very red-faced Roman. He did not come forward promi nently until the garden scene, where Cas sius introduces the conspirators to Bru tus, so Barrett did not catch sight ot him until the moment of the introduction. "And this Metellus Cimber," said the tragedian, In his deepest tones; then, catching a good view of Lackaye, with his fiery red face and barber-pole toga, he remarked in a gruff aside: "For heav en's sake, Lackaye, where di you get it You look like a sore finger." S. TERRY McKEAN, JR. PORTLAND SINGER PRAISED. Rose Bloch Bauer's Solo "Work: at the Salem FestlvaL Mrs. Rose Bloch Bauer has received high praise for her work in the two ora torios, "St. Paul" and "Creation," just given by the Willamette Valley Choral Union at Salem. Rev. F. Dominic, O. S. B., president of Mount Angel College, well known for his fine musical taste, says: "I have heard the star singers in Wag ner's operas at Bayreuth and Munich, and I do not remember of hearing any thing better. Her beauty of tone, sweet ness of expression and dramatic force of delivery have simply ravished me, espe cially in 'Creation,' which calls more than 'St Paul,' for all tho power and skill of a heroic soprano. As soon as she. In the first chorus of 'Creation,' swung up to the high C with the ease of a morning lark. she raised us with her self to the highest pitch of enthusiasm." BLANCHE "WALSH ILL. Rumor That She May Retire From the Stage. Affliction of the vocal cords has neces sitated the cancellation of the Chicago engagement of Blanche Walsh and her co star, Melbourne MacDowell, who have been touring for two seasons in the Sar dou plays that constituted the repertory of the late Fanny Davenport, says the San Francisco Bulletin. Coupled with the news of her illness comes a rumor that she Intends to retire from the stage to travel In Europe for the purpose of repair ing injury sustained to her health through the exigencies of her work. A few nights ago in Chicago, tonslll tls affected her voice so distressingly that she was compelled to lower the curtain in the middle of an act and dismiss the audience, ft is thought "that the tour of herself and MacDowell will not be re sumed, owing, to differences between the stars. Her association with MacDowell began after the death of Fanny Davenport, who was Mrs. MacDowell in private life. The Sardou melodramas of "Fedora," "La Tosca," "Cleopatra" and "Gismonda," constituting the Davenport repertory, were regarded as valuable properties, and were in demand by actresses with stellar ambitions. MacDowell himself decided to star in them, but as his position on the stage had been merely that of Mr. Fanny 1 Davenport. It was regarded as necessary I that an actress of standing and strength ' should be associated with him, and Miss I Walsh was selected. At first MacDowell was given prece dence in the Dining ot tne venture, out the actress speedily made good a claim to first place and black type in the post ers and advertisements. It -is the belief that the enterprise has been very suc- cessful in a pecuniary sense, although it has been confined in its appeal to the cities and towns west of Pittsburg, and j lias &cjjl jsoas trtusu uui ui. iue uieLrupu- lls and the large cities of the East, where her work had been known and appreci ated. . EARLY PLAYS IX THU "WEST. "Rip Van "Winkle" a Novelty, and J snaifespeare untcnovrn. The term "barnstorming", -was unknown west of New York before the Civil War, says the Chicago Tribune. Traveling companies were few and uncertain in their dates. The circus traveled overland, but the theatrical company never, in the I West. Amusements other than the tent- ' ed shows were confined principally to the river towns. Sometimes a few strolling players would arrive in an inland town by stage, rent a hall for the night; occasionally for a longer stand, and appear "on" the night of the day of their arrival, without pre vious announcement except by handbills. Tho scenery consisted of a drop-curtain, usually of cambric, or domestic sheeting. The lights were candles, which had to bo renewed before tho performance was over. The "orchestra" was composed of homo talent. There was always aome one in town who could fiddle. All seats were worth the same money, and, of course, there were no coupons. The goer paid his cash to