kl % V . > IM II NOV THE e R o o t Br ‘ K O f E v il iS DfXON V) sV l )h ± ■ <v. u KFDM O ND fo r iir n iiia r r y p a rk . I t w aa noon w h an M tunrt ren rh n il lh a I'rliiirn a u liouav, unil N a n w aa a g a in m il l i e ras e lv ad Ilia a n u o u iti am en t fro m lia r U io llia r w llh n fu elin g o f ruga ha ro u ld 111 ro iu aal " W h a r a la alia? I « a m ne ver to ha ahla |o nm l bar a t hoina " " N o w . doll t lie a b a iin l. J im You kn o w aba w ould h ave broken an y an g.igain an t In aaa you bad aba k n o w n you w are going to r a il to d ay I d o n 't ei|ia< t lia r hoina u n til 7." " O f ro u raa , | u n d a ra liiiu l, M r * P rim roaa." M lu a rt aald w llh a lig h t la u g h “ I should h a ta to ld bar. hu t I d id n 't kn ow u n til a fe w m o m en ta ago th a t I » aa ru in in g ." " N o th in g aorlona haa hsiqieii««!. I llopaT" alia aakm l. w llh r a r a fu lly iiual u I a I I a y n ip n th y , w h lr h aald p la in ly th a t aha hoped fu r th e » o r a l "N o J u at aay th a t I ' l l c a ll a f te r d in n e r. “ H I'O K K H .M A N Ilia fin e fo r a m o m en t w ith o u t tu » q u iv e r o f a h ey e lid her fina fig ura tenne erei t. cold, aa alia q u ie tly auld " Y o u a r « t ir in g m e. J im ." F o r lh a flr»l lim a ha u w a cold biondini c a lc u la tio n b e h in d her lie im ll f ill ayea a n d fa ll II In lh a am ila w h ich show ed th e w h ile la a th th e am ila o f a w o m a n w h o w o uld puua« a l n o th in g to got w h a t aha w a u le d A tib iali o f aliarne t in g ili Ida fa r e as ha tre m b lin g ly aald " I'ls a a e . de ar, la f a not |ia rt Ilk a H its! I'v e suffer«*«! en ou gh tia la y Y ou 're o n ly I i’ll n|ug in « A n d l'v a ai ta il Ilk a a fiad May th a t you fo rg ia # m a r •'O u r e n g a g e m e n t la nt an en d, M r M tu n rt," w aa Ilia q u ie t a n s w e r. "N an” - Ite fo r r ha co uld reco var fro m th e alea k or tille r a protest alia rqiened tlw rliavr an d lie hnd pns«e«l ou t In to Ilia n ig h t C H A P T E R IV . " A ll rig h t. J im . d e a r.” th e m o th er T h e F o rg o tte n M a n . p u rred ''I 'l l w « th a t alia'a hara I f 1 h a ra to lock th e ili« *r " I K l i c i t day M tu art r a ile d a M lu art atro lla d o u t a lm liw a ly am t lie m i'saeuger an d sent a no te to gan In ram b le w llla m t p u rt*ia e Home N a n a s k in g her to fo rg e ! tb a how today e v e ry th in g on w h ic h hla u g ly m e m o ry o f tb a u lg b t lie »ye r«*«led and e v e ry aouiul th a t a t r u r k fo ra an d f u lllll tie r p rom ise to go to hla e a r p ro c laim ed lh a a d v a n l o f th e l b * c o u n try w h an th e ra in ceased If Irn a t'a new |a iw r r o f w h lrh lllv e tis • It o iu tlliu e il to r a in he w o u ld c a ll a t H. C o p y r i g h t , l u l l , tty I h o m i * O la o t i w a a ttie ay III tail U lia n a w ith hla dell l i e to ld t l i * boy to a a lt f«ir an a n s w e r. ito iia a t w a u iy in o u a n iu i to a la r i r a t a , c a re fu l lit t le hand , hla b u lg in g 1 be uieaaengwr re tu rn e d p ro m p tly a m i C H A P T tH III. wi t h " fo re h ea d , hla d a rk keen ry e a W hat bale I w l back hla no te unopened M in ar! lo o k ad at hla r ia l to r ru rlo a ly r h a n r « had hla old frie n d W o o d m an M r • -«#«» C a ll*. ( i f co urse alia w aa bluffing. 