Page 2 B la c k H Focus A Focus g ---------------- hartiani» ©bseruer February 9, 2000 S U P P L E M E N T istorv M onth for Black History OF 'Stye ^ o rtla n b By T o m a Bourn* A for Annie Allen (Observer Editor in Chief, Publisher Charles H. W ashington Editor Larry J. Jackson, Sr. Copy Editor Joy Ramos Business Manager G ary A nn Taylor Creative Director Shawn Strahan 4747 NE M artin L uther King, Jr., Blvd. Portland, O R 97211 503-2884)033 Fax 503-288-0015 e-mail: news@ portlandobserver.com Deadlines lor Submitted material: s In 1950, G w e n d o ly n B rooks became the first African American to win the Pulitzer Prize for poetry, for her remarkable second book of poems, Annie Allen. Annie Allen is an epic cycle that describes from within the changes in a young w om an as she m oves from effervescent youthful dreams of romance, marriage, and happiness to the concrete reality of adulthood in the inner city circle o f Black women. What shall I give my children? Who are poor. Who are adjudged the leastwise o f the land. Who are my sweetest lepers, who dem and No velvet and no velvety velour; But who have begged me fo r a brisk contour, C ry in g th a t th e y a re quasi, contraband Because unfinished, graven by a hand Less than angelic, admirable or sure. M y hand is stuffed with mode, design, device. But I lack access to my proper stone. And plentiful o f plan shall not suffice Nor g rie f nor love shall be enough alone To ratify my little halves who bear A c ro ss an a u tu m n fr e e z in g everywhere. - “Children o f the Poor,” from Annie Allen Carter G. Woodson is considered the “Father o f Black History.” A hugely important part o f W oodson’s legacy is Negro History Week. He launched this annual celebration in 1926 to raise people’s awareness of black contributions to civilization. Fifty years later, this endeavor became Black History Month. Woodson was able to accomplish all that he did because it was all that he wanted to do. Foreverabachelor, he lived a very spartan life. In his essay “A Portrait o f C arter G. W o o d so n ,” W .E .B . Du B ois remarked that Woodson “had very little outdoor life, he had few close friends. He cared n o thing for baseball or football and did not play cards, smoke or drink.” Practically everything Woodson established or produced was paid for out o f his own pocket orthrough his own fund­ raising efforts. He never snuggled up to philanthropists because he was, as Du Bois wrote, “fiercely determined to be master o f his own enterprises and final judge o f what he wanted to do and say. He pretty soon got the reputation o f not being the kind o f ‘trustworthy’ Negro to whom help should be given.” The most important thing he learned from his studies and his teaching G. Woodson a great man is not that he thought these thoughts, but that he did som ething about it: He devoted his life to researching and promoting the study ofblack history and culture. In 1915, Woodson confounded and went on to head up the Association for the Study o f Negro Life and History in W ashington, D.C. (now the Association for the Study o f Afro-American Life and History). The organization’s purpose was, as Woodson put it, “the collection o f sociological and historical data on the Negro, the study o f peoples o f African blood, the publishing o f books in the field, and the promoting o f harmony between the races by acquainting the one with the other.’ The creation o f the association laid the foundation for the treatment o f black history as a serious subject. was how much ofblack history had been ignored and how much ot what had been recorded was fallacious. He got hot and bothered about this d is to rtio n and n e g le c t. He understood that know ledge was power, understood that the less blacks knew o f their history, the weaker they would be; and early on, he held out a hope that if white people were more enlightened on the subject, they would not regard blacks as inferior. What made Carter f t lU ^uying Black In 1926, scholar and author Carter G. Woodson established Negro H istory Week to highlight African A m erican co n tributions to the United States. What was once a week's recognition has blossomed into a fu ll month, celebrated in February, in order to include the birthdays o f the great antislavery activist Frederick Douglass and o f President Abraham Lincoln. Movement B y _ £ l a lp A nderson In the 1920s and 1930s, blacks began to leave the South for better jobs and what they hoped would be improved racial conditions in the North. They most often moved to large metropolitan areas with heavy industrial development. As northern ARTISTS REPERTORY THEATRE aisin in ihe Articles: Friday b y ’5p.M. E ubank Ads: Monday by Noon Focus welcomes freelance submissions. M anuscripts and photographs can be returned if accom panied by a self- addressed stam ped envelope. All created display ads become the sole property of the newspaper and cannot be used in other publications or personal usage w ithout the written consent of the general manager, unless the client has purchased the com position of the ad. I'H » The Portland O b k rv tf Special thanks to the publishing company of John Wiley & Sons, Inc. for their research support and permission to reprint information from their books Sister Days, The QBR 100 Essential Black Books, African American Desk Reference, Strong Men Keep Coming and The Black New Yorkers. y y liik lr o n ix ju s tm * LORRAINE HANSBERRY DIRECTED B N N A^ E JANUARY 11 -FEB R U A R Y 20, 2000 1516 SW Alder Street www.artistsrep.org For tickets call: 503/241-1 ART "For me, Raisin is still fresh, it's still relevant Lorraine Hansberry was a visionary. " - Spike Lee, Filmmaker