THE SUNTDAY OREGONIAN, PORTLAND, MARCH 4, 1900. 17. "A vlMoa entered It "was the I Thy emlle wna seen, thy voice was heard. It thrilled each eoul -with ecstasy. And huah'd the note or every bird. Then Joyfully was passed the word She! She alone, our queen shall be." WITH ENTIRE FRANKNESS More "Woman Than Queen, and Yet Glorious Is Blanche Walsh's Cleo patra Frawley Company. It must be conceded that, both as re gards sumptuous beauty of stage set tings and the vivid and powerful por trayal of emotion, Portland theater-goers have seldom. If ever, enjoyed anything better than the Walsh-MacDowell produc tion of 'Cleopatra" and "La Tosca," at the Marquam this past week. How those glowing pictures of Egyptian magnificence stay with us! "We have but to shut our eyes, to see again the terrace of Memphis, a group of dark pillars outlined against the quivering stars, the glimmer of the distant, rush-bordered river, the dim, glamorous reach of papyrus swamps, and swinging from the portico in the fore ground a single brazier, sending up red and yellow tongues of flame; brown sKlnned attendants, a-glltter with, pangiea, fanning the summer air with slow-nodding peacock feathers, a couch and on It a queen, moaning, in most womanly fash ion. "My eyes will neither sleep nor weep." There is a sudden quiver of haste in the heavy air, and a gasping, breathless slave crouches at Cleopatra's feet, with a message from Marc Antony. We hear the torrent" of burning questions poured out upon him; we look down Into the depths of a woman's heart, where hope, fear. Jealousy, anger, hatred, pride, re morse are fighting with love; we see her uplifted hand and the gleam of a dagger. There is a swift change ot mood, and with it the impetuous unclasp of Jeweled bracelets to reward the trembling slave. Another Picture. Or, moving from the portals of the Tem ple of Isis we see a procession of blue hooded priests in loose robes or leopard skins, bearing idols and chanting dirge like strains; threatening groups of Roman soldiers, with swords bared for onslaught; the imperious figure of a woman with outstretched arms, seen against a lower ing sky; we hear her calling to the gods of Egypt to obey her; and the answer comes. The black air flashes forth light nings that send even the stolid Roman soldiers cowering to the ground; against the fires of heaven stands Cleopatra, un moved, controlling the anger of the gods. It would be hard to find more superb settings for this young, emotional actress, who so boldly essays the roles of Bern hardt and Fanny Davenport. The first impression Blanche Walsh makes upon one is that of a creature of glorious vitality and tumultuous energy, who delights to riot in tempestuous pas sions, and like a young animal, In the full freshness of Its powers, cares not a straw for that saving prudence which dictates sobriety of effort, in the expen diture of nerve force. Some day when her stock of splendid vitality runs low, she will learn to "cut corners," in mak ing her points on the stage, but when that time comes American audiences will not like her half so well. She has what William James would call the "bottled up lightning" temperament. Almost Feline at Times. At times, Miss Walsh's impersonation of Cleopatra is almost feline. When, after being unrolled from the carpet, she stands hidden In the recess of the palace at Actlum and listens to Marc Antony's pro fessions of love to Octavia, her face wears a sly, catlike expression, and In the previ ous act she showed herself a very tigress in ferocity toward the messenger. Yet she knows how to set bounds for herself, when the right time comes. In the really great moments of the play, she shows absolute self-restraint, and this Is the more remarkable because of her usual impetuous vehemence. When, In the last scene. Marc Antony Is brought in, mor tally wounded, she does not rant, or tear her passion to tatters: her anguish Is too deep for that. In the tender, clinging caress with which she receives his last breath, and the horrifying quiet of her own death, sitting upright In the chair of state, with Egypt's diadem upon her brow with which he accepts the homage and the tyranny of Egypt's queen, adapt him admirably for his place in the play. It would be manifestly absurd for all the tragic splendor of Cleopatra's love to be wasted upon a man of Insignificant ap pearance. A superb stage presence is one of the essentials of a Sardou hero. As for psychological subtleties, those are apt to be appropriated to the exclusive use of the heroine. "La Tosca." "LaTosca," which Is stll! fresh In our memory from last season's production, shows