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» J une 26, 1996
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ENTERTAINMENT
Rappin ...4-Tau
Since his release from prison in
late-1992, Anthony Forte's objec­
tive was clear. First, he wanted to be
the first playa to put San Francisco
on the map. Secondly, he wanted to
be able to take care o f his family.
Ih ird ly .g e lO tl Parole. He wanted to
makeapositive name in the rapgame
lor himself and his record label. Rag
Top Records. 4-Tay says , “ Let the
record now reflect that I have been
on nothin short o f a mission, with
my mission objectives clear. I've al­
ways said, ‘i f you fail lo plan, you
plan to (ail. I just thought it was time
to listen to myself for awhile. "Cause
there are a lot o f people going around
talking ‘ these days.”
Debuting on record in 1989 as a
guest on Life is ...Too Short, 4-Tay
rapped with Too Short on a triple x-
rated track entitled “ Don’ t Fight The
Feelin". In 1993,4-Tay dropped his
own album. D on't Fight The Feelin’
on the streets o f the Bay Area, and
started working his way across the
nation, trying to sell his tape. 4-Tay
recalls, "W e had a plant set-up by
(label co-founders) Franky J (Frank
Husdon), Fly (Gary Hudson), and
myself. Since we didn't have much
money, we had to put in work. The
plan was to take the game a playa had
and whatever else a playaeould shake-
loose from his hustle, and put a
Rappin' 4-Tay tape in every neigh­
borhood store and then find a place in
that area where I could rap. A fte r­
wards, they’d come get the tape from
the store. That was the plan, that’s it
and that’s a ll."
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I've been having trouble sleep­
ing lately, but it ’ s all gravy baby,
because I know it’ s all due to a
little Insomnia caused by Erick
Sermon’ s phat compilation album
featuring 11 butter tracks produced
by the funklord him self on Bandit?
Interscope Records. “ I titled it In ­
somnia because the album is a
funky station that stays on 24 hours
a day, 7 days a week...it never
stops," states Sermon.
Never stopping is something
Erick Sermon’ s accustomed to
since 1987, when he and Parrish
Smith broke in to the rap game
with their flavorful debut single
“ It ’ sM y T h in g /Y o u ’ re A Custom­
er.” The duo went on to record
countless Hip-Hop classics such
as "Y ou Gots To Chi II,” "So What
Cha Saying," “ Rampage,” and
"Crossover.” A fte r the group’s
split, Erick went on to release a
solo debut album entitled No Pres­
sure, which reached gold status as
well.
This project was put together by
E rick’ s long desire toow n arecord
label in the recording industry. A
driving force in the successful ca-
reersof Redman and Keith Murray
with solid funky production skills
and an unmatched experience in
the do’s and don’ ts o f the business,
as well as working with an im ­
mense group o f unsigned Hip-Hop
and R &B talent cemented his deci­
sion to hit heads with something
different now. He explains the rea­
son o f combining all the hype un­
known artists in one package,
“ Rather than working with one art­
ist at one time, I decided to piggy­
back them and let the world choose
who they wanted first, and then do
an album on them.”
The Insomnia attack began with
88.9 WEDS radio hostess Cheir
Martinez representing lovely on the
airwaves immediately followed by
“ Funkoraina,” from ihe funkadelic
relic Redman. A jam firm ly stamped
in Del Squad tradition, produced by
Redman, Erick proudly describes it
as “ the heaviest o f the funk."
D e d ic a tin g the track to his
"peoples on lo ck down and on
the stree t," K e ith M u rra y covers
a ll ly ric a l bases on the jo in t ac­
cu ra tely title d " I t ’ s That H it,"
w hich is sure to be a sum m ertim e
anthem. When asked to com m ent
on M u rra y ’ s cut, the fu n k lo rd
breaks out w ith a w ide g rin and
states," You know how he gets
dow n, he's ju s t sick w ith h is ."
H ow e ver, the Redman and
M urray cuts are far from being
the o n ly hype amm o on Insom ­
nia. The hard h ittin g w inn a o f “ I
Feel I t , ” features K e ith ’ s Cen­
tral Is lip homeboys, L .O .D . also
g ettin g in y a ’ w ith the rugged
lin g o and b o rro w in g the chorus
from the classic “ Jamaica F unk."
“ This cut rem inds me o f ‘ H os­
tile back when me and M u rra y
d id it , ” he states.
Judging by my inability to get
some sleep from playing his brand
new funk constantly, E rick’ s got
the a bility to put No-Doz out o f ]
business.
Time: 7:30 p.m. 12:00 a.m.