the man at the door, who usually left his post as soon As possible to "make up" for his part In Ihe play. The town visited by players at that time was usually the county seat, and the "acting" was generally In the Court house. As the Courthouse "was public property, no rent was charged, and the consent of the Sheriff was the only license. There were "deadheads" then, and tho Sheriff was always fixed. So was the IN THE PUBLIO EYE. landlofd of the town.' -where1 tho play goers slept two In a bed. Shakespeare Then Unknown. Not often did these -strolling actors pre sent anything other than "Uncle Tom's Cabin" and "East Lynne." Between "cur tains" the elocutionist of the "troupe" "company" was unknown gave "Shamua O'Brien" or "BIngen on the Rhine." Theso were the specialties. But 40 years ago a Shakespearean play was unknown In the inland towns of what is now the Middle West. Thirty years ago Joe, Jefferson'3 "Rip Van Winkle" was new in St. Louis, and people from the interior of the state made journeys of a day and a night to see it. "Jessie Brown; or, The Siege of Luck now," was the first military play of any noto produced In the inland towns of tho West, and that was not se-in until after the close of the Civil War. "The Black Crook" was the first spectacular play JUST WHAT SHE UlCr m-?- ; jt v vWv'KLV MKfted5Ch?M" , f .. ) "His Flatte Is a beautiful player." 'You mean she plays beautifully." "No; that's Just what I don't mean." west of the Mississippi, and that was after the Civil War. It was considered so marvelous that people from remote sec - tions of the state went to the cities to tee It. But before Jefferson, with the stage creation of the vagabond Rip, and before "The Siege of Lucknow." and even before "Uncle Tom's Cabin," Bert de Bar, of St. Louis, had acquainted the people of that lunu mtji ua ,, -.-u-....., m mcv the first Shakespearean character seen in that section. In fact, some years later, when-a young CORDRAY'S THEATER Positively the Third and last Week of THE L H STOCKWELL CO. COMMENCING TONIGHT, SUNDAY, MAY 20 BasxIDSGa 44 I IN ' Wednesday One Night.... PINERO'S MASTERPIECE ."The Magistrate tragedian appeared in Leavenworth as Hamlet, the playbill contained tho infor mation: BY WILLIAM. SHAKESPEARE. Author o "Merry Wives of Windsor," M Played by Ben do Bar. Shakespeare Introduced. The playgoer remembered that. It was the production which Introduced Shakes peare In some portions of the West. The society play of that time, when pro duced, which -was not often, was "The Lady of Lyonsv" To have seen it and to speak of it intelligently was an evidence of culture and a passport. It had the in dorsement of the best people. They went to see it where they could not have been Induced to see the other plays mentioned, except "East Lynne." When "East Lynne" was played In Har rlsonvllle, Cass County, Mo., 27 years ago, in the old Courthouse, women became hys terical and men wept. A land company which was Just then laying out a new town on a projected railroad met the day after the play and named the town East Lynne. and It so appears on the map. It Is within the memory of Kansas City playgoers that when the English actress Mary Gladstone played the dual role in "East Lynne" in a town hall, the citi zens wero so Infatuated with the charac ter and the actress that she was tendered a "rousing benefit" all benefits were so called then. The list of names to the call filled a column In the morning newspaper. "WTTH SOL SMITH RUSSELL. Interesting' Experiences on the Road "With "Poor Relation." "When I was playing wiih Sol Smith Russell during the World's Fair, at the Grand Opera-House, Chicago, in 1S93," says Stewart Allen, of the Stockwell Com pany, "Nat Goodwin was playing In Missouri' at Hooley's Theater. It was the last night of Mr. Goodwin's engage ment, and during the first -act of 'A Poor Relation' the stage doorkeeper came to me and said that 'a sort of a cowboy-looking chap wanted to see Mr. Russell. "I went to the door, and there was Good win, dressed as tho Sheriff in 'In Missouri." He said: " 'Mr. Allen, I want to say good-bye to SoL' "I replied: He Is on the stage, Mr. Goodwin, but the first act will be over In five minutes.' "Russell was at the moment singing a little song to the two children (aged 6 and 8) who appear in 'A