20 THE SUNDAY OHEGONIAN, PORTLAND, MAECH 5, -1900. ii y msmmKsnM r SNPr wir raw ft I I ' I t TJSSM Her Pretty Bonnet. "When meeting bells began to toll. And pious folk began to pass. She deftly tied her bonnet on The little, sober, meeting lass All In her neat, whlte-curtalned room. Before her tiny looking-glass. So. nicely round her lady cheeks She smoothed her bands of glossy hair, And Innocently wondered If Her bonnet did not make her fair; Then sternly chid her foolish heart For harboring such fancies there. So, square she tied the satin strings. And set the bows beneath her chin; Then smiled to see how sweet she looked; Then thought her vanity a sin And she must put such thoughts away Before the sermon should begin. But, sitting 'neath the preached word. Demurely, In her father's pew. She thought about her bonnet still Tes, all the parson's sermon through About Its pretty bows and buds Much better than the text she knew. Yet. sitting there with peaceful face. The reflex of her simple soul. She looked to be a very saint And maybe was one on the whole Only that her pretty "bonnet Kept away the aureole! Mary E. "Wilklns In Mall and Express. PLANNING EASTER FINERY Lent But Just Besun anil Tct "Opcn- Ims" Alrenily Being: Advertised by the 3Ietropolitan Shops. NEW YORK, Feb. 2G. Simultaneously with the announcement of Lent, comes the widely-advertised news of "grand open ings" In all of the big millinery depart ments and stores. A mere coincidence, but one that brings a smllo of good-natured cynicism to the corners of the mascu line mouth, until, perchance, te 40 days of prayer and contemplation have spent themselves, when presto! the smile trans fers Itself to smaller arched lips and the object of the smile is viewed with satis faction, poised upon hundreds of pretty heads, in hundreds of reflecting mirrors Easter morning. Judging from the models that have been shown so far, the styles this spring and summer, will accommodate them selves to Individual wearers, rather than be, as they were last year, of definitely pronounced, but limited shapes, becom ing to but a few types of beauty. It can not be said that hats will be worn down over the eyes, or way back on the head exclusively. Both modes, as well as a happy medium, will prevail. It is an in disputable fact that brims which shade the face from the glaring sun, especially those that are partly open-worked, and that catch and hold the fancy in a net of dimpling shadows, are far more becoming than the severely turncd-up rims that so mecllessly reveal the slightest Irregular ity of features, or the tiniest blemish of the skin. Wide silk straws, loosely braided, will be very much In evidence; they "will be seen In blue shades. In rose, rich browns and violet. Many of the new hats have - brilliantly-colored straw facings, without further show of straw, the foundations being of wire, covered with tulle, tre mendous roses and scarfs of real lace. In the turned-down hats, a noticeable feature is the Immensity of the bandeaux, covered with huge flowers, resting against the hair behind. As a rule the rims are turned straight up ,ln the back, and have the flowers pressed close against them. A flattering detail is the facing of the rims "with fold after fold of bias peau de sole. Louis XVI Shape. A shape that gives promise of tremen dous success is the Louis XVI, In which the rim rounds up behind and Is peaked down in front. Some idea of the shape can be had from the hat worn by the left-hand figure. In a group sketched on this page. An exquisite Louis VXI is made of loose white straw, faced with bias folds of rose-colored peau de sole. At the back Is a cache-peigne of very full-blown pink roses and a mass of pale green leaves The whole top of the -rim is covered with a generous twist of rose colored mousseline de sole, colled so full that it completely hides the small crown, An upright bunch of pink roses is tacked to the front of the crown, and the roll of pink, mousseline de sole. Is lightly veiled with a scarf of cream-colored Renaissance lace, the pattern of which is deliciously emphasized by the tint, beneath it. It Is really quite an expensive hat, but one that the home milliner need1 not des pair of having. The facing is not so dlffl cult as might be Imagined. The peau de sole Is first cut and stitched Into one long bias strip, two inches wide. The first row is then applied by holding the strip double and tacking It to the