8 he "W hy do yon w a n t tua C a lf T h e ra a g aln at a u rh forvaaT k n e w alia had Ilia w h ip hand fo r tlw KT w aked next m o rn in g a ra Ib o u aaiu la o f la w y e r * hara wl»n T h a t M lia n a ahould fa ll ho|>alaaaly m o m e n t an d m e a n t to u s * It. |l i a h u h o f h<q*el««»a it« • o ulil Jum p at lh a r ha n r a M any of an d b lin d ly In love w ith N an a t drat " W e ll, tw o r a n play th is g a m e ," ha ion W h a t a ira n g a m ail lh a m a ra Iw lla r ««,hipped th a n I," a lg lil w aa too a tu |ie fy liig to tw gras|x«d m u tte re d " W e 'll see w h o .w liie ’" », hail ro m a o r a r Ilia w o m an " lla ra u a a I know th a t y » o won t lie at uuca. Kite c o u ld n 't lova am li a H a tu rn e d to hla w o rk w ith g rim T h ay had n e v e r dtaruaaad to ma. you won I a w lm lla o r ta k a ad m a n - a n d yet tils u illllo n a an d th a t reso lution. afora U lia n a w aa Ilia only v a u ta g a o f m e " — all|>|wry m o th e r w a r« a a lu la ls r cum F o r tw o w eeks th e lia ttla b e tw ee n "W hy not?” M u ía n aakad . w llh a b lo a t Ion p rid e an d lo va rngi«l In silence. K aeb waa on Ilia b a ll r a r k w h ich an illa My a v a ilin g ha had th ro w n o lf hla d a y ho rose w ith th e hope o f aome aanl liy a uiaaaaugar It a " lla r a u a a Il a not In you '• d rp rea alo ii an d m at N a n w ith aome sig n fr o m N a n . au d each d a y bo |w aaal w ith n a rio u a ha ste It " I aa» You w a n t lo r a p ll a llt a my th in g o f hla old g s y e ty . to w h lrh aha died In a m o re d<**|M*rata an d a u llen lllv e n a aa k ln g h im to r a il e ha r a c ie r an d una m e to a m lm ah Ib a rea|euid ial w ith a to u ch o f co q u e try . d e s p a ir A t las t ha tie gan to qu estio n te lrp h o u e a t I I o 'r lu r k « "I e ll me. J im ." "be h » f f n o l i l i a lh a w isdom o f bis course Mtnratd lie a I ha nota In to lin y plaraa. I lia i a lin e w ay In liaik at It y e a " am ila o f m la c lila f In her eyes, " w h y m>t tig ht hla lia ttl« a t closer rang e? Ilio lh a p a rlo r an d th re w (h am "M u t th a t a not th e real renami you you r a lla d a t th e r e m a rk a b le ho ur o f W h a t I f be w e re In r e a lity en gag ed In g r a ir N om a ona w aa play ro m a in m e P«lny w ith th is proposi l ï m am b s tsy ? A m I h e ro m ln g so a m o rta l e o m lta t w it h H Ir e n s ’ u illllo n a ■t faahlotiad B o llitim i no’ ll "I r. tim e la I t r resist leas th a t w o rk uo lo nger tins an y fo r N a n 's soul an d b o dy! T b a Idea la tn lrra a l » o lía arro m p an !