Miss Walsh in a stronger light than does "Cleopatra." Possibly, It is because a regal manner is not required of her, as In the role of the Egyptian queen. In this most harrowing of Sardou's plays, she is not upheld by such splendid spec tacular devices as in "Cleopatra," yet she is very responsive to the heavy demands made upon her versatility perverse and charming in the earlier scenes, full of lit tle piquant petulances and pretty caresses, whllo, as the tragedy develops, she gives us a remarkable study of heart-eating Jealousy, and of that prolonged and terri ble struggle to save her lover that ends at last In the sacrifice of four lives. The refined and sickening cruelty of the baron, with its brutish sensuality and flashes of Mephlstophellan wit, make that role an exceptionally difficulty one for a man of ordinarily humane instincts. It would be hard to find a more repulsive stage-villain. Mr. MacDowell's remark ably intelligent and consistent interpreta tion of the role; the rare art with which he depicts Scandla'B heartless glee, and re morseless tyranny, are more or less fa miliar to us, owing to his previous ap pearances here in that role. But it Is so unusual for such a part to win the appro bation of en audience that the curtain calls he received are particularly worthy of note. These must be taken as valuable testimonials of his worth as on actor. The management of the Marquam de serves, and should receive, the gratitude of the public for refusing to permit lata comers to take their seats while the cur tain was up. This pleasant innovation added materially to the success of the Walsh-MacDowell engagement. The Frawley Company. It must be sorrowfully admitted, with a sigh for the pleasant hours of the past, that the Frawley company Is not what it used to be. It has deteriorated; there can be no d.oubt of It. Mr. Frawley's old-time WALTER WALKER, IN HENRY GUY CARLETON'S COMEDY, "THE NOMINEE." and Egypt's scepter in her hand. Miss Walsh puts a curb upon her nature and bends It to the bidding of her wlIL Viewed as a whole, her Cleopatra Is a passionate creature, lacking somewhat In dignity and respose; more woman than queen; clear and transparent of soul, less complex than one expects, and so strongly Invested with human interest as to make it compare favorably with Fanny Davenport's imper sonation. How easily the dignity of Marc Antony sits upon Mr. MacDowelL The 10 years of training he received with Fanny Daven port have not failed in their work. He wears his toga as though he had been born to It The noble molding of his head and shoulders, and the splendid ease v T. DANIEL. FRAWLDY AS NAPOLEON, IN "MME. SANS GENE." penchant for selecting actresses with a well-bred air, a distingue style. Is still in evidence. The women of the company wear chic and becoming gowns with that air of pleasant unconcern which suggests a more Intimate acquaintance -with them than is likely to be acquired at the hands of a stage costumer; they are comely of face and figure, and will bear a close scru tiny through the lorgnette; they use their broad English a's with admirable ease, and make commonplaco remarks with an air of extraordinary enthusiasm and en joyment. But we expect something more than this. It Is quite possible to find these attractions in the private drawing-rooms about us. "The Sportlnc Duchess." It Is in the "Sporting Duchess" that tho Frawley company puts its best foot for ward. This Is full of the Derby races; pretty women in pretty gowns; clever talk that smacks alternately of the stables, fashionable scandals and the hnr-ronm so brimful. In fact, that there Is no room left for legitimate acting. There Is a change of scene every few minutes. As 'soon as the spectator begins to be really interested and concludes that he has, at last, found a thread to the plot, the cur tain goes down and he is left in confu sion, wondering what share of the re ceipts at. the box-office is expended as "tips" on the scene-shifter. With only two or three exceptions, all the members of the company are new to us. Mary Van Buren, apparently. Is the most promising. She seems to be a dec orous young woman otherwise, accus tomed to well-bred society; yet she plays the part of an adventuress who tosses oft brandy and soda with her men frlend3 and smokes cigarettes. Miss Keith Wake man, also a decorous young woman when in the drawing-room of good society, takes the role of the Sporting Duchess very much as though it were a big Joke. Even the men look sheepish when they say Improper words such as are never heard in church. There Is no denying It, the play is decidedly risque. "Countess