Inside edge of the rim. with the raw edges turned, of course, towards the middle. The second fold is applied without cut ting and Is allowed to lap over and cover the raw edges of the first; the third laps in the same way, and so on until the crown is reached. The last row of raw edges will be caught In with the lining. Any good cream or ecru lace may be sub stituted for the Rena'ssance. The Louis XVI in the sketch Is of rose colored straw, with a black straw fac ing. It Is uniquely trimmed with an Im mense black satin bow, in six loops, caught by a small brilliant buckle direct ly to the center of the crown on top. Tho black satin oca three rows or red silk stitching at .the edges, and a bunch. of Ted roses, mingied wun a quantity 01 vio lets, 1b placed under the rim at the back. The costume with which this hat is worn is In a very neutral tint of gray, tinged with vfolet. The skirt has a box plaiting at the bottom, barred, on the out side of the plaits only, with four 6tltched bands of velvet. In graduated shades of violet, the lightest one being at the top. The cloth bodice is embroidered in open work, and worn over -a plastron of cream colored taffeta, finely tucked In groups, with a tiny embroidery of violet silk onvi the flat Intervals between the tucks. The opening over the vest is made somewhat in lyre form and the edges are bound, with a band of deep violet velvet. The sleeves are long and tlght-flttlng and the narrow girdle is of cream taffeta. "Flats" to Be Worn. The 'round shapes of straw known as "flats," are to be worn again this year, but in a mode so different that they are hardly recognizable as the same simple shapes with which everyone Is familiar. A profusion of trimming, placed under the front, raises the flat at a very sharp an gle. All of the trimming, In fact, is placed under the rim, so that, from the front view, none of the straw appears. An idea of the effect may be had from the illustration. The flat In the model is of a peculiar, crlnkley-straw effect, made of horse hair. The facing, which is almost hidden. Is covered with folds of white chiffon. The bandeau, showing well from the front, but tapered off behind, is of turquoise-blue satin velvet Directly In front, the satin velvet is drawn together and arranged In a puff ruffle, whipped in under a fleur de lis of mock Jewels. Then, above all this, is a great, full rosette of lustrous black gauze. Two fine black ostrich plumes, curving back from the front, have their quills caught in between the velvet and the gauze. No prettier hat could be Imagined as a background for a fault lessly pretty face. From the front, it Is becoming to a great many, but from the side 'what a merciless exposer of the profile. That one cannot have too much of a good thing Is fairly exemplified In the violet hat, which will soon be amongst us again irresistibly welcome as the modest flower Itself. One that seems quite worth sketching, for its delicate originality, is of fancy Parma violet straw, with ajrfd1iim-slzed' crown, and a round ed, hollow flm. Rising from the crown at the left it a large bunch of Parma vio lets, the stems of which are covered, by having a long scarf of light violet taffeta wound about them. The lip taffeta con tinues to be wound spirally, r. .11 It com pletely covers the top and sides of the crown. Another twist of taffeta, in a deeper shade of violet, Is added Just above the rolling rim. But the unique part of the decoration Is in the arrangement of feathery sprays of malden-halr ferns that have their stems thrust Into the bunch of vlolets and their daintily wired tips all i curving In the same direction. The whole thing is charming and could be easily home-made. Another violet-colored hat Is In the Louis XVI form, with a bubbling facing of pucker-tucked chiffon to match. Around the crown is a light drapery of satin vel vet. In dull pastel green, surmounted by a few folds of mauve. Near the back, at the rlrht side. Is a mass of peonies In crinkled silk, repeating all of the tints used in the rest of the hat. Two more full-blown peonies are crushed under the upturned rim, at the back. The leaves mixed in with the flowers are of pale green velvet, marbled with yellow. Ont of the Ordinary. Distinctly out of the ordinary Is a gray velvet hat, designed to accompany a striking promenade costume. The hat Is made of the same material as the gown; that Is, of that light-weight velvet that has been