Pa&cA4___________®lje 'Portland (Observer celebrates Black History Month February 12,2003 Opinion articles do not necessarily reflect or represent the views o f The Portland Observer The Portland Observer E ü IT O K -I M-C H C in tile ie r , P lIltL IS H tK Charles H. Washington O lite m i Paul Neufeldt USPS 9 5 9 -6 8 0 A esocn re E U I T O II Established 1970 Michael Leighton 4747 NE Martin Luther King, Jr. Blvd., D i s n i n r i u s M 4 it 4 Mark Washington Portland, OR 97211 I 'u ir o i Wynde Dyer c e * W h i r t k , P h o t o o h i h i i David Plechl PosTM Asrie: S e n d a d d re s s c h a n g e s to P o r t l a n d O b s e r v e r PO B o x 3 1 3 7 , P o r t la n d , O R 9 7 2 0 8 ____________P e r i o d i c « ! P o s t a g e p a i d In P o r t l a n d , OR i S u b s c r i p t i o n s a r e $ 6 0 . 0 0 p e r y e a r _____________ 5 0 3 2 8 8 -0 0 3 3 • FAX5 0 3 2 8 8 0 0 1 5 • EMAIL: new9@DQrtlandobserver.com subschDtionoortlandobserver.com ads@txxtlandobserver.com The Portland Observer welcomes freelance submissions. Manuscripts and photographs should be clearly labeled and will be returned if accompanied by a self addressed envelope. All created design display ads become the sole property of the newspaper and cannot be used in other publications or personal usage without the written consent of the general manager, unless the client has purchased the composition of such ad. © 1996 THE PORTLAND OBSERVER ALL RIGHTS RESERVED, REPRODUCTION IN WHOLE OR IN PART W ITHOUT PERM ISSION IS PROHIBITED. The Portland Observer—Oregon’s Oldest Multicultural Publication-is a member of the National Newspaper Association-Founded in 1885, and The National Advertising Repre­ sentative Amalgamated Publishers, Inc, New York, NY, and The West Coast Black Publishers Association • Serving Portland and Vancouver. Retracing the Road of Personal Freedoms Black history is story of human courage, triumph and perseverance that to make sure freedom is kept that they have a voice in this world, alive, it must be passed down to our and that they matter. children. It’s still our responsibility “Out o f the huts of history's as mothers and fathers, sisters and shame I rise. Up from a past that's brothers, and aunts and uncles to rooted in pain I rise. Bringing the teach them the valuable lessons of gifts that my ancestors gave. I am freedom. No one else is responsible the dream and the hope of the slave. for that. We must let them know I rise, I rise, I rise.” by D enise T himes “I’s watched the men, the women, andthechilren. I’s seen the fright in they s eyes, asking me and wondren is theys gone make it? Is theys gonna’ live or die? Is theys ever gonna see day break? All the whiles I’s reminding them, theys got to keep theys eyes on the star - the north star.” When I speak these words of human courage, triumph, and per­ severance, I’m doing so as Harriet T ubm an, arguably one o f the world’s most prolific IO1" century freedom fighters, who after escap­ ing slavery in the 1850s, returned to the South 20 times to guide more than 300 slaves to freedom. H arriet Tubm an w as known as a “conductor,” people who risked th e ir liv e s to a s sist fu g itiv e slaves.” She is one o f the strong black w om en that I portray in a play called “T eaching Personal Freedom .” The production is part o f a national cam paign to build aw areness about the N ational U nderground R ailroad Freedom C enter, w hich is currently under construction and will open the sum m er o f 2004 in C incinnati. I'v e often w ondered w hether or not the concept o f freedom had any m eaning to our young people - if they realize the sacrifices so many people m ade for A frican A m ericans to enjoy the full fruits o f freedom in this country. W ell, after my first appearance in M em phis, my apprehension vanished. W hen I cam e down the isle singing G o Down M oses, I had to fight back personal em o­ tions to stay in character. A s I gazed into the audience o f boys and girls and their parents, my o Denise Thirties is Harriet Tubman in a play about the Underground Railroad and the hard won freedoms o f African Ameri­ cans. eyes w elled with tears at the sight o f their curious and bew ildered faces. I felt as though I em bodied the spirit of Harriet Tubman that night and from that point on, I felt we w ere truly conveying the m es­ sage o f the N ational Underground Railroad Freedom Center through the play. “By now you may know me as the M oses o f my people. Some say that I am the m otheriof free­ dom , but tonight, I w ant you to think o f me as the first teacher of personal freedom .” The production, which began in mid January in Memphis, was well received in New Orleans and De­ troit as well. By the time we reached Detroit, I was even more convinced that I had made the right decision to be one o f the conductors o f per­ sonal freedoms. 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