NOVEMBER 22, 2018 // 3 SCRATCHPAD Mary Louise and the Flavel name By ERICK BENGEL COAST WEEKEND I DANNY MILLER PHOTO Afternoon light hits the Flavel mansion located at 15th Street and Franklin Avenue in 2016. coast INSIDE THIS ISSUE weekend arts & entertainment 4 7 8 THE ARTS COAST WEEKEND EDITOR ERICK BENGEL CONTRIBUTORS KATHERINE LACAZE EVE MARX BARBARA LLOYD McMICHAEL PATRICK WEBB ‘Tipped Over’ Ocean Park musician writes apocalyptic novel COASTAL LIFE Gingerbread Tea Butterfield Cottage hosts tasteful entertainment FEATURE Parade of Lights To advertise in Coast Weekend, call 503-325-3211 or contact your local sales representative. © 2018 COAST WEEKEND New items for publication consideration must be submitted by 10 a.m. Tuesday, one week and two days before publication. Look on the bright Seaside after Thanksgiving TO SUBMIT AN ITEM 18 BOOK REVIEW ‘Magdalena Mountain’ Bob Pyle’s novel a tonic for dark days of winter FURTHER ENJOYMENT MUSIC HAPPENINGS ...............5 CROSSWORD ...............................6 SEE + DO ............................. 10, 11 EVE MARX COLUMN .............. 12 CW MARKETPLACE.......... 15, 16 Find it all online! CoastWeekend.com features full calendar listings, keyword search and easy sharing on social media. Phone: 503.325.3211 Ext. 217 or 800.781.3211 Fax: 503.325.6573 E-mail: editor@coastweekend.com Address: P.O.Box 210 • 949 Exchange St. Astoria, OR 97103 Coast Weekend is published every Thursday by the EO Media Group, all rights reserved. No part of this publication can be reproduced without consent of the publisher. Coast Weekend appears weekly in The Daily Astorian and the Chinook Observer. n the early 2000s, direc- tor Gus Van Sant wanted to use the Flavel man- sion on Franklin Avenue and 15th Street in Astoria in his film “The Last Days,” an art-house look at the slow, pathetic decline of a Kurt Cobain-type musician. At first Mary Louise Flavel rather liked the idea, according to local histo- rian John Goodenberger. The Flavels had a history of supporting the arts and boosting Astoria’s cultural standing; offering up their famed family residence for the project would carry on that tradition. Van Sant even said he’d do restoration work on the tumbledown relic, which had become a neighborhood eyesore since Mary Louise, her brother, Harry Flavel, and their mother, Florence, aban- doned it in 1990. Then the question came up: How would the house be portrayed in the movie? What Mary Louise learned didn’t please her: The house would symbolize the main character’s fall from grace, as this once great and promising figure retreats into himself and his life falls apart. Mary Louise didn’t want her childhood home, built by her grandfather in 1901, associated with that kind of vibe — though, because of the Flavel family’s decline, it already was. In the end, the filmmakers pulled out, THOMAS ROTT PHOTO Features Editor Erick Bengel. and the mansion continued to decay until Greg Newen- hof purchased it in 2015. A theme that emerges in conversations with people who knew Mary Louise — who was living in Portland and died of natural causes last month at age 93 — is that she was, at all times, mindful of what her actions would say about her as a Flavel. In her youth, Astoria was a small town where old families strove to keep their names respectable, accord- ing to Goodenberger. As Astoria royalty, the descen- dant of Capt. George Flavel, she knew the world would view her every success and misstep through the lens of her distinguished lineage. Mary Louise was des- tined to be a talked-about figure in Astoria whether she wanted to be or not. And the Flavel name, with all its hereditary baggage and responsibility, would have been hard to uphold, Continued on Page 6