manufactured for spring wear, and that has all of the beauty of velvet, without its uncomfortable weight or warmth. The suit Is pictured to the left In the group. Tho sheath-like tunic is cut in a point In front and Tounded off behind, over a deep circular ruffle, that is covered with wide bias folds of velvet. The ruffle is at tached, under tho tunic, to a silk drop skirt and is gracefully lengthened into a sweeping deml-traln. A band of white cloth encircles the tunic, to which it is jmuj CHIV.HCU, utility siuiii;u cu uiui ii dips In frdrit, In harmony with the outline of the tunic The band Is crossed In front and ornamented with a large button. The queer little cut-away of gray velvet shows beneath It a tight-fitting long vest of white cloth, finished with a high collar at the top and cut In a sharp point at the lower edge. At the bust the coat Is crossed over the vest In two rounded tabs, fastened with a single button. Two tri angular reveres of chinchilla are turned back above this fastening. The stripes marked on the white vest and band In the JRjRHCy ldftJK tjrCi KUKPsSr ssslw:lLs::KsMsaBMb'SMlssBBBH MsVssSssW MssT rNHtfHsBsBssHr BSSSSSSSSBCSSSS! w v I b raftssx aui iv i&2mzLJ! m&zs&vzK l r"TV xXmsx&mX lteif&8&&ifo. tihm. I in..iJirsT?frrifisin FtvMSia&Ti l&rfSiis-ftz&iPs Cf I I vL-JulsiBfc US&'i r Mkl R k vi iTsssssssss1HTr AXlxii-i- -. ' .i3k&f'it. lrs? LATEST IX STOETTT mc-rnir.!. picture Indicate rows of heavyt Bray silk thread stitching. The hat, worn well down over the eyes, is a bolero-shape. The doubled-up rim is covered with gray velvet and the crown is filled in with softly-folded white cloth. A twist of the cloth, coming down over the rim at the left side, holds in placo i pair of crisp black Mercury wings. The costume might well be characterized by the adjective "stunning," In the general acceptance of the word. In spite of its apparent simplicity. It is truly far too complicated in cut to be thought of, ex cepting by the very most experienced and capable of modistes. The center figure In the same sketch shows the latest development in the pale tot fitd. It is in English gray cloth, plaited In large squares and run through with a tiny thread of scarlet. The straight, ample front Is double-breasted and decked with-two rows of large but tons. The sleeves are extremely novel In cut, the outer part of the sleeve begin ning at the neck. Instead of at the arm- Lhole. and forming a band In the placo of the usual shoulder seam. They are made long and tlght-flttlng and are fin ished at the bottom, with wide, turned back cuffs. The high, straight collar, fit ting smoothly to the neck,, is surmounted by another collar, made to flare out abruptly from Its upper edge. A straight pocket is silt into either side of the coat, near the front. Black Velvet Skirt. The dress skirt Is of black velvet, stitched around the bottom with several rows of gray silk thread. The dainty hat accompanying the costume gives to it a lively touch of color, without which It would be almost too somber for spring time . The framework Is in simulated straw, made up of crinkled strips of gray satin and chenille. The rim is rolled double, and the crown Is one of those wide, almost protruding, affairs that are, at present, so popular. A wreath ot dash ing, red-silk roses borders the crown, near Its upper edge. The crown, by the way. Is wider at the top than at the base. The back of the hat Is almost covered by a spreading double bow of wide black velvet, centered in a pearl slide, and rest ing, half against the upturned brim and half against the hair. The complaint has often been made that the hats usually the most fashionable are, as a rule, those that are not calculated to make one look younger, and that the selection of youthful-looking hats fre quently means the sacrifice of vogue. This year, on the contrary, much of the head gear that Is the most chic is positively rejuvenating. More hats are being made "In costume," as It were, than have been worn hitherto. The trimming, or even the material of the gown, is repeated in the millinery, with the happiest effect. In such cases, fussy arrangements are barred, simple handling being considered by far the more elegant and dignified. ANITA DE CAMPI. NEW YORK GOWNS THE BEST. Actresses and Society Women No Lonprer Depend Upon Paris. In one the plays new this week, says the New York Sun, of recent date, the gowns of the. women are made an especial feature