««! " N o t th e only ona Y «u kn o w m y ch arm s? You m u at h a ve an tiie th lu g w as too hideous to tw th in k a b le . I I l a w a lk a it to Ilia iloor o f fr ln u la h lp fu r yuu la g auu lua You vary Im iM irta n t to aay?" A nd yet th e m o re tie th o u g h t o f the r room kn o w ih a re 'a n»t a m an In N ew Y o rk "Y e a | b a r» . N a n ." ha answer#«! m e in ’ o f th e ir p a rtin g , th e m ore s ic k lla r r ta t YY'uodman. Mha look fo r w hom I'd do aa m uch aa I w ill fo r e o lw rly . ta k in g her band. " I w a n t a e n in g lie ia m e th e (« in v lc tlo u th a t her |th a a la li you I f y o u 'll mt me. Is n 't th a t t r u e r p u b lic au n o u n i-e u irtit o f o u r en g ag e a n g e r a t hla use o f an u g ly w o rd w as lini I d id n 't k n o w yo n w ar« " I ba llav a It yea And yet th ara m a u l In to m o rro w m o rn in g s pa p ers." m e re ly a s u b te rfu g e to b re a k th e ir en m uat tw an o th er renami YoU re not " H u t w h y? You kn o w th e one con g a g em en L T h e iw rfld y an d c ru e lty o f ■ la a iu llfu l. M illa p a l ** a frn id o f W u o d m an aud w la h to reach reaalou. th e o n ly one I have a v e r tirade such an a c t w as too hldtsras fo r b e lie f knaw you'd Ilk a th a t pia*-« I h im th ro u g h uieT" to my m ot tier's In » H illy to you. la —y e t I f th e th in g w e re poaalhle! u h u m m in g It on« d a y T h a t'« T h e gboat o f a a m ila flltiawl arou nd th n f o u r en g ag em en t sh all lie kept ae O n e e v e n in g tw m ade up hla in ln d to nt I I M era u n til w r a re read y to m a rry . Wa th e a liln ln g U tile black ayea go a t o tic * an d tig h t fo r bla old p lace a a « a rt I n k « you h a ve r h lld . m uat p la y f a i r " " A fra id ? " lie *ak«*t c o lile m p lu m ia ly bealde h e r on a n y te rm s she w o u ld a«* d rap an d r k h am i fu n o f " I'tU not a»an luteraaia«l In him " I w ill W a a re re a d y n o w .“ The g ra n t l i e aelie«! hla hat am t ojiened I d id n 't kn o w you m o ld alug " old fiw all'a a Joke N an a vok a b ro k e In to a rip p le o f l i e Ih ln k a ha can tlw door. T o bis a m a z e m e n t B ive n s 1 a p h ar u n iti I tr 'e .| ' la u g h te r. am p the p r.-g r.« « o f th e w o rld lo al w aa le is u re ly aac-emllng th e ate|>a notai a lu d y m u sic ," ha aald. la u d a raaa o f m raa la« In M o tt atrrw t " M tu art atepiied In to th e p a rlo r an d sat "O b . a r» w e? I d id n 't k n o w I t " hnalaam M lu art waa alla n t a m om ent, w atch d o w n w ith re s ig n a tio n to a w a it hla "Y e a. th a t's w h a t I c a m e to te ll ri rlap|a«d b a r banda a m i laap lug (h a d a rk iiia»k««1 fa< a Iw fn re him e n tra n c e . y o u ." M tuart w en t on. c a trh ln g her r f a r i a ir la l m ln g A t Inal ha b lu rte d out : s p irit o f fu n a m i pressing her baud T o hla a m a te m e u t be h e ard th e m a id yon tw proud o f ma. J im . I f " W a ll. C a l. w ba t's tb a reni reason " I'« e a rra n g is l a lit t le tr ip to th e cotin «' tr y tn u m rro w . an d I'm going to con " T h is w a y . air. D r. W < » d n ia n asks you m a k e m e th is o ffer to day T' d I will.** w aa lh a e a rn e s t an vin ca you tirfo pe w a re tu rn . M ake you to w a tt fo r h im In th e lib r a r y ." " Y o u can keep a lit tle secret?" Ko M lveiia w aa c a llin g ou hla a rc h th e an n o u n c em en t («m ight, d e a r! O n "Y o u ought to ku o w th a t before m ak fa u g h ln g ayes g re w s e ric i» aa m y honor I prom ise to o n i In ca you e n em y by a p p o in tm e n t M tu a rt re p la c big m e such an o ffe r " vly aald: ed bla h a t on tb s ra c k an d re tu rn e d to “ Y a w -y e a . o f course. 