Continued from Page 6 wanting to focus on taking a look into their culture and how they told their own stories. It also piqued interest in area bookstores, “It was fun to research and we wanted who wanted to make local history more to write a book … my goal was to keep the accessible. Ratty said Karen Emmerling, story moving,” Ratty said. “But really it’s a owner of Beach Books in Seaside, “planted story of many voices. … I knew that every- the seed” for “Broken Arrow.” thing was not 100% right or wrong, it is full Emmerling said customers at Beach of myths and legends.” Books were showing an increasing inter- One of those legends was the Thunder- est in the Tillamook Rock Lighthouse and bird, an important symbol to Native Ameri- the early Native American tribes of Oregon’s can tribes along Oregon’s N orth C oast, Ratty coast region. She said she felt there wasn’t a said. reliable source for information from a local He worked with artist Douglas Zilke, perspective. based out of British Columbia, to create the “These were suggested topics that we felt, cover art for “Broken Arrow,” a Thunderbird as a bookstore, there was a need for and an and whale symbol. Though Zilke isn’t Native interest in,” Emmerling said. “Brian has taken American himself, he specializes in Native those on and done a great job with creating American art. Ratty said the title for “Bro- these two books, which have been very bene- ken Arrow” came from a movie he watched fi cial for us to have. ” as a child. Emmerling has carried Ratty’s books “I remember as a kid seeing a movie in her store since at least 2014, and said the where they had a fi ctional tribe, and the relationship between local authors and local movie was called ‘Broken Arrows,’” Ratty booksellers is important to preserve history. said. “Our government uses ‘broken arrow’ “I think it’s important that (authors) have as a term for nuclear activity and chaos. To an outlet where their works can be seen by a Indians, ‘broken arrow’ means confl ict and larger audience,” Emmerling said. “There is distrust.” defi nitely an interest from tourists in books Ratty said he has seen the history of local that are written either about the local area or tribes gain a lot of respect, both in the impor- by local authors.” tance of their culture Ratty also said that and the integration of ‘I THINK RESPECT IS part of a local author’s Native American tribes job is to write books and white settlers. He MORE IMPORTANT that can educate and noted that the tribes’ THAN ANYTHING.’ interest tourists and skills in canoe mak- Brian Ratty, locals who are curious ing, frontier justice author of ‘Broken Arrow’ about the roots of their and dance can still be community. seen in traces of Asto- “Booksellers wanted ria and other coastal to do the same thing (as “The Tillamook communities. Rock Lighthouse”) with local Indian tribes,” “I think respect is more important than Ratty said, adding that the Native American anything,” Ratty said. “The Indians were like names of Oregon’s geographical regions and a lost culture. They have a big place in our landmarks often spark curiosity in both tour- history. … Long before the white man came, ists and locals. “They wanted to know, ‘where they had a vibrant culture. Not all of it good, do these Indians come from and where are but not all of it bad. … If we forget our his- they now?’” tory, we are destined to repeat it.” Answering these questions posed unique Emmerling believes understanding these challenges to Ratty, and conducting research fi rst people can help coastal communities bet- during a pandemic didn’t help. Because ter understand themselves. in-person interviews and physical copies of “(“Broken Arrow”) has just an important documentation were hard to come by, Ratty understanding of the indigenous people that needed to vet other sources. He turned to the lived in our community before us,” Emmer- internet and a few rare books to fi ll in the ling said. “I’m happy that we have had some- gaps. one who has that passion for history and that “My golly, you couldn’t go to a library, ability to do the research and write the books you couldn’t go to a museum, you could so that those stories can be carried on.” hardly get any face-to-face with any experts,” Ratty said the fi rst printing of “Broken Ratty said. “My wife and I really did enjoy Arrow” was the fi rst of his books to sell out writing it, but it was awfully hard to (talk in two weeks. The second printing of “Bro- to) anyone. … What you read on the inter- ken Arrow” came in late August and is avail- net, that doesn’t make it right. An out-of-date able at local bookstores from Ilwaco, Wash- book doesn’t make it right. But it’s better ington, down to Tillamook. than most.” “I’m surprised at how well it’s doing,” He put an emphasis on the history, myths Ratty said. “It’s going to be around here for a and legends of the Native American tribes, while.” Library of Congress A photo taken in 1901 of a display of Northwest coast Native American artifacts. ORIGINAL FINE ART on the waterfront port of ilwaco, wa marie-powell.com 360-244-0800 THURSDAY, SEPTEMBER 23, 2021 // 7