of the production, and It Is proudly main tained that they were all made In New York. Most of them were designed by one woman, who exhibited great taste and skill In this work. It rray be interesting as a matter of rec ord that all the gowns in this production were made In New York. That condition of affairs Is not nearly so novel as It might seem. The number of gowns really enti tled to be described by the phrase "made in France" that have reached the New York stage Is very small. Indeed. One Vrnnch Rctre5 nnnenrlnc here now Is sun- posed to reveal the very last word In Par isian modlshness, while, as a matter of fact, her gowns are made In New York. It has always been a tradition that what ever the qualities of their dresses might be, actresses must say that they came from Paris. Some years ago a famous American - ress, now dead, gave an elaborate produc tion of a Sardou play of which her cos tumes were one of the principal features, and the names of half a dozen well-known dressmakers were scattered over the pro gramme, from one end to the other, al though It was. In reality, a Fifth-avenue tailor who made all the dresses. He re ceived enough money for them to satisfy his pride at the loss of fame that might have come to him. Most of the French dresses that get on the stage today come from large depart ment stores, and are usually bought ny actresses after tho other shoppers have passed them by and they have reached that stage commercially known as "marked down." They can usually be adapted to suit the wearers well enough. It has become more and more a convic tion every year with the women of the stage here that American-made dresess aro ' better for American use. Paris cowns m Paris are more beautiful than any others tho world, but they aro not so well suited to wear here. Women in society In private life who dress well came to this conclusion some years ago. Women of the stage stand far behind the well-dressed women of private life in this country. Stage dress- i ui in ci;vcrui individual pariicn ara ttas very much Improved of late years, but the I rank and file of actresses can never equal j the dressing of wealthy women In society, On the fashionable first night It Is fair to say that nine out of every ten women In the orchestra seats are a good deal bet ter dressed than the actresses. They usu ally have better taste; they are better able to detect readily what Is smart and new, and they are accustomed, moreover, to dressing at all times well, and do not con fine their toilets to two hours of the even ing. When American women Of tho world A& W , decided that home-made gowns were bet ter than those brought from Europe for their purposes, It was not long before the women of the stage came to the same conclusion, although some of them still have the Idea, that It Is necessary to an nounce the Parisian origin of all they wear. DRESS BECOMINGLY. Unnecessary to Be Arrayed In Latest Style to Look Smart. Of course, says a writer in McCall's Magazine, people with plenty of money can nearly always present a fashionable appearance. I say "nearly always" be cause, unfortunately, women of wealth are not invariably bjessed with good taste, and, lacking this latter commodity, no one ever looked really stylish. But the possessor of a slender purse need not despair, for a "smart" appearance docs not always consist, as men will persist In ininmng, in Duying great numoers ot tne i costliest clothes and wearing them but a J few times each. No, there are really eco nomical dressers who always contrive to present a fashionable and smart appear ance. Undoubtedly there do exist some women who could never look stylish not in the creations of Parisian milliners and the triumphs of Fifth-avenue dressmakers but they seldom trouble themselves about their deficiency, and are generally of the opinion that "sensible persons never trouble to follow the fashions.' Now there ore fashlonsand fashions. To look fashionable doesnot mean to be ar rayed In the latest style. If it happens to be unbecoming to the Individual figure or face; the style latest but one Is equally entitled to tho designation. Then the ugliest mode cap be softened down so as to be elegant and pretty. Remember the atrocity unblushlngly spoken of as the bustle: sometimes only the dress-Improver. "What hideous extremes of that were wit nessed, yet a slight padding below the back of the waist Is an obvious Improve ment to most