1 kn o w you to m o rro w th a t w a a re read y. I'v e an f i t do m y la v a l beat I'm o lf hla m o m . d e te rm in e d to a w a it th e o u t w ill" M i r r i l i tatuai«! an d resum ed hla a rg u m e n t th a t n e v e r f a l l * an arg n com e o f th is e x tra o r d in a r y v is it c ig a r T h e fa c t la J im I'm In lo v e " m ent no w o m an can resist " k Mug hla o iftc* on lo w e r M r.n d O n D r. W o o d m a n 's e n tra n c e H lve n a " N o t to n ig h t. J im ." w aa th e la u g h in g "Hut w tiara do I com a In to th is a f l.n rt rang M l i r l te eph.oie and rep ly roae to g ree t him w ith u n u s u al a n lrn a- fa ir r k I leni o f lh a A m e ric a n ('h a n d " C a n 't you tru s t m e w h en I te ll you lio n an d u n m is ta k a b le good «rill. " d im p le enough T h e I ‘rim ro s es” — t 1 m ade an a u g ag am an t to W h an th e d o cto r grasped th e out- th a t I ' r e discovered so m e th in g today “O h . IP s M ias P rim m e r? " Ictica " Y e * M laa V an You. w e , they th in k th a t m akes It na>-aaaary? I have aeali stretch««! hand a m o re s trik in g con It an a g r a te fu l f.ic th e tim e ly M r M li**iis tra s t co uld scarcely tw Im ag in ed -t h e the w o rld o f you Mha aald you g r r w I a client w h o k e p i him In con N an leaped to her fe e t, her fa ce one big. b lu ff. Jo vial, s u n n y , |« > w *rfu i up to g eth er In lh a nam e to w n I waa Mi f.-r fifte e n m in a ta « « h ile Mlv and s tra ig h t o f fig u re as be was a l te llin g her sh ou t m y h u aliiraa I m ust Rushed, her vo ire rin g in g w l t f t r l lie 'iü T w a lla .) hla tu r n In th e re w ay s s tra ig h t In siw ech an d m ann er«, h ave le i’ ll b rag g in g alm u t w h a t w a utnph. I r..u n th e fin a n c ie r s m a ll an d w e a k In body. " A n d you did w h a t 1 a a k n l you. O h w a re going to do I w aa c r a iy . Juat first view o f M ila n a w aa a lw a y s W h y d id you teas# Ula m o ve m en ts sinuous, flexib le, w ith Uaiklng at b a r H e r tw a u iy m ade me y o u 're a d a rlin g ! resili« H a w aa sh ort. Ih ln an d m e ao last n ig h t? You accepted hla eyes Hint n e v e r looked a t th e m an he d ru n k I told her w e nrestrsl a new at almost f r a il a t Drat glance. A w as ta lk in g to, y e t a lw a y s seem ed to lu ru ay Mha aald you w are th e m an. I o ffe r r took gave lh a Im pression o f " I'm ao rry to d la a p iK iln l yo u. de ar, tw ta k in g In e v e ry th in g In th e room . to ld her I ’d o ffe r you th e place Mha reserve fo re « In hla ro m p a c i " W e ll. M lvena. w h a t can I do fo r errine«l pleas,«! Maid aha kn ew you bu t I d id no t." I Ills h a ir w aa Jet black and I u n d e rs ta n d fro m y o u r note T h e g irl d r«p |ied In to bar seat, w ith you? Would accept Y ou 've g o l to a ri ap t. old I * slig h tly on lo p . w h ic h gave th a t th e m a tte r la Im p o rta n t." m an I w a n t to m a k e her foal th a t her a sigh, w h ile ha w en t on: lie ap jaiam n ce of m uch g re a te r " B iv e n s fu r th e r co nfided In m a th e " O f th e g rav est Im p o rtu n e « to ua wrord la law w ith m e