Poor Relation.' Sol Is Arrested. "Suddenly the door opened and in marched Goodwin on the stage, saying: 1 am the Sheriff from Missouri, come to arrest my poor relation.' "Russell was dumbfounded, and the two children cried bitterly, one of them say ing appeallngly: 'Sheriff, don't arrest our Uncle Noah!' Confusion reigned supreme, and the audience stared in amazement, and finally Goodwin said: " 'Sol I've iust come to say good-bye.' "Russell, recovering from the shock, replied: 'It is very kind of you to visit your poor relation.' They shook hands, and Goodwin hurried back to Hooley's Theater. "When the act was over, the only re mark Russell made was, in his usual dry way: " 'What strange things Goodwin does at times. "The audience hugely enjoyed this im promptu and unlooked-for scene. He "Wanted a Pass. "When I was with Russell In 1SS5," con tinued Mr. Allen, "we were at Lincoln, Neb., when, one night, a pale, emaciated looking man walked up to Mr. Russell, DIDN'T MEAN. j who was standing in front of the theater, and said: 'Are you Sol Smith Russelir j "Mr. Russell said, 'Yes.' I "Tho man then remarked: 1 want to ' seo you act tonight.' j . "Mr. Russell replied: 'Well, therege the j box office." r "The man said: 'But I want a pass.' " 'Why should I give you a pass?' said j Russell. Well, I'll tell you why. The doctor says I have consumption and" cannot live more than three months. I have no money with which to cut admission,- nd you only The Most Humorous of AH Comedies PARADISE" Thurs., Fridayand Sat. Nights and Sat. Mat. By Special Request The Ever Popular "Uncle Tom's Cabin" USUAL PRICES WILL PREVAIL NEXT ATTRACTION-"REAL WIDOW play here once a year; so r can never eee you act again.' "Mr. Russell wrote out a pass.' " BY THE OLD CIRCUS MAX. Restaurant Man Feeds the Giant and Makes It Par. "You know I've told you." said the old circus man to a reporter of the New York Sun, "about how the old man was forever playing Jokes on people In the towns we came to Over the great giant; making contracts in advance tor one thing and another for him, binding people to supply tho things called for at certain prices, and turning- up then with the giant. "For instance, he would get some local shoemaker to agree to make a pair ot men's shoes for so mcch, the man to be measured when he came to town. Of course, the shoemaker never dreamed Qf a man the size of the giant, and when the giant appeared the shoemaker would be duly dismayed, and the whole business would be turned Into an advertisement for the giant and the show; but It's only fair to say that tho old man always did what was right before he got through and never let anybody lose anything by him. On tho other hand, he sometimes met peo ple that got the better of him; and from one of these, right after we got the giant, wo learned a lesson so very simple that he wondered he hadn't thought of it him self before. "Going ahead of the show in a city where we were to stay a week, the old man made with the proprietor of the big gest restaurant there a contract for the board of one member of his company, who was very particular about his food, and was at the same time a large eater, this contract requiring that the boarder should be supplied with whatever he wanted that was In season, cooked to his fancy, and In any quantity that he might call for. Well, now, you l:now, the giant was a graceful enough eater, but, my gracious! the quan tity required to feed him was something prodigious; and, seriously, the mere cost of his board made a substantial item in the show's expenses. But his coming to the man's restaurant didn't appear to dis turb the restaurant keeper a bit; you'd have thought, to see him. that he'd been keepinar a giants' boarding-house all his life. "He waited on tho slant himself at the first meal he had there, which was dinner, served In the middle of the day. The old man was along to see that his giant got enough to eat, which fhe did, a great plen ty. At suppertlme the old man was busy. and he sent roe with the giant, coming himself later. When he got to the restau rant, he found a crowd in the street in front, and this sign hanging up over the restaurant door: : Nonpareil Restaurant. : : Tho Greatest of All Giants Boards : : Here, : : Taking His Breakfast at 7 o'clock, : : His Dinner