Eugene weekly. (Eugene, Oregon) 1993-current, May 18, 2017, Page 29, Image 29

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    THE
AGE OF REASON
As the standard thunk-ditty of old-time slouches toward relative obscurity in this
year of our Lord 2017, solace is sought via groove over hymnal, salty ocean over fiery
lake, windswept desert over Paradise garden.
God made the Earth in seven days. Bart Budwig made his newest record in 14
hours.
This is not to imply that the Idaho raised alt-country singer likes to rush things
— au contraire, he is a deft and purposeful songwriter, audio engineer and multi-
instrumentalist — but rather that his contribution to American music is one of holistic
efficiency.
In 2016 alone Budwig packed in an astonishing 150-plus shows, dragging himself
down highways and alleys, through bars and venues of all shapes and styles,
beholding the nation that helped shape his art and never once losing sight of himself.
This month he’s back to work, touring in support of his latest release. Paint By
Numbers Jesus, Budwig’s fifth album, is a meditative Motown-esque journey through
religion as a consumerist staple.
To shed some holy light on the matter, Budwig has described himself as a religious
person, albeit one caught between channels. He does not believe that religion
need maintain a stiff upper lip, nor does he view it as something to be consistently
lampooned.
The record contains a number of somber swampy tunes in which Budwig explores
himself and his own ongoing confusion surrounding religion. Sharp moments are
expressed in songs such as “Age Of Reason,” the refrain of which seems to lament the
emotional limitations of logic: “Jesus Christ/ this is the age of reason/ ain’t that nice/ I
ain’t got no feelings.”
While self-exploration remains a theme throughout the record, the overall package
does not lack fun. In a March interview with Nativen, Budwig reminded us that his
sillier, more derisive tunes (“Chocolate Jesus,” “Dropkick Me Jesus”) should hold a
mirror to the aforementioned stiff-upper-lippers.
“Those are great satires,” he says of his less serious tunes. “If you are Christian,
you should be able to listen to those songs and laugh. They shouldn’t offend you. I
don’t think so.”
So, yes, it may be a year of (de)evolution, depending on who you are. But here at
last we are handed a choice — will you stop and think about Jesus, or will you bite his
head off again?
Bart Budwig plays with Caitlin Jemma and Rebecca Connor 9 pm Thursday, May
18, at Sam Bond’s Garage; $7. — Andy Valentine
eugeneweekly.com • May 18, 2017
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