December 18, 2013 l ., ^ortlanb (Obstruer h - RfcSSÿ , " * rv* , i r ti » ■ ' '»rf 'Ti M : . J /Moerta North Portland Vancouver East County Beaverton K' Courageou sD iscourse Barbara Sukowa stars as Hannah Arendt, a visionary thinker who had the courage to rigorously examine and express her perspectives on the e^ls of Nazism Arendt had a dramatic life - she was a Jew bom and educated in Germany who fled to Paris in 1933 as the National Socialist Party was gaining prominence, then was briefly interned in the infamous Gurs detention camp before escaping to the U.S. - but the filmmak­ ers did not want to make a typical biopic that attempts to capture all her life's major events. They ultimately chose to focus on a four- courage to rigorously examine hard ques­ year period, a decade after Arendt had tions and to express and then hold to her achieved prominence as a writer, thinker, and perspective on those questions, even in the teacher in the U.S., when she produced some face of withering criticism? of her most enduring and controversial work. It took a group of strong women — includ­ In 1961, Arendt traveled to Israel to cover ing G erm an fe m in ist w rite r-d ire c to r the trial of Adolf Eichmann for the New Margerethe Von Trotta, co-writer Pamela Yorker. She had sought the assignment oul Katz, and producer Bettina Brokemper - to of a keen interest in understanding what had recognize the dramatic potential in Arendt's driven Eichmann to become such an impor­ story and bring it to life. They studied tant architect of the Nazis' deportation of Arendt's body of work and biographical European Jews to the death camps. The film works about her, as well as reading her letters uses actual footage of Eichmann’s testimony and interviewing those who knew her, anx­ to show what inspired Arendt to write a ious to capture the sense of her significance series of articles and, eventually, a book as a thinker but also her character as a woman, explaining her now-famous theory o f the lover, and friend. "banality of evil." Hannah Arendt’s riveting search for the truth by D arleen O rtega I'll confess, I went to see "Hannah Arendt" during its brief Portland theatrical run last summer with only the vaguest notion about its subject and with no real expectation of being moved or entertained. I knew that Arendt was a philosopher and political theo­ rist of some note and that her writing was of historical importance, so J saw an opportu­ nity to further my education. A film about a philosopher was not destined to be riveting. But riveted I was, and quite inspired. How often does one get the chance to see a film whose subject is a middle-aged woman in a supportive and connected long-term mar­ riage, who is a visionary thinker with the In Arendt's view, acts of terrific evil ma; and often do arise not from malevolent de sign but from an abdication of the humai responsibility to think critically. Eichmann': testimony and demeanor demonstrated « piteous quality of small-mindedness, char acterized by persistent invocation of hierar chies and the claim that in all of his actions leading to the death of millions, he was merely following orders. Arendt's work ir response to the trial addressed the pivota] importance of critical thinking, the courage and intention that critical thinking requires, and the devastating potential o f a failure tc do so. For many people grappling to understand and, indeed, to distance themselves from the enormity of the evils perpetrated by the Nazis, Arendt's theories were not only chal­ lenging but deeply offensive. Arendt par­ ticularly angered the Jewish community by including in her analysis observations about the role that Jewish leaders had played in continued on page 16