Guckl." But at least the "Sporting Duchess" goes with snap, which Is more than can be said of "The Countess Guckl." It de volves upon Mary Van Buren. In the title role made famous by Ada Rohan, to carry the play with a piquant manner and pret ty coquettish glances of the eyes. She makes use of these freely, but. some way, they do not quite succeed In carrying the play. Perhaps this is because she is not supported quite so well as she should' be. for she certainly has as unconstrained and charming a stage presence as has been seen in Portland for many a long day. There is a great deal of enthusiasm and explosive laughter on tho stage too much. In fact. Some of It ought to be in the audience. MERIWETHER. Popular With the People CORDRAY'S THEATER JOHN F. CORDRAY, Manager UNANIMOUS VERDICT: "The Best Company Mr. Frawley Has Ever Brought to Portland" ONLY MATINEE SATURDAY THE ONLY MATINEE SATURDAY FRAWLEY COMPANY 1 I ONIUH I SUNDAY TONIGHT and MONDAY, TUESDAY AND WEDNESDAY (only times), First Presentation In this City of Sardou's Greatest Comedy Drama "MADAME SANS GENE 99 Thursday and Friday AN UNCONVENTIONAL HONEYMOON The best-liked comedy of the Portland engagement of The Frowleys last season. 9 t Saturday Matinee and Night u 5J Strongest ensemble performance of tho entire reportoire. PRICES Lower Floor ....TBo Lioge Seats $1.00 Boxes (4 seats) J5.00 Balcony Loges 75o Balcony Circle 50c Gallery 25a Matinee Prices 23c, 50c and 75o FRAWLEY AT CORDRAY'S. "Madame Sana Gene" Will Iead This "Week's Production. The Frawley Company will be seen In three important productions this week. The business accorded the organization during the past week has been such that Mr. Frawley says he eels encouraged to play a three-weeks' season here every year. The second week will open tonight with the first production In this city of Sardou's great comedy-drama, "Madame Sans Gene," which will be presented until Thursday evening. On Thursday and Friday evenings, Augustln Daly's delight ful comedy, entitled "An Unconventional Honeymoon," will be presented, and on Saturday afternoon and evening the fa vorite drama of "Trilby" will be given, with Mr. Frawley as Svengali and Mary Van Buren as Trilby. Commenting upon Sardou's "Madame Sans Gene," a well known writer says: "The public is really less Impressed by awful and Irresistible beauty than It Is by a personality which, llko Madame Sans Gene, resists, fights and brushes aside the temptations, the disagreeable intrigues and the vulgar assumptions of those who would her betters be. Sardou is a clever painter In words; his lines are sharp and clear, his colors vivid, his grouping masterly, and each Individual stands out from tho canvas distinct. sharp and unmistakable. In his Napole onic episode, fictitious for the greater part, but In which historical personages are introduced to give a color of truth fulness, he, with a fine art, lifts the plain washerwoman above the socially better-placed and equipped people who are about her, points out her merits to the audience, furnishes her with weapons of defense and offense, 'and ends by leav ing her with a, public that has learned to love the rugged honesty and refresh ing singleness of purpose of Ketherine Huebscher, tho whilom laundress. "There Is much that is trifling or even common in tho dialogue of 'Madame Sans Gene,' but tho ago of the Imperial Corslcan, when at Its fullness, was so cially chaotic. The shifting of the peo ple on the social stage was constant and kaleidoscopic; every hour brought new Individuals to the front; every hour saw the retirement of others who had basked In the sunshine but a little while before. Vulgar In his tastes, although an em peror, knowing no law but that which he created and enforced. Napoleon yet bowed to the broad traits of honesty and unselfishness, and could and did recognize worth In persons who were not hostile to his alms and purposes. He was also honest in that mere rank made no dif ference to him; he could create a duke today and make him again a common sol dier tomorrow, and so It Is pleasantly re called of him that the friends of his humbler days never appealed to him in vain. "It Is easy to understand, therefore, that the Corslcan, for whom the washer woman had done a trifling, but, as it turned out, a momentous service, would seek to pay his debt, even though It de manded of him a sacrifice that went counter to his plans." Cast of "3Ime. Sans Gene." Napoleon T. Daniel Frawley Marshal Lrefebvre... .Harrington Reynolds Fouche Wallace Shaw De Nelpperg Francis Byrne Savary, Duke of Rovigo.