The daily Astorian. (Astoria, Or.) 1961-current, January 25, 2018, Page 3, Image 3

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    JANUARY 25, 2018 // 3
Hoffman Center screens Northwest short films
Series is a program of the
Hoffman Center for the Arts
in Manzanita. Films are
screened monthly through-
out the year.
MANZANITA — The Hoff-
man Center for the Arts’
Manzanita Film Series will
screen “The Best of the 44th
Northwest Filmmakers’ Fes-
tival” 7:30 p.m. Friday, Jan.
26. Admission is $5.
The collection of eight
short films was selected by
the Northwest Film Center
in Portland from its annual
juried festival. The works
were shot in Oregon, Wash-
ington or British Columbia.
The total running time is
about 90 minutes.
Ben Popp, filmmaker
services manager and pro-
grammer for the Northwest
Film Center, will attend the
screening to discuss both the
program and the center.
The Manzanita Film
The films
• “Dinosaurs in the
Hood” by Long Tran,
Renton, Washington
A cinematic adaptation of
a spoken-word poem about
negative representations
of African-American men
perpetuated by mass media.
(4 minutes)
• “Float” by Tristan
Seniuk and Volneak Sip,
Seattle, Washington
Rocky Mang, a Cambo-
dian hustler in 1990s Seattle,
spends his day slinging
cheap cologne at the corner
coast
INSIDE THIS ISSUE
weekend
arts & entertainment
ON THE COVER
COLIN MURPHEY PHOTO
Cannon Beach author
Peter Lindsey in his den
store between persistent
attempts to convince a local
barista to go on a date with
him. This film won the
Judge’s Award for Special
Mention in the Filmmakers’
Festival. (24 minutes)
• “Vestibular Matching
Soundtrack” by McKenzie
Blake, Beaverton
Advances in technology
also create linguistic rifts.
Having been born largely
deaf, a cochlear implant has
provided the director access
to sound, but at what cost?
(9 minutes)
• “Lost Winds” by
Caryn Cline, Seattle,
Washington
Plant materials taped
directly onto the celluloid
of 16-millimeter film and
COAST WEEKEND EDITOR
ERICK BENGEL
CALENDAR COORDINATOR
REBECCA HERREN
CONTRIBUTORS
DAVID CAMPICHE
RYAN HUME
LYNETTE RAE McADAMS
BARBARA LLOYD McMICHAEL
BRENNA VISSER
COURTESY RAINMAR BARTL
An undated, decades-old photo of
a dory coming into shore in front of
Haystack Rock
See story on Page 8
THE ARTS
4
Close to Home
8
The forgotten fleet
12
Eric Wiegardt paints without a net
FEATURE
Cannon Beach author remembers the dorymen
DINING
Mouth of the Columbia
Thoughtful sips, nibbles at MacGregor’s Whiskey Bar
FURTHER ENJOYMENT
MUSIC CALENDAR .....................5
CROSSWORD ..............................6
SEE + DO ........................... 10, 11
CW MARKETPLACE .......... 15,16
WORD NERD ............................. 18
WILD SIDE ................................ 19
Find it all online!
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Coast Weekend appears weekly
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Chinook Observer.
optically printed create
unique rhythms, patterns and
images. (3 minutes)
• “Time Well Spent” by
Aaron Bourget, Seattle,
Washington
A hard-working artist
is unfairly critiqued. (1
minutes)
• “Do We Leave This
Here” by Julia Hutchings,
Vancouver, B.C.
A journalist travels to the
Peace River Valley to speak
to residents about their
community, which will soon
be erased by the completion
of a dam downstream. This
film won the Judge’s Award
for Best Drama. (17 min-
utes)
• “CultureTrauma” by
Jodi Darby, Portland
COURTESY HOFFMAN CENTER FOR THE ARTS
“A Mew Hope”
Using clips from Hol-
lywood cinema, religious
films, newsreels and home
movies, a reflection on what
it meant to come of age in
the 1970s U.S. This film
won the Judge’s Award for
Best Essay. (11 minutes)
• “A Mew Hope” by M.
David Koesters, Portland
A star fighter and her cat,
who doubles as a spaceship,
must escape an army of
soldiers in their own furry
ships, or else face the wrath
of pug planet. (5 minutes)