T a ll me. do you an ha could rwally c la im H la a n s w e re d , w th in k I ' r a got a chance w ith a g irl Ilka fa ct th a t he la hopeleaaly and deeper- both, doctor. Vain res w are re g u la r, an d hla sm ile. " F o r a p e c u lia r personal reason th a t? You kn o w I'v e ne ver gone w llh a te ly In love w ith yo u " aa covered w ith a th ic k black N a n 's I w a n t us to g el to g e th e r an d s e ttle ou r A (lash o f a n g e r m a n tle d g irla m uch I'm lim b i au d a w k w a r d which ha kept trim m e d lo a differen ce« I d o n't kn o w w h a t to do o r w h a t to cheeks Mint on th e ch in I l i a m oat a trlk " T h a t w ill do, J im ." she aald In q u ir t " A r e th e re a n y d lffe r e n c a i betw een aay Itu t m y m oney w ill help, w o n’t »Hires w er« a hig h m assive foca cold tones " Y o u r Joke has gone fa r ua? You go y o u r w a y . an d I go m ine. itr abnorm ally long fo r the a lia o f You ru n y o u r buslnesa to su it y o u ra e lf. enough " " M o n e y a lw a y s h a ll« In th is to w n . M * and a p a ir o f p ierc in g . Iiead T h e w o rld 's big "Jo k e! D o you th in k 1 ro u ld Joke on an d I'l l do th e nam e Cal " lack e le a enough fo r us b o th " — such a suhj««’t ?” " A m i It m eans so m uch to a w o m an , Vsre , spoke a t c e p t to a pu rfm ar " T h a t's Juat th e tro u b le ." B ive n s In A sm ile Iw g an to p la y a b o u t th e co r too. d m i't n r P insm iera w ere q u ie t, alm ost terrupt««!. “ I t Is n 't W e an * e n te rin g a ners o f th e fu ll lips "Y e a H a v a you aald a n y th in g to i* H e had th u s e a rly In hla I n e v e r dren un st he w a s ao ea s y ." new era o f c o m b in a tio n , m erg er, co- M U a N a n y e t? " ! »«lin’d a n ic k n a m e D ia l w as |s> M illl sm ilin g d re a m ily N a n cross««l h e r o p e r a tlo n ” " la in ! , no! H a v e n 't dared. I ’m 1? significan l In W a ll atrae t II« bunds o v e r h e r k n n s an d stu d ied th e " C o m im le o ry c o - o t w r a t l o n t h e doc- k in d e r sh yin g up lo th e old lady to get Ittown ns lit« W eas el IM tie r n In th e n tg . Ig n o rin g (h e pr«*s to r lau gh ed her on ray ald o Mha seems a w fu lly * h " la m akeup, p h ysical an d m an ern e o f h e r lo ver. " I t m ay tie so a t la s t." th e lit t le m an frie n d ly . I th in k aha Ilk«« me. Ih m 't «« curiously c o m p ie i, a m ix tu re " E e l's not Joke. N an. It 'a too aerl aald so b erly “C e r ta in ly th e old Idea you th in k It a good p lan to c u lti va ts rial y and greed, p ie ty nnd cru e l oua" 1 o f c o m p e titio n 1« p la y e d o u t W e no her r" fidamene and In d o m ita b le w ill. "M erlons! I fa ll to a««* It ." longer b e liev e th a t busltiena m en "M y a ll m ean s," w as th e d r y reply. H y o f (s ales w llh boundless “C a n 't you see th a t w e m u st a t one# should tr y to cut ench o th e r's th ro a ts .” "May. J im . help m e T a k a th is a t t o r Inn an no unce o u r e u g a g e iu e u t? " "O h . I s«*e!" sneered th e do cto r n e i whip I t w ill p lena* her and I'll ndabtp fo r M lu a rt an d hla d e f T h e g irl's lips cu rle d w ith th e fa in t 'T h e y ahould get to g