-..J. R. Amory Tulip Clarence Chase Despereau George Gaston Laurlston Thomas Lowell Cannauvllle Frank Mathleu Junot Frederick Sparr Duroc Harry Kingsbury Rouston H. S. Dufiield Corso Charles Warner Cop Frank Wllmot Constant James Stewart Vinegar Harold Fremont Queen Caroline Marlon Barney Princess Eliza Christine Hill Mme. de Bulow Phosa McAllister Mme. de Canlse Margaret Barrett Marie Harriet Qulmby Jennie Lillian Pearl Landers Julie Mlnnette Barrett Catherine Hubscher (Mme. Sans Gene) Mary Van Buren "RIP VAN WIXKLE." Legend of the Catuklllii at the Met ropolitan Theater. Commencing tomorrow night, Mothersole Sz Abbott's stock company, at the Met ropolitan, wlli present Washington liv ing's famous legend of the CatsklH's, "Rip Van Winkle." Charles W. King will play Rip; Miss Laura Adams Is cast for Gretch en, the vagabond's wife; little Olllo Cooper will be Meenie, Rip's daughter. In the first act, and Miss Georgie Cooper will play grown-up Meenie in the second and third acts. Incidentally. Miss Adams will sing. "Die Wasserfall," and Georgie Cooper w ill introduce new specialties. To Joseph Jefferson, dean of tho Ameri can stage, more than any other actor. Is due the popularity which "Rip Van Win kle" achieved among the theater-goers of the last generation, and which has not waned at the end of the century. De spite his faults, every one sympathizes with the good-natured, hen-pecked toper who falls in with the dwarfs and drinks a soporific that puts him to sjeep for 20 years. It is a very simple play, yet It has a fascination for young and old that is not easy to analyze. While It lacks what nowadays Is called "dramatic" situations, it has strong Interest, and the legendary human basis upon which the story rests becomes almost historical. Resides, the tale of "Rip Van Winkle," told in Wash ington Irvlng's charming style. Is now an American classic. It Is to be found in every good collection of masterpieces of this country's literature, and Its value in the treasury of letters Increases with age. Unlike dramatized novels, the play of "Rip Van Winkle" tells the whole story, and Is not devoted to one or two Incidents. In deed, It Is more complete than Irvlng's sketch. Judging by his performances the past two weeks. It may bo reasonably expected that Mr. King will give a very satisfactory performance of Rip. MARQUAM GRAND! CALVIN HBUaUgr. TWO NIGHTS ONLY mmxmn K?"gflBiY MARCH 9 AND -10 THE SEASpN'S COMEDY EVENT Engagement of the Admirable Actor MR. WALTER WALKER Accompanied by MISS MILDRED ST. PIERRE And a Sterling Company of Player. Presenting a Three-Act Farcical Play. Entitled i ne nomiii By Henry Guy Carleton. Author of "The Butterflies' "A Gilded Fool,' "The Lion's Mouth." Etc ee Just as Presented 300 Nlgnts In New York by NAT GOODWIN And for a London Season by MR. CHARLES WYNDHAM "A COMEDY WITHOUT COARSENESS" PRICES Lower floor, except last 3 rows JL0O Last 3 rows 75c Balcony, first 6 rows 73c Balcony, last 6 rows 50c Gallery 25o Salo of seats will begin Wednesday morning, March 7th. LAST TIME Metropolitan Theater Red White AND Blue Matinee Today at 2 P. M. COMMENCING 7 NIGHTS and 2 MATINEES MONDAY, Complete Scenic Production of the Favorite Drama AH the Favorites in the Caste MR. CHAS. KING MISS GEORGIE COOPER MISS LAURA ADAMS Popular Prices 15c, 25c, 35c, and 50c "THE XOMIXEE." Will Be Produced at the Marqnam Friday and Saturday. Walter Walker, supported by Miss Mil dred St. Pierre and what Is claimed to be a company of clever players, will present Henry Guy Carleton's comedy success, "The Nominee,' at the Marquam Grand on Friday and Saturday evenings next. Mr. Walker Is said to be making the hit of his career, in the role of Jack Med fofd, and to be doing a good business with his present production. He will be best remembered by theater-goers for his per formance In the principal male part of "A Bachelor's Honeymoon," last season. "The Nominee," In which he makes his bow at tho Marquam this week, was orig inally produced In London, by Charles Wyndham, under the title of "The Can didate," and was an Instantaneous suc cess. In America Nat Goodwin kept New Tork laughing for something like 300 nights, In the clever composition. It brought Mr. Goodwin and Its talented au thor both fame and money. The play ranks with Carleton's most brilliant suc cesses, among which may be mentioned "Tho Glided Fool," written for Mr. Good win; "The Lion's Mouth," in which Fred erick Warde has starred so long, and "The Butterflies," In which John Drew made a distinct hit during several sea sons. "The Nominee," as its name indicates, finds Its theme, In a general way, In mat ters political, and tells the story of a young married man, without