TIIM 0NTA11I0 AJMI lS. ONTAHIO. OlfEOON. TlilrR8DAY, MAY 20, 1920.
and
n
o
0
n
could
difference
ISIIiilP,iin wiSL
II mm
Marie Morrlscy
drawn from
actual photograph
Last Friday's audience mystified
Tries ainly to detect difference between voice of famous contralto
and RE-CREATION by Edison's m w phonograph
Those present at The Dreamland last
Friday saw Marie Morrisey walk onto the
stage. They saw her take her position next
to a beautiful cabinet. They saw her lips
give voice to the opening lines of "Dost
Thou Know That Sweetest Land?" Then
suddenly her lips were still but the song
kept flowing on.
How came this? They were hearing
Miss Morrisey's voice, yet Miss Morrisey
was not singing. The entire audience
gasped as it slowly realized that it had been
unable to d'stinguish between Miss Moi -risey's
voice and the RE-CREATION of
that voice by the New Edison.
This was the daring test undertaken
TT
Friday night at the Dreamland by Thomas
A. Edison. He sought to prove that no
difference exists between the voice of the
living artist and its RE-CREATION by the
New Edison. The musically cultured of
Ontario were invited to pass judgment.
No test could have been more exacting.
Miss Morrisey made comparison after
comparison. The mystified audience tried
vainly to catch a difference between the
original rendition and its RE-CREATION
by the New Edison. No one could tell one
from the other.
It was a triumph whole and complete
for the New Edison.
(TlSTTr
EW
I I ))
ON
"The Phonograph With A Soul"
The instrument used in Friday night's Tone-Tost is the
regular model which sells for $295 in ffintuln, $431J
It is an exact duplicate of the Laboratory Model which
Mr, Edison perfected after spending Throe Million
Dollars in experiments.
The New Edison alone of all phonographs is capable
of sustaining this test. Unlil Mr. Edison knew it would
do so, he regarded his work as unfinished.
Ask some one who was present Friday night. Learn
the amazing truth. Then come in and let us prove it
personally to you.
Turner Musie Store
ONTARIO, OREGON
v i
A