figures. Those who wish to dress at once becomingly and fashionably must not be afraid to contradict their mil liners and modistes, and will have to rely upon their own tasto In the matter ot either exaggerating or merely hinting at the style of the moment. LEGHORN IN REQUEST. Will Probably Be Lnrjrely Used for Snmmcr Hats. Leghorns promises to be In much reuqest for summer hats, although as yet hardly any orders have been taken for straw shapes of this sort, says tho Millinery Trade Review. Milliners are pretty well agreed on the subject, but they bide their time, Intending to bring It in as ono of the novelties for the latter end of May or June. This being the position of af fairs, it would be somewhat, premature to hazard an opinion as to tho manner in which they will be trimmed. Never theless. It Is probable that wide ribbons, with flowers or ostrich plumes, will have the preference; and also that whatever bo tho decoration chosen, a good deal of It will be deemed necessary, as the crowns are rather high, and as the brim being In all destined to be lifted at the side, some of it will have to bo placed under neath. For the present, however, these are not tho straws that occupy the attention of the milliners, and they hardly enter at all Into tho preparations they are now making for the spring season. With a view to this, they are principally provid ing themselves with fancy braids for the construction of their own shapes, rough braids of Yeddo or palllasson being Infi nitely preferred to finer sorts. The more models appear the more pat ent It becomes that all really dressy hats must more or less be fashioned by the hands of tho milliner. Competition Is so great here now, and thero are so many millinery establishments that 'really tha only way for them to signalize themselves Is to create their models entirely. This may account to an extent for tho ab sence of Leghorn hats from among the models provided for the American buyers and for the very small number of rice straws which" are also Included among the fashionable sorts for the midsummer sea son. For the same reason, crinoline shapes are mostly required of the boule form; that Is to say, only partially blocked; the great, additional widths given to the brim to be draped according to Individ ual fancy. NEW TABLE FASHIONS. White Prevailing Color Ton -Carv- injr Done at Sideboard. One among the new touches that have been lately observed at well-served din ners is that .various condiments are no longer separately passed with raw oys ters. Instead, In the middle of the plate on which they are handed Is seen a lemon. It is open at the top and Its con tents have been entirely removed. It has then been filled with a sauce made of tomato catsup, horseradish and similar things to those used In an oyster cock tall. Before eating them, each oyster Is taken up on a fork and dipped In the sauce within the lemon. It renders- them very appetizing, and the service is much more agreeable than the old way. One trip around the table Is also saved, and this is a matter of some consideration. The carving now, even at small home dinners. Is generally done at a side table by the maid or butler. The dish should, however, first be presented to the hostess, that she. and In fact all at the table, may see that It Is In perfect condition. By a slight movement of the head the hostess then Indicates to the butler that It Is to be carved. This custom seems to be an American one. and It would In this coun try be considered bad form to have It omitted. In England, where also the "FLATS" TO BE WORN. carving is done at the sideboard. It is not observed. There has been also a revival of the fashion of dressing salads on the table. A medium-sized tray, holding the cruets and condiments, is placed before the host ess, and then the salad bowl at her left side. The dainty Dresden sets, with the tray, bottles and other pieces to match, are the prettiest things to use, and the salad bowls most decorative, when ot silver or Sheffield plate. In fact, an Im mense amount of Sheffield plate Is seen In the dining-room. There seems to be a rage for It. The Idea of having set places at the home table appears to be vanishing, and with the exception of the hostess, mem bers of the family stroll in and sit Just about wherever they please. Often the heads of the house only sit opposite each other on occasions of large dinners. White Is at present the ultra fashionable color for