AMERICAN HONEY
Oct. 14-20
NOW PLAYING
492 E. 13th Ave
541-357-0375
bijou-cinemas.com
MOVIES
FILM.
FOOD.
FRIENDS.
THIS WEEK AT THE METRO OCTOBER 14-20
Serving the Eugene Community for Over 35 Years!
AMERICAN HONEY
2:00 5:15 8:30
DON'T BREATHE
12:00 9:30
GIRL ASLEEP WITH SHORT FILM PICKLE
12:30 2:45 5:00 7:10 9:20
THE BEATLES: EIGHT DAYS A WEEK
FRI-TUE 11:45 2:35 5:25 8:15
WED
11:45 2:35
THU
11:45 2:35 5:25 8:15
HUNT FOR THE WILDERPEOPLE
2:40 5:00
HELL OR HIGH WATER
FRI
12:20 7:15
SAT
7:15
SUN-THU 12:20 7:15
HARRY & SNOWMAN (NR)
In the inspiring true story of “The Cinderella Horse,” Dutch
immigrant Harry deLeyer rescues a broken-down plow
horse from slaughter. Against all odds, Harry & Snowman
go on to win the triple crown of show jumping and capture
the heart of America.
2:00, 6:30
CAMERAPERSON (NR)
Cinematographer Kirsten Johnson exposes her many years
behind the camera through a memoir made up of decades
of footage shot all over the world.
4:00, 8:30
THE BIRTH OF A NATION (R) Final Week!
6:00, 8:45
METROARTS
DYING TO KNOW: RAM DASS & TIMOTHY
LEARY (NR) Final Week!
PREMIUM EVENT PRICE
THE ROYAL OPERA: NORMA
SAT
11:00
WED
6:00
1:30 (No show on Monday)
KUBO AND THE TWO STRINGS (PG) Final Week!
3:45 (No show on Monday)
Local beer, wine and cider... & now kombucha on tap!
TICKET PRICES: MATINEE before 6pm $5
ADULT $8 | STUDENT $7 | SENIOR 62+ $5
CHILD age 12 & under $5
43 W. BROADWAY
(541) 686-2458
BUY TICKETS ONLINE AT
BROADWAYMETRO.COM
REGULAR ADMISSION
$9 ADULTS
$8 STUDENTS
$6 SENIORS/CHILDREN
$6 BEFORE 5 PM
OPEN EVERY DAY
THE BIRTH OF A NATION
COMING SOON
DENIAL
MISS HOKUSAI
PHANTASM
PHANTASM: RAVAGER
A MAN CALLED OVE
MOONLIGHT
CERTAIN WOMEN THE HANDMAIDEN
NOCTURNAL ANIMALS
LA LA LAND
THE BIRTH OF A NATION:
Director Nate Parker purposely reclaims the title of perhaps the most racist film of all time, D.W. Griffith’s The Birth of a
Nation of 1915, and retools it as a tale based on the true story of Nat Turner, an enslaved African-American who helmed
a slave rebellion in 1830s Virginia. (Bijou Art Cinemas)
HELL OR HIGH WATER
ACCOUNTANT (DIG) (R)
12:30, 3:35, 7:00, 10:15
THE BIRTH OF A NATION
(DIG) (R)
10:00
DEEPWATER HORIZON
(DIG) (PG-13)
10:45, 1:45, 4:35, 7:40,
10:20
THE GIRL ON THE TRAIN
(DIG) (R)
10:35, 1:25, 4:25, 7:20,
10:10
KEVIN HART: WHAT NOW?
(DIG) (R)
11:05, 2:05, 4:55, 7:30,
10:00
MAGNIFICENT SEVEN (DIG)
(PG-13)
12:40, 3:45, 7:10, 10:15
MAX STEEL (DIG) (PG-13)
10:25, 12:50, 3:25, 7:25,
9:50
From its starkly gorgeous cinematography and
atmospheric Western soundtrack to its top-notch
cast and propulsive narrative, Hell or High Water is a
heartbreaking movie that hums with the undeniable
weight of tragedy. A pair of busted-out brothers in
west Texas, Tanner (Ben Foster) and Toby (Chris Pine)
begin robbing small banks, stealing just enough to pay
off the reverse-mortgage that is holding the family’s
property hostage. As their crime spree escalates,
the brothers are pursued by a crusty Texas marshal
approaching retirement (Jeff Bridges) and his partner
(Gil Birmingham). But beneath the suspenseful cat-
and-mouse story, Hell or High Water evokes a deep and
complex sense of inevitability. If The Big Short revealed
to us exactly how the banks screwed the middle
class from the top, Hell or High Water shows us what
getting fiscally fucked looks like at the ground level, in
backwater towns where generations of ranchers watch
helplessly as their hereditary holdings go up on the
auction block of blatant corruption. (Broadway Metro)
MIDDLE SCHOOL: THE
WORST YEARS OF MY LIFE
(DIG) (PG)
10:55, 1:35, 4:15, 7:15
MISS PEREGRINE’S HOME
FOR PECULIAR CHILDREN
(3D) (PG-13)
SPECIAL EVENT PRICING: $3.00
UPCHARGE ALL TICKETS
10:05
MISS PEREGRINE’S HOME
FOR PECULIAR CHILDREN
(DIG) (PG-13)
10:05, 1:05, 4:05, 7:05
STORKS (DIG) (PG)
10:15, 11:15, 1:55, 4:45,
7:35
SULLY (DIG) (PG-13)
9:40
GIRL ASLEEP
Girl Asleep, a whimsical, beautiful Australian film,
manages to fit all the concerns of teendom — social
hierarchy, vicious teasing, the landscape of a creative
young mind — into just 77 minutes. Fourteen-year-old
Greta (Bethany Whitmore), quiet and wide-eyed, is new
at school. Gawky, talkative Elliott (Harrison Feldman)
makes a friendship offering of a pink-frosted doughnut;
a trio of girls — who have gone out of their way to match
even more than their uniforms demand — offer a more
suspect, but clearly important, sort of association. Greta
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34
October 13, 2016 • eugeneweekly.com
SASHA LANE IN AMERICAN HONEY,
OPENING FRIDAY AT BROADWAY METRO
isn’t entirely sure she’s interested. An introvert with a
defiant streak, she’s comfortable in the small kingdom
of her room. Everything is fine — until Greta’s mother
decides she needs to throw Greta a 15th birthday party,
when the film’s surreal bent is revealed. Greta’s dream
journey is odd, but also vital: Thrown into the discomfort
of her birthday party, she finds a way to reclaim her
life as her own. Though it’s made of some heavy stuff,
Girl Asleep is a buoyant, intimate, important triumph.
(Broadway Metro)
EIGHT DAYS A WEEK
Director Ron Howard has said that he hoped to make
Eight Days a Week both for dedicated Beatles fans
and for a younger generation that has little sense
of who the Beatles were. And Eight Days is fine — a
solid mix of archival footage, new interviews with Paul
McCartney and Ringo Starr, crowd-sourced footage and
reminiscences from now-famous people who once saw
the Beatles. But Eight Days has a lot to cover, which
makes it feel more like a primer than a story about a
band that managed to tour for only a few years of its
wildly popular existence. They made a lot of money
touring, and yet could still afford to quit — but what
this says about their success is never explored. How
did fans react, knowing they’d never see the Beatles
again? As an introductory text, Eight Days gets the job
done, and superfans will appreciate the new footage
(including scenes from the final public performance
at Candlestick Park and the true last performance on a
rooftop in London). There’s just too much cultural weight
around the Beatles to fit into this movie, which leaves it
feeling like we’re revisiting familiar ground. (Broadway
Metro)