e th e r, c o rra l th e ir 7 m t suggestion o f anrensin. custom ers an d cut th e ir th ro a ts .” from thalr boyhood In North C a r * " " " " " " " « " V 1 ' k" " " 7 / " ' ^ “ I d o n 't see It a t a ll. You m a y be a " Y o u m ust reco gnise th e fa c t th a t th e ""•1 Particularly from an In rl w ,r * ' our ">< ' • ' " I “ « >* "> lh » go«s! la w y e r, h u t I fa ll to fo llo w y o u r d ru g tra d e Is n business e n te rp ris e , not r " h occurred In thalr collage down o o u m _ B iU 7 ° « ^ « lo gic.'' ! a c h a r ity o rg a n is a tio n .” w e ll aa I do th a t m oney ta lk a here Hlvrra fath er had In a li a no M tunrt rose, w ith a ge stu re o f anger. " E v e n ao. s till I happ en to k n o w th a t T h e re w aa no m la ta k ln g th e g enu ine In connrd In the ( '«in fed erata a rm y ''C o m e to th e |Milnt N a n L e t's not w lth lu a stone's th ro w o f m y store nass o f B iv e n s ' feelin gs S tu a rt had I* 1"'* i * • a il tlcs«’rta«l th e service beat th e d e v il n m u n d th e s tu m p an y s w a rm s a p o p u la tio n o f a q u a r te r o f a hu t to accep t th e generous o ffe r m ada ''cits a rriv a l a l college, a p a rtie m illio n h u m a n tielnga so poor th a t o n ly longer Yon k n o w aa w e ll a« I do tim i In giaid fa ith , an d ev ery clo m l betw een y o u 'r e tieen tr y in g to flirt w ith th la III- !ltki o f th e m e v e r h a ve nc<-ess to a b ath- L graen fre s h m a n M tu a rt had ills hint and N an w o uld r a n la h ! T h e y «I « group o f his cla s a in a le a h a t tie Insei’t. You kn o w In y o u r h e a rt o f room. You ask me to e n te r w ith you ro u ld lw m a rrie d at O tr » an d th e fu - I'» th e y hud fo rc ed th«« c«iw In to a c r im in a l co n sp iracy to suppress h e arts you despise Itlv e n a ." [ * ° n I” m ount a ho« a m i repent to t u r * was secure A ll he had to do w as freed o m o f tra d e au d use fra u d an d “O n th e r o n t r a r y , I v a s tly a d m ire 'rn* d tlw fu n n y stories ab ou t the «■' *<mp silent fo r the m om ent as to hla him T ______ _____ ___________ h e m _ an who can e n te r w ith his vio len ce I f necessary to w in '" — ,r " M ils fa th e r T h e hoy. acnre.l r e " ' relatio n s to N an an d co m p ro m is e ¡¡¡.ndlc’ap th is big. heartless c ity and " F r a u d an d v io le n c e 7 ’ B iv e n s In te r M,,t «»f h i* * i t *. NtiMwl m ( n m in e r ftetift* « f honor hy • r c r p t ln g t h * „nim ih th e irlnntft w h o op- ru p te d . s m ilin g ly . T ’"1 Ifr s p lr ln g an d c h o k in g w ith » ■ « * " ,,f * " m " w h o^ p rln clp le a he h|(n , g „„ ,*d rn tt,e r “C e r ta in ly . W h a t e«irt o f m erc h an d is e * • he trb s l to o lw y hla to rtn a n despised I l l s decision w as m ada w llh n |,e r a A ll w o m en a d m ire does th e 'o rg a n is e r' o f m o d e rn In o u t a ntom ent'a hesitatio n. d u s try b rin g to m a rk e t? T r ic k s and auccens •'I refu se th e o ffer. C a l," he aald au h te rfn g e a In th e fo rm o f prlute«! pa- nr protested v ig o ro u s ly , an d a •'It's d is g u s tin g !" firm ly tier calle«l stocks, w h ic h re p re s e n t no N an tlJ«*d her d a rk eyes on M tu art. '1 w h ic