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Explore clay sculptures in workshops
at Manzanita’s Hoff man Center
The
Franklin
Apartments
Courtesy Columbia Pacifi c Heritage Museum
Joe Knowles’s 1923 “Bear River” oil on canvas.
Courtesy Hoff man Center for the Arts
“Sail,” a clay piece by Sara Swink.
fi gures and has taught studio
classes since 2000.
A three-day Terraskin
Mixed Media workshop is
hosted by Laura Ross-Paul
from 10 a.m. to 4 p.m. July
27-29. Tuition is $100 plus a
$50 materials fee.
Terraskin (mineral paper)
is a new paper medium made
from crushed minerals and
binder. It supports all drawing
mediums (charcoal, graphite,
chalk, oil sticks) plus water-
color, ink, acrylic and oils.
Participants will learn to layer
mediums and work through
a series of exercises empha-
sizing brushwork techniques.
Ross-Paul will work individu-
ally with participants.
This workshop coin-
cides with Ross-Paul’s exhi-
bition of Sumi Scrolls at the
gallery, which offers partici-
pants examples of terraskin in
mixed media.
Ross-Paul specializes in
fi gure painting and drawing,
and was an art professor for
25 years.
For more information or to
register, visit hoffmanarts.org/
register/
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ILWACO – An exhibi-
tion of local artist Joseph
Edward Knowles (1869
-1942) will be on view Sat-
urday, July 27, through
Oct. 5 at the Columbia
Pacifi c Heritage Museum,
115 SE Lake St. The
museum is open Tuesday
through Saturday 10 a.m.
to 4 p.m.
Knowles was famous
for a publicity stunt for
the Boston Post newspa-
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See the art of Joe Knowles at
Columbia Pacifi c Heritage Museum
Expires 7/25/19
MANZANITA – The
Hoffman Center for the Arts
will offer two art workshops
July 18-19 and 27-29. Each
multi-day workshop is taught
by a professional Oregon art-
ist, and all experience levels
are welcome.
A two-day Creative Pro-
cess workshop runs from
10 a.m. to 5 p.m. on July 18
and 19 and is hosted by clay
artist Sara Swink. Tuition is
$215 plus a $20 materials fee
payable to the instructor.
Swink’s workshop will
introduce an approachable
methodology through guided
exercises in collage, doodling
and clay. Artists will discuss
the creative process and com-
mon obstacles. The work-
shop will culminate in an
image journal, clay sketches
and ways to keep moving
forward.
Swink specializes in clay
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per where he entered the
Maine woods in August
1913 without tools and
dressed in a loin cloth. He
emerged two months later
dressed in bearskin, though
the Boston American
newspaper debunked the
story a year later. This gave
him the notoriety to launch
a national tour of speak-
ing engagements, publish a
book and sell his art.
Knowles spent the
fi nal decades of his life in
Seaview, Wash. He moved
there in the early 1920s.
His paintings, prints and
drawings were widely
collected and played
an important role in the
community.
Knowles was also
an illustrator during the
Golden Age of illustra-
tion and his work made
the covers of numerous
periodicals.
“By placing his work in
the context of early 20th
century American art and
illustration we hope that
viewers will gain a bet-
ter understanding of Joe
Knowles as a creative
Courtesy Columbia Pacif-
ic Heritage Museum
Joe Knowles at his home in
Seaview.
and accomplished artist,”
CPHM director and curator
Betsy Millard said.
For more information,
visit columbiapacifi cher-
itagemuseum.org or call
360-642-3446.