• æ I • üj January 29, 2014 Alberta North Portland ^înrtlanb (Observer Page 9 Vancouver East County Beaverton W f W f I V ÌWf $ $' ’W ■ VfeH I 1 ¡ lie • » 1 » in ^ o p e ^ n g ^ t e Z . " 3 Connecting with < Her’ O pinionated J udge Joaquin Phoenix navigates technology in search for love B\ J | IM.i: I ) \ ki 11 \ O k u (. \ 1. * .»: The subtle trick that opens "Her" gen­ tly prepares you for the complex emotional terrain ahead. Joaquin Phoenix thought­ fully reflects to a loved one, in a tone of utter sincerity, about the meaning of their long relationship. Within successive ” e'S°"a' beats, how ever, we learn of the relationship's 50-year duration, then that his perspective is female, and then we see a computer producing what he intones into handwritten form. A voice answers a nearby phone "beautifulhandwrittenletters.com - please hold” - and the camera pans out to several others in a softly-lit office, intoning simi­ larly personal letters. With this, writer-director Spike Jones deftly signals that the film resides in a world of the not-too-distant future, in which the lines between genuine personal interaction and mechanized communica­ tion have further blurred the indicia of intimacy beyond the present world of "sexting" and Twitter and status updates. What he also conveys is that the film is a safe context for exploring the most exis­ tential of questions. What makes commu­ nication authentic? Whose voice is speak­ ing when words of appreciation and long­ ing are expressed, in any context? How much must one risk in order to achieve real intimacy? P hoenix's latter-d ay C yrano de Bergerac, the melancholy Theodore Twombly, doesn't display in real life the effusiveness he lavishes on behalf of people he has never met. He lives alone in a future Los Angeles in which quiet trains seem to have overtaken cars and everyone is wearing button-up shirts and high- waisted pants and is murmuring to his or her voice-activated personal device. Having sunk into isolation since sepa­ rating from his wife (who we see often in flashbacks), it appears that Theodore's human contact largely consists of anony­ mous (and creepy) phone sex encounters. Finally, intrigued by a soft-focus adver­ tisement for the world's "first artificially intelligent operating system," Theodore continued on page IS