table decorations. It Is seen In i the flowers, the lamp shades and In al most p,'aceg where brlght coloM f0J merly reigned. At a recent fashionable New York dinner, the plates and every piece of china that were used had been especially made In England, and they were of a fine, pure white ware, with a high luster. The only bit of color about them was the arms of the family, done In green. The table was profusely decorated with white roses and malden-halr fern, and quite a sensation was created by Its pure, refreshing aspect. The only sweets that were seen upon It were deep green. and they contained a creme de mentho cordial. In shape they were oval end not very large. They are extremely pleasing to the taste, but much caution Is neces sary when biting into them, for unless J handled Judiciously the fluid escapes and Is apt to fall and soil the gown. MITTENS TO BE "WORN. Latest Edict of Dnme Fnsnlon. on Snmmcr Hnndvrcar. o.i,. ,!. -vv tv. thro. nr- fr.,ir-v.iif tnr, length with the' long, tight-fitting sleeve. J fu secrets Into his wee brown ears-thrll-and the 12-button length with the waists I n6" secrets In a voice strangely soft and with 1how -iMVPs. ThesA last will nrob- ably be much In favor, and certainly re quire a glove that protects the uncovered portion of the arm. White gloves will be worn more than ever, both In kid and doeskin. These last are double stitched and have three very large mother-of-parl buttons; they come only in white and chamois color. The kid gloves will be almost entirely In light shades of buff, gray and tan and In white. A soft pale pink will also be very fashionable. There are gloves also In the soft shades, de signed to be worn with gowns ot the same color. Mittens, according to one fashion writer, will bo much worn during the coming summer. The masses of rings now seen on the hands of even the most tastefully dressed women render the kid glova a difficult problem, and the mitten a delight ful compromise They are made In white and colors, seldom, In black, thus getting away from the old style so firmly fixed In our minds. They come In all lengths and have a tie and bow of ribbon at the wrist, and some aro handsomely embroidered. Some have Incrustations of lace, and oth ers are entirely of Chantllly or the like. Addlnpr Insult to Injury. "Wadlelgh seems to be taking all hjs meals at the club lately. I wonder why?" "He's afraid to go home." "The dickens! What's happened?" "It's all on account of his wife's poodle dog. He was telling me about it yesterday. It seems that somebody stole the animal a few days ago, and when he got home that night she was almost beside herself with grief. 'You must advertise, she said to him, and he promised tliat he would do it. So the next, morning the following ap peared in all the papers: " 'If the party who stole my wife's poodle dog will kindly return the collar and keep the dog, no questions will be asked.' "He hasn't dared to meet her since, but he expects to put on a brave front and try in a day or two," Chicago Times-Herald. " DESIGN IN VIOLETS. - Woman's Work. When breakfast things are cleared away The same old problem's rising, For she again sits down to think Of something appetising. The dinner she must soon prepare. Or give the cook directions. And great Is the relief she feels When she has made selections. When dinner things are cleared away The problem that Is upper I Is Jutt the same with one word changed "What can I get for eupperT" She wants to give them something new. And long its meditation. Till choice la made, and then begins The work of preparation. When supper things are cleared away Again her mind Is worried. For then she thinks of breakfast time. When meals are often hurried. She ponders o'er It long until The question Is decided. Then bustles 'round till she makes sure That everything's provided. That "woman's work Is never done" Has often been dispute 1, But that she's worried Is a fact. And cannot be refuted. .. The worry over what to eat v Is greatest of these questions. And glad she'd be If some one else Would make the meal suggestions. Pittsburg Chronicle-Telegraph. LOVE FOR THE MAN CHILD Adoration of Their Mnle Offspring Lending: Characteristic of Fill- -plno Womankind. "She Is like no one else In the world this Filipino woman," writes a corre spondent 'of the St. Louis Globe-Democrat. "From the white man's standpoint she Is least like a woman of any feminine creature. She will