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STEVE LENZ PHOTO
Summer Dance Lab apprentice dancers perform in Trey McIntyre’s “Mercury Half-Life.”
Train in the Summer Dance Lab
WARRENTON — Summer
Dance Lab, a preeminent
five-week intensive hosted
at Whitman College in Wal-
la Walla, Washington, for
pre-professional dance stu-
dents, is holding its annual
audition for prospective
students Saturday, Jan. 13,
at Maddox Dance Studios
(389 South Main Ave.).
Students between 10 and
12 years old can audition
4:15 to 4:45 p.m., and 13
years old and up 3 to 4:15
p.m. Registration is 30 min-
utes prior to each audition.
The Lab accepts serious
dance students for a unique-
ly multidisciplinary training
program, focusing on ballet,
modern and American The-
ater dance styles.
Select merit scholarships
are available by audition
only. Students may attend
for two, three or five weeks
during the summer. Students
attending for the program’s
full five weeks may audition
for the Apprentice Program,
which gives selected dancers
the opportunity to work with
professional choreographers
and dance in a final public
performance.
COURTESY SUMMER DANCE LAB
Lisa Bostwick, development
and education coordinator
with the Eugene Ballet
Directors John Passafi-
ume and Lydia Tetzlaff have
molded Summer Dance Lab
to enable students to max-
imize their potential. The
directors employ a faculty
of teaching professionals
that encompass all dance
styles. The Lab immerses
its students in the language
of dance with a rigorous
pre-professional schedule,
imparting valuable informa-
tion that is translated into
the body and taken back to
their home studios or into
professional auditions.
The guest teacher for
this audition will be fac-
ulty member and former
Alabama Ballet company
member Lisa Bostwick, the
development and education
coordinator with the Eugene
Ballet.
A native of upstate
New York, Bostwick
had the honor of training
and performing with the
Rimsky-Korsakov Con-
servatory in St. Petersburg
Russia. She has performed
with the Alabama Ballet
for seven years and was
seen in soloist and principal
roles in classical ballets
such as “The Nutcracker,”
“Don Quixote,” “Sleeping
Beauty,” “Cinderella,”
“Swan Lake” and George
Balanchine’s “Divertimento
No. 15.”
For more information,
email sdl@whitman.edu
or visit whitman.edu/sum-
mer_dance. For directions
and other local information,
contact Jeanne Peterson at
maddoxdancers@opusnet.
com.