political am bitions, who accepts a political nomina tion, merely to serve a convenient pur pose, and thereby causes the most amus ing entanglements. is as easily recognizable as the coun tenances of the principals themselves. Many other celebrities are shown. Scalchl May Come. Music-lovers will remember with pleas ure Mme. Scalchl, who appeared at the Marquam Grand several seasons ago. This great artist Is making a farewell tour of the Pacific Coast this season, and will shortly appear In San Francisco. Manager Heillg has been negotiating with Mme. Scalchfs manacer to hn.v hr annpnr in I Portland this month. If a suitable guar- antee can he raised, her appearance Is as sured. Manager HelUg will place a sub scription list at the box office of the theater on Wednesday morning of this week. "With, the Frnwleya. Miss MIgnon V. Oxer, tho daughter of Mrs. R. J. 0::er, who Is known In Port land musical circles, has been given an opportunity to appear in minor parts with the Frawley company in this city. Miss Oxer has developed "considerable ability in local amateur theatricals. JEFFRIES- SHARKEY CONTEST. Blogrraph. Pictures Will Be Shown at the Marqnam. Manager Helllg, of the Tarquam Grand, has, by special arrangement with Messrs. William A. Brady and Thomas O'Rourke, succeeded In obtaining, for three nights, beginning Tuesday evening, March 13, the blograph pictures of the Jeffrles Sharkey pugilistic contest, which are said to be the best of the sort ever taken. It Is contended for them that they show the movements of the fighters, their feints, blows, parries, advances and re treats, as clearly as If the spectator were at the ringside. Wherever they have been shown they have attracted large aud iences, and those of the best class, in many of the principal cities. "Bob" Hllltard, the actor, figures prom inently in the pictures. He Is shown In a seat at the ringside, and his faco SOMETHING ABOUT 'PROPS." Fine Distinctions by Unwritten. Laws of State Convention. When the property man of the Montauk Theater opened a fat envelope handed him the other day, says the Brooklyn Eagle, he discovered that It contained a list of properties or "props" for "Sister Mary," the comedy in which Miss May Irwin will be seen there. It covered several sheets of foolscap, pasted together end wise, wrapped like a Roman epistle, and called for everything from a grand piano to a cigar. A long list of "props" Is a terror to the proporty mac. It means additional work; for, beg, borrow or steal, he must have every Item on the list. He never steals, ho seldom begs, he sometimes borrows, he frequently buys, but usually rents. One of the "props" called for In "Sister Mary" Is a stick of grease paint. This suggests the nice distinction established by stage customs In regard to "props." Every actor has a stick of grease paint in his make-up box, but as a "prop" la something seen and handled on the stasra. but not used In costume and make-up. it is eviuem mat me actor oniy touches it or affects to paint with it, or else It would not be a "prop." Another on the list a green shade sug gests another distinction. If an actor wears something other than a garment on the stage and takes it off after he ar rives on the stage, it Is a part of his costume or make-up and he must sup ply it. But if he arrives on the stage and the scene requires that he pick up something and put it on. then It is a "prop." and he does not have to furnish it. The green eye shade Is doubtless picked up by some one In "Sister Mary," for if it were worn It would not be on the "prop" list. Other articles that come Into the list are books, cards, photographs, aprons, canes, umbrellas, a traveling bag, etc There Is considerable discomfort on tha part of an actor In "Sister Mary" because he has to come on the stage smoking, and hence has to furnish his own cigars, for fear that the "props" might make him sick. Another character whom he en counters picks up a cigar from a table. Tho "prop" man furnishes this one. Such are some of the curiosities of theatrical stage conventions. When the Birds Go North. Asaia. Ella Hlgginson. Oh, every year hath lto winter, And every year hath Its rain But a day 13 always coming: "When the birds go North again. " "When new leaves swell In the forest, " -. And grass springs green on the plah And the alder's veins turn, crimson And tho birds go North again. Oh, every heart hath Its sorrow. And every heart hath Its pain But a day Is always coming "When the birds go North again. 'Tla the sweetest thing t remember If courage be on the wane, j;t "When the cold, dark days are ova -"' Why, the birds gb North agata.