h he waa ro m lllv e n a rose q u ic k ly nnd placed hla va lu e. F ro m th e m o m e n t a fin a n c ie r ‘ brush th e r in g le a d e r and res " H o w d a re you use Bitch a w o rd to once ta stes th is blood he becom es a ; ‘ b Ilio by fo re e o f a rm s F ro n t sm ooth hand on hla frletMl'a. me?" " I w o n 't ta k e th a t a n s w e r now. b e a s t” , 'V s i,otri w as M lvens beau “ B e c a lm It'a tru e , an d you kn o w It." (T o be C o n ti n u e d ) T h in k It over I ’ll •««• you a g a in .” " T r u e o r fa lse, you c a n 't say I t " —ahe L , * ‘•'• " ‘ " " " « n l i e t,Hd t o t a n i _ . 11» tu rn e d an d le ft th e room be fo re ^ d o n tw ra le ly —"y o u m ay go now . I", n' r ,h " » e n jo y ed _______________ th is frie n d s h ip u n a or m e most in te re s tin g c u rio s i ^rna ahisik hands q u ie tly an d to ok H tiin rt ''ottld reply “ F o rg iv e nte. d e a r." M tunrt a ta m - tie s a t H n tfle ld l- th e p e dig ree o f E lla- ' beside M tnart'a desk T h e la w y e r d re w a pbotogrgph fro m mprm| , n a qu eer, m uffled tn lr » . "I a ls ’th . w h ic h la to be seen In th e g a l *ald th e la w y e r a t len g th bis desk am i looked a t It. s m ilin g ten ' - - ‘ en d M n -, fo h u rt you , w aa m ad lery T h o s e lu tru s te il to m a k e out th e w ith Jealousy." L "*i' '*rne' to m ake you an Im p o rta n t derly. ^ '" « l" Jim Wa nm d an otha rT it" i “ I wonder. Nan' I wonderT' " T o n m ay go,” w aa th e h a rd , even do cu m en t wla«dy disco vered th a t h e r de scent co uld lw trace d th ro u g h ev e ry lm The business o f th e c o m p an y T h e a m llr slo w ly f»ded . and a fro w n an sw er. p o rta n t person, an d e s |ie v la lly th ro u g h ^ ea sin g m, r a p id ly o u r fo rc e c a n 't rton ded hla b ro w T h e lines o f hla T r i n * t go lik e th la. d e a re s t.” he e v e ry b e a u tifu l person, s tra ig h t back t 11 1 "eed a big m an close to m o u th sudd enly tig h ten e d . pleaded. “ Y ou m u st fo rg iv e m e - y o u to A d a m au d K va. I t la on record th a t » L L ~ V * k# p h ,r ' , " m uat: I M at me th e v irg in q u een h ig h ly com m end ad •a ,K * * ,h ,,, W ln “ •••m a ts ly he ae clalon as ha m ae. took hla h a t an d le ft 8h > tunMH, , 1hw|T . «tare«t h im fu ll In th e w o rk . — L o ud on S ta n d a rd . ">• ira a h le n t gets In th e W h ite V* T PAO E SEVEN ALL ROADS LEAD TO THE REDMONI) BARN Livery, Feed and Sale Stables FIRST CLASS HITCH-UPS ALSO »SADDLE PONIES SINGLE DRIVING HORSES FOR LADIES L •" »dn.',tw ^ ”i;;‘ F ;;;;; r«TiV >,,u rt<h JO U R D A N & SON Prineville and Sisters Stages Daily. r If you want to SELL your property List it with “That Man McCaffery” fi He doesn't ask an exclusive right; he can sell it anyway Painting SCHEE & BECKWITH Painters and Decorators L E T US F lQ t'R K ON Y O l'R W O R K B E F O R E YOU P L A C E YOUR O R D E R W E G U A R A N T E E S A TISFA C T O R Y W O R K AT T H E R IG H T P R IC E S E V E R Y TIME. REDM O ND. OREGON H E R E ’S YOUR CHANCE Get in on This B uildinjfs p u t u p on th e com m ission b asis a n d g u a ra n te e d . S ee us fo r p a rtic u la rs . WARREN & WOODWARD Engineers and Architects