Dale: Fridag June 25,1996
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For more information please t onlat I Pam While Agent
9503)909-3500 255-5620
With the Nobles of the Mystic Shrine at:
722 East Burnside. Portland, Or 97214
8:00 PM - until
Friday - June 28 & Saturday - June 29th
"The King and I" Winner ai
Broadwag's Tong Awards
Rodgers & Hammerstein’s “ The
King and I” was the only show to take
Broadway’s coveted Triple Crown at
last night's 5()th Anniversary Tony
Awards, winning Best Musical re­
vival — adding to the Best Musical
awards the acclaimed new production
received from the Outer Critics Circle
anil Drama Desk last month.
The new staging o f the beloved
classic musical won fourcoveted Tony
Awards, tying with newcomers “ Rent”
and “ Bring in ‘Da Noise, Bring in ‘Da
Funk” to win the most accolades dur­
ing a highly-charged ceremony broad­
cast from Broadway's Majestic The­
atre.
Broadway favorite Donna Murphy
once again won the Best Actress in a
Musical Tony Award for her perfor­
mance as Mrs. Anna in “ The King and
I” against such strong competition as
Julie Andrews
(“ Victor, Victoria” ), Christa Moore
(“ Big” ) and Daphne Rubin Vega
(“ Rent” ). In 1994 Murphy won the
Best Actress Tony for her perfor­
mance in Stephen Sondheim's “ Pas­
featuring
production, in the spring o f 1997.
Four Australians won 1996 Tony
Awards. Two o f the designers o f “ The
King and I,” Roger Kirk (Best Cos-
tumesjand Brian Thomson (Best Sets)
took home the prize, as did “ King and
I” producer John Frost, along with
ZoeCaldwell who won Best Actress in
a Play for her performance in “ Master
Class.”
“Moment’s Notice”
Call fo r an Appointment
1-888-505-5060 Toll Free
5 0 3 -3 3 5 -8 9 6 6
Along With Guest Vocals
$15.00-Single $25.00
Proceeds Donated to Portland Public Schools Foundation
For more information and tickets call 233-2615.
THE 1996
MULTICULTURAL
MUSIC AND
FOOD FESTIVAL
Friday June 28, 6 - 1 0 p.m.
Saturday, June 29, 12-10 p.m.
Sunday, June 30, 12-6 p.m.
Holy Redeemer Area School Campus
1 2 7 North Portland Boulevard
283 5175
4th OF JUIK
BLOWOUT
Musicians
APPAREL
30-50% o ff
sion.
Produced by Dodger Productions,
The John F. Kennedy Center for the
P erform ing
A rts, James M.
Nederlander, Perseus Productions with
John Frost and the Adelaide Festival
Centre in association with The Rodgers
and Hammerstein Organization, "The
King and I,” starring Donna Murphy
and Lou Diamond Phillips, is playing
to packed houses at Broadway 's Neil
Simon Theatre. A new company is
scheduled to go out on a National
Tour, concurrently with the Broadway
O Also Love Specialist 99
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The
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Tennis
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Tall Jazz with Mario De Priest,
Marilyn Keller
and Lee Wuthenow
Five Guys Named Moe
La Mayor Orchestra (Salsa)
Jazz Allstars; Mel Brown,
Meaiy Kaddeily, Torn Grant
and Jodie Seiferrs
Calvin Walkers Funk Machine
Boka Marimba
The Michael Harrison Quartet
The Norman Sylvester Band
Soul Vaccination (Funk)
Children's Fest
Saturday 12-5 p.m.
Sunday 12-6 p.m.
Kin Z/k
“Community parade of nations”
Charles Moose - Grand Marshal
Friday June 2 8 5:30 p.m.
Blazer Boys and Girls Society
Performers
Molly Malone Irish Dancers
the Main Vietnamese-
& Location Dancers
Oasis Outlaws -
Country Western Line Dancers
Blue Lake Chorus -
Female Barbershop Quartet
Ecumenical Ministries-
Gospel Singers
Askari (African Drummer-
ana story leller)
Shoe Horn (Tap Dancer and
Saxophonist)
Food & Drink
Mexican, Barbecue,
Ethiopian, Cajun
Italian, Moroccan, & More
Ethnic M arketplace
Arts and Crafts
FAMILY Shoe Store
Call 2 8 3 -S I7 5 For More Info
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Sponsored by the Neighborhood Outreaeh Association
Rose Festival 3 Day Pass $12.00 Per Family, I Day Family pass $5.00
Adult $3.00 A Day, Children $1 00 A Day
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