at 1. : : and His Supper at 7 o'clock. : : Come in and See Him Eat. : : To All Our Regular Patrons No : : Charge for Admission. : : To All Others, 25 Cents. : "And they wouldn't let the old man in till he'd paid a quarter. "But the restaurant man turned out all right. Ho deducted tne cost of feeding the giant and then divided those extra re ceipts with the old man, which was fait enough, and ever after that, in every town we struck where the giant ate at a res taurant, we used to make contracts on that basis." FIRST TTOJlAJf ADVANCE AGENT. University of California Co-Ed Out Ahead of "The Brovrales." Miss May Eleanor Gates, of Oakland, Cal., and a University of California "co ed," has found the newest fletd of ac tivity for modern womankind. She has entered the field of theatricals from the business side of the profession. The stage Itself had no attractions for the talented young woman, but when" she received a flattering offer to become the first woman advance agent for a theatrical troupe. Miss Gates consulted with her friends and then accepted. On Sunday last she started out ahead of "The Brownies," which will be sent for a Southern California tour by Manager S. H. Friedlander," of the California The ater, San Francisco. Miss Gates has had four years of experience in newspaper work, combining journalism with her uni versity studies. Her freshman year was spent at Stanford University. She is one of the eight young women who were awarded Mrs. Phebe Hearst scholarships for the University of California. Miss Gates is a member of the class of '02. Her tour will cover three months, and all of the varied duties of an advance agent are Included under the contract the young collegian has signed. She will naturally devote much of her work to tha press. Miss Gates' home Is In Oakland. For many months she has been society editor for the Oakland department of the San Francisco Call. Before that time she had been employed on general and special newspaper work. She Is probably the first woman in the United States to take up the special line of work which she has undertaken. Miss Gates declares she would not have made the venture without the approval of President Wheeler, of the University of California, and her patroness, Mrs. Hearst. GLEANINGS FROM THE "WINGS. Matters of Interest to Play-Goers and Actor Folic. Ed H. Felt, who Is touring Colorado, recently had the pleasure of playing Flor ence. The opera-house was equipped with four battle-scarred drops fancy and kitchen interiors, a street and wood. The actor asked the manager of the houso what scenery he had. "Well, not much," said he; "we have a front room, back room, town and timber." One hundred thousand dollars Is the figure set for the profits of the Broadway Theater in New York since Jacob Lltt assumed management of It early this sea son. It Is stated on authority that the receipts have averaged nearly $18,000 per week since "Ben Hur" was first present ed. Grace Hill, daughter of I. C. Hill, of Los Angeles, refuses to leave her position l Angeies, retuses 10 leave Her pusiuon a chorus girl with the Bostonlans, al- as JOHN F. COR DRAY, Manager BROWN" though her father objects to her action and commands her to return. The girl, who has an Income of her own, draws a salar but proposes to stay in coir.la opera. Delcher & Hennessy have secured from the heirs of the late Charles Coghlan his dramatization of Thackeray's novel."Van ity Fair," and will feature Miss Coghlan In the principal character, "Becky Sharp." The firm has Just closed a successful sea son with "Brown's in Town." It has en gaged Jack Reed, who managed Charles Coghlan, the last three years, to direct the tour of Miss Coghlan. John G. Fisher, Modjeska's manager on her recent tour, says that the gross re ceipts for a seven months' season were nearly $250,000. Mme. Modjeska Is now on her ranch near Santa Ana. Cal., and her husband. Count Bozenta, Is with her. Mr. Fisher says that he paid the noted tragedienne nearly &S0.000 for her share of the profits of the tour. "WAY TJOWTV EAST." Phenomenal SdVscess of Brady and Grlsmer's Play. "Way Down East" has Just finished one of the longest and most remarkable runs -ever made In New York, and the most phenomenal, in point of receipts, at the A.cademy of Music, In that city, which Is