Eugene weekly. (Eugene, Oregon) 1993-current, June 29, 2017, Page 31, Image 31

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    T H E AT E R
BY MEERAH POWELL
HILLARY
HUMPHREYS
AS JACKIE
CATASTROPHICALLY FUNNY
Actors Cabaret of Eugene’s Disaster! is anything but
I
was born in 1995. I was 6 when the Twin Towers fell, and only 10 when Hurricane
Katrina hit. This last presidential election was the first I could legally vote in — yeah,
I know, what a great memory, right?
So, when I sat down in Actors Cabaret of Eugene to review its newest musical,
Disaster! — a parody of 1970s disaster movies such as The Earthquake and The
Poseidon Adventure (neither of which I had ever even heard of), chock-full of entirely
’70s tunes — I had no idea of what I was getting into.
Luckily, ACE’s Disaster! is the type of production that would appeal to anyone with
even a sliver of a sense of humor.
Disaster!, which originally ran off-Broadway in 2012 and on-Broadway in 2016, takes
place in 1979 on “The Barracuda,” New York’s first-ever floating casino and discotèque,
tethered to a pier on the Hudson River. On the casino’s opening night, a multitude of
eclectic characters come aboard, including, but not limited to, a pair of cater-waiter best
friends Chad and Scott (actors Chad Lowe and Anthony Krall), a former disco star and
her beloved pooch (Chelyce Chambers), a young journalist looking for a scoop (Ashlee
Winkler) and a nun on a mission to save some sinning souls (India Potter).
Soon after boarding, Professor Ted Scheider (Cody Mendonca), a disaster expert, ar-
rives to warn everyone — against the will of the corrupt, money-hungry casino-owner
(Donovan Seitzinger) — that the pier was built on an active fault line and that The Bar-
racuda runs the risk of causing an enormous earthquake and consequential tidal wave that
could kill everyone onboard.
If you didn’t get the gist from this partial plot recap, there is an immense amount
of chaos that ensues from here — including, but not limited to: hordes of rats, man-
eating piranhas, sharks, heartbreak, a gambling addiction and (spoiler alert) a multitude
of deaths (come on, the production is named Disaster!, so it was bound to happen).
The two-act production is carried by almost 30 songs, including hits like Gloria
Gaynor’s “I Will Survive” and “You’re My Best Friend” by Queen. Most songs are used
hilariously as plot devices, such as Donna Summer’s “Hot Stuff,” the opening number
that kicks in as Prof. Scheider is searching for hot sediment in the water under the pier
and Chad, one of the cater-waiters, is gearing up to meet hot ladies on The Barracuda.
Disaster! is the sort of foolproof production that includes so much ridiculousness that
it would keep anyone engaged through its run-time, though that doesn’t mean that Actors
Cabaret’s specific adaptation was lacking.
The campy nature of Disaster! fits the community-forward, tight-knit feel of Actors
Cabaret perfectly. ACE’s small, simple stage goes through impressively versatile trans-
formations throughout the performance — adapting to the fires, floods and earthquakes
the characters undergo.
The cast has great chemistry and meshes together well, which aids the show’s fast-
paced interweaving of characters. Relationships come across as genuine, and friendships
clearly exist on-and-off stage.
As far as the musical aspect of the production goes, the all-volunteer cast is full of very
talented singers, especially for the small space and lack of traditional theater acoustics.
And even though I was short on knowledge of the references, and knew only about
half of the songs that were performed, Disaster! does not require that you lived through
the ’70s to enjoy it. It doesn’t boast exclusive inside jokes that leave half the audience
laughing and the other half in the dark.
Disaster! was a hell of a ride but, fortunately, its production in no way lived up to its
namesake.
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Disaster! runs through July 22 at Actors Cabaret of Eugene; $16-$47.95, tickets at 541-683-4368.
eugeneweekly.com • June 29, 2017
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