Page 10 Portland Observer February 2S, 1981 Dick Bogle Big things are happening fo r lo n g tim e P o rtla n d n ig h tc lu b favorite Shirley Nanette and it looks as though some even bigger things may be just down the road. The big things began like this. It was during the fa ll o f last year and Shirley was singing at one o f P o rt­ la n d ’ s few jazz clubs, the Jazz Quarry. P io r to this engagem ent, she struck up a frie n d s h ip w ith jazz m usician Ray Spurgeon whose frie n d , Norm an Leyden conducts the Oregon Sym phony d u rin g its pop concerts. Spurgeon to ld Lyden a ll about Shirley and one night while Shirley was ta n ta lizin g the Q u arry crow d in walks Leyden. The man must o f like d what he heard because it wasn’ t long before S hirley began rehearsing w ith the Symphony pre­ paring for her February debut with them. Her perform ance drew rave re­ views fro m the loca l m edia and soon plans were made fo r Shirley to sing w ith the Seattle Symphony and more plans called fo r a m id ­ summer concert w ith the Chicago S ym phony. Leyden w ill be con­ ducting each o f her performances. Shirley says her experience was scary but easy. "T h is is what I ’ ve really wanted and I ’ m sure I have quite a bit to learn,” she said. When asked how singing in front o f a large symphony differed from singing w ith a tr io , quartet or big band, Shirley said, " Y o u have to sing where it fits within the structure o f the orchestra and the way the music is centered around the vocalist is a lo t d iffe re n t because the strings are doing one thing and the horns som ething else but that gives you clues on what you d o.” Shirley’ s career d id n ’ t just begin that n ig ht in the Q u a rry . She remembers her firs t interest in singing began when she was just five years old when she was captivated by opera performances on television and radio. O f course there was the usual school program appearances at E lio t grade school and later at high school but it was in Albina area clubs that Shirley’ s interest began to translate into a style. She recalls singing w ith Richard Parker and Lloyd Allen at the Elks C lu b at N o rth W illia m s and Tillam ook. Then she knew only two songs, Ike and T in a T u rn e r’ s ' 7 Idolize Y o u " and Etta James " A ll / Could Do Was Cry. " Not long after she worked with a singer who is no longer in Portland, I.a n ny H u n t. W ith H u n t, S hirley cut a single and appeared at the old C iv ic A u d ito riu m along w ith the Four Seasons. S h irle y went in to the P ic a d illy room at the Benson Hotel w ith the late jazz pianist Jack H ow e ll and bassist Jack M urph y. Shirely says her seven m onth engagement there is the longest anyone has ever played at the Benson. I asked S h irle y how she w o u ld label her style o f singing and a fte r declaring she wasn’ t a jazz singer, a soul singer nor a pop singer, she said “ I ’ m just a singer that tries to f ill what people need." S hirley adm ires a lo t o f singers fo r certain qualities. For example, Nancy W ilson and Carmen McRae fo r the way they phrase; Sarah Vaughn fo r her range; D ina h W ashington fo r her in tim a te style and Lena H o rn e ’ s sassiness. She also says her m o th e r, E lla Mae Brown, was an im portant influence on her singing. She recalls singing duets as a c h ild w ith her m o th e r, w ho used to sing p ro fe s s io n a lly some time ago. As to her future, tw o main goals are in Shirley’ s mind. One is to go in the studio and record w ith a large orchestra w ith a lot o f vio lin s and the other is to do more concerts. 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