work for you, sell you things and treat you politely, but beyond that the attitude of her life, as it Is pre sented to you, Is as Inscrutable as a bolted door. You can get well enough ac quainted with her husband to detest him cordially, but the nature of the woman is as hard to fathom as a sheet of Chi nese correspondence. "It Is never a common sight to see a mother, who believes she is alone, playing with her baby. A young native woman was making love to her first man child. The two were In the shack next to mine, but the windows were together. She had the little fellow In a corner and was kneeling before him In a perfect ecstasy of motherhood. The baby could not have been more than several months old, and the mother was perhaps 16. She would bend her body far back, with hands out stretched; and then gradually sway closer, closer, while the baby, very noisy, and happy In his diminutive way. shrank back Into the corner and showed his bare red gums. And when the mother swayed at last very near, she would snatch her na ked bundle of brown babyhood and toss him into the air. And there would be great crowings and strangled laughter from the Infant, and low murmurlngs of passionate worship from the woman. Then she placed her face close to the ! head of her son and whispered wonder- tenner, sucn as you woum not mm, cuum come from this smlleless creature of the river banks. "I watched, and the greatness of the mother heart was laid bare before me, and now better Impressions camq where falso ones had been and I remembered sho was a woman. Rapt and ardently In terested. I watched, leaning wltlessly out of the window. The woman saw me. The sullen. Implacable stare came back. She snatched up the child and disappeared. "She bathes In the river, unconscious of tho passing white man, but he must not see the woman's love for her first born." WELL-MERITED REBUKE. Chicago Newspaper Woman "Calls Dorm" n Poet-Cook. A South Side Chicago woman who writes poetry also runs a fancy cooking estab lishment. Both occupations are managed with fine Impartiality, and the right hand never knows what the left hand does. The cooking establishment 13 never even re motely referred to by the lady's friends and calling acquaintances. One uncon ventional caller, says the Chicago Inter Ocean, did get as far once as saying: "Oh, Mrs. B., please send mo 53 worth of your chocol " "My secretary, If you please," Interject ed the poet-cook hastily and haughtily, and tho two women have not been on speaking terms since. A newspaper writer who knew nothing of theso esthetic dlstincHbns, wrote an ar ticle on "Fancy Cookery." and mentioned Mrs. B. as a talented exponent of the womanly art. A few days afterward the poet-cook and the newspaper woman met In a tea-room down town. "It seems to me I have seen your face before," said tho poet-cook. The newspaper writer has a poor mem ory for names, and had to confess herself at a loss. "Oh, now I rememberj" said the post- cook, reddening, "you are tho person who wroto that horrid article In which you called me a cook. Me a cook!" and she groaned. "Yes, I know, I told you about it, but I never thought you would use names. I thought when I first saw you that there was something peculiarly dis agreeable In my recollections." "I am very sorry you look at it that way," said the writer, and they talked It out over the teacups. "Well, I suppose that you'll always think of me as an unpleasant, fault-finding crea ture," said the poet-cook, as they parted. "Oh, no," rejoined the newspaper writ er, "merely as a woman of rather narrow outlook. You know when I do any work I'm. not ashamed of It. and when I'm ashamed of it, I don't do It. That's all, thank you." . LOVE VS. LOGIC. An Old Fable In a Modern Guise. A dispute In Jove's empire one day there began Twlit Minerva and Cupid the subject was man. The wise goddess averred, and defied contradic tion, That mortals loved truth and despised silly Action. "Do you think." quoth her goddesship, sneer ing at Cupid, "That there Urea on yon planet a being eo stupid As to turn from my precepts profound and re fined, To be schooled by an Infant, and that Infant blind? No; should we together descend from the spheres. And dwell on yon cold orb for one of Its years. For each single proselyte boasted by you, I'd make a big bet that, at least. I'd have two." "You would?" exclaimed Cupid. "Your chal lenge I take. Pray, madam, oblige mo by naming the stake." "The stake? What I net by my first publlo lecture Against" "Let's say, madame, a doxe.