noted for Its long and prosper ous runs. It played there nearly the whole season, during which it was wit nessed by fully half a million people; tho average weekly receipts were over $8000, and the receipts during the entire run reached nearly $300,000. The piece has been played In New York City 415 times. This includes its first run of six months at the Manhattan Theater. It has made a fortune for its proprietors, William A. Brady and Joseph R, Grlsmer, and will probably continue to yield large profits for years to come. There was scarcely a change In the cast from the first presentation of the play at the Manhattan Theater. Hamlet's Insanity Feigned. The Rev. Dr. D. J. Stafford, says the Dramatic Mirror, lectured about Hamlet, at the National Theater, Washington, re cently, before a large audience that In cluded many distinguished persons. Of the ghost scene. Dr. Stafford said: "Hamlet knew, from the fact that the ghost of his father had drawn him into seclusion to impart his dread tale, thqj the communication was not to be di vulged. So, when Horatio rushed up to him after the departure of the ghost, he grasps, without premeditation, at the idea of feigning insanity as affording an easy method of evading the questioning of his friend. The success of his plan induced him to continue to act the part, as afford ing a facile means to provide him with opportunity, without fear of interruption, to consider the course he must pursue In avenging the death of his father." Concerning the soliloquy of Hamlet the lecturer observed: "It is a complete phil osophy that Shakespeare has presented to us his own consideration of future life. He has given us a solution of the great mystery." Hard on the Ghost. The performance of the Shakespearean drama of "Hamlet" was dragging itself slowly along. The time had come for the appearance of the ghost. There was a slight delay, owing to the tardiness of the ghost in responding to Its cue. The profound stillness that fol lowed was broken by a loud voice in the front row of the main balcony: "Mamma, there are 37 men down there with round, white spots on top of their heads!" And no stage ghost ever made Its ap pearance under more discouraging aus pices than the armor-clad phantom that came stalking upon the stage at this mo ment. Chicago Tribune. Anton Schott will give a Wagner con cert on June 6. Particulars later. "When a Chtnaman becomes a criminal, the law punishes his par ents and even the grand parents. This is only the extreme logical ap plication ot the doctrine of hered ity. In this coun try, we leave nat ural law to deal witli it3 own offenses, and many a mother is punished t through the physical weak ness and peev ish temper of puny offspring. "Women mainly err through ignorance. They enter the marriage state already disordered by irregularity of the periods. The delicate and sensitive organs, pecu liarly feminine, are in no condition for the shock which is consequent on the great chnnge. Drains that are offensive and debilitating are set up, inflammation and ulceration with female trouble are added in time, and when motherhood comes the strength of body is inadequate, and the condition of mind unfit, for the responsibility. The natural result is a .child that is unhealthy and unhappy. Haonv wifehood, healthv motherhood. beautiful children, all follow the use of Dt? Pierce's Favorite Prescription. It stop the drains, allays inflammation, heals ul ceration, cures female trouble, soothes the nerves, and puts the delicate female organs in a condition of perfect health. Mrs. Annie Blacker, of 629 Catharine Street, Syracuse, N. Y., writes: " Your medicine! have done wonders for me. For years ray health was Terr poor; I had four miscarriagea, but since talcing Dr. Pierce's Golden Medical Discorery and 'Favonte Prescription.' I hare much better health, and now I have a fine, healthy baby. I have recommended your medicines to several of my friends and they have been benefited by them." Women find valuable help in Dr. Pierce's Common Sense Medical Adviser. Sent free on receipt of stamps to pay cost of mailing only. Send 21 one -cent stamps for the book in paper binding, or xi stamps for cloth bindinjr. Address I fv TJ V Vrrc- 'HjifFalo NY Ur' - v "crce uvmalQ, k. x. 4 s i i JrTA ; '(Wk v n wSmm !' f. -1, Ji ,