-v of nectar." "Done." "Lady, your hand, 'tis a wager." "Agreed." "What, hot" shouted Cupid. "What, hoi Gan ymede; A dozen of nectar, and let it be nice Tell Bacchus to choose it. Til pay him his price This day twelvemonth, as time goes on yoa little orb. But on ice for this lady and me to absorb." Thcy both sought the earth, and agreed all disguises Should be lawful for both while securing their prizes. Then they parted, arranging, their pilgrimage done. To meet and report and find out which, had won. Not long after this, in the leading dlurnals (Five morning and one or two afternoon Jour nals), Of a city renowned of a certain great cation, Appvared In big letters the word "Education" Aboie an elaborate and learned prospectus. Full of Jaw-breaking words, and signed "Doctor Delectus." Setting forth that the party subscribing was able To teach. In six months, every language cf Babel, And with all sorts of learning cram, man's emp'-y attics. From nine parts of speech to abstruse mathe matics. Next day the professor, determined to dasht.on, Took a house on an avenue sacred to fashion. And announced, through a neat-looking -circular's pages. His "establishment." which to both sexes, all ages, "Was adapted, and son. father, mother or daugh ter. Could be taught "Terms, five hundred dollars a Quarterl" Deserted at once were the old-fashioned schools; The pretty, the homely, the bright ones, the fools, All flocked to tho Doctor "a general move ment," And wondrous. Indeed, was the rapid lmprove- menL. One morn to the school came a prim Quaker youth. And presented a letter signed "Jfathaa and Ruth." Purporting the bearer their offspring to be, "Obedlah" his name, and concluding. "To thee "We commend him, dear friend, and presume thee 11 be kind To the poor Httlefellow thou'lt see he Is blind." Quite pleased was the Doctor: "So gnwe, so demure. That child will astonish the world, I am sure. "What an air of deep thought, what methodlo precision He'll make, without doubt, a great methemo- tlclan." Then he spoke to the school of the Quaker youth's blindness. And "hoped all the studenta would treat hlxn with kindness." But, lot In that echool. ere a month passed away. In every class there was Old Nick to pay; The pupils all useful attainments eschewing By common conent took to billing and cooing l "When In Euclid examined, they talked of ths Graces, And their sole calisthenics were loving em braces: "While the voice of reproval was answered with hisses. Or drowned In a general chorus of kisses. It soon plainly appeared though but little he said; That the plain Quaker boy of this row was the head. If he smiled, straight the schoolroom was ring ing with laughter: If he stepped o'er the threshold, the school followed after. The Doctor perceived all his teaching was ended. Unices this strange frenzy was promptly amended; So one day, our friend Obed from dinner de taining, He addressed him with: "Rascal, Til give yoa a caning If you do not disclose by what art by what spell, sir You have made for a month my house worse than hell, sir." Then answered the rogue, with a counteaanco sly, A slight curl of the Up and a roll of tho eye: "Why, Doctor. I thought you a keen observer Tm Cupid!" "Confound It. and I am Minerva." Moral. Let sapient instructors who fancy that man Cin be made truly wise on the "high-pressure" plan. Learn that system Is based on the wildest heroics, "Which attempts to make men what they never were stoics. Giant Intellect strides to his glorious task. Does the Samson need no recreation, I ask? He does, and with Joyar.ee to brighten hla track, Toung Love, the gay urchin, sits perched on his back. i.ue vernoa. Tne ainrrlngre Name. The practice of the wife assuming the husband's name at marriage Is a Roman custom and originated soon after the Roman occupation. Julia married to Pompey became "Julia of Pompey." In later times married women signed their names in the same manner, but omitted the "of." In the alxteenth and seven teenth centuries, we find Catherine Par reo so signing herself after she had been twice man led. In Iceland the opposite has always been the custom. There, after marriage, the husband assumes the wlfe'a name. All That's Necessary. - A woman's smile will oft beguile The sterner sex, austere. But should that prove a faulty move, Just let her shed a tear. Ohio Stato Journal.