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BY MOLLY TEMPLETON
4:15 4:15 4:15 4:15
6:30 6:30 6:30 6:30
8:45 8:45 8:45 8:45
7:20 7:20 7:20 7:20
Black 5:45 5:45 5:45 5:00
BERNIE Shirley Jack
MacLaine 10:15 10:15 10:15 9:30
Directed by Richard Linklater
9:10
4:30
8/14
FRI SAT SUN MON TUE WED THU
5:00 5:00 5:00
9:30 9:30 9:30
WOODY ALLEN’S
TO ROME WITH LOVE 3:20 3:20 3:20
SOON: NEIL YOUNG JOURNEYS TRISHNA
CELESTE & JESSE FOREVER SEARCHING FOR SUGAR MAN
*Adults—$7 * Students w/ID—$6 * Seniors—$5 * Matinees—$5 * Miser Mondays—$3*
EXPIRES 8-15-12
Is This Real Life?
Total Recall forgets to be memorable
JIRO DREAMS
OF SUSHI
6:00
SALMON FISHING
IN THE YEMEN
7:35
WANDERLUST
9:30
BILL & TED’S
EXCELLENT
ADVENTURE
7:45 8/9 ONLY
9:30
CASA DE
MI PADRE
6:00
THE ARTIST
7:35
NO SHOW 8/9
TOTAL RECALL: Directed by Len Wiseman.
Screenplay by Kurt Wimmer and Mark Bomback;
screen story by Wimmer, Jon Povill, Dan O’Bannon
and Ronald Shusett; inspired by the Philip K. Dick
story “We Can Remember It For You Wholesale.”
Cinematography, Paul Cameron. Editor, Christian
Wagner. Music, Harry Gregson-Williams. Starring
Colin Farrell, Kate Beckinsale, Jessica Biel, Bryan
Cranston and Bill Nighy. Columbia Pictures, 2012.
PG-13. 118 minutes. 00211
T
180 E. 5TH AVENUE • 762-1700
21 & OVER
THE AMAZING SPIDER-MAN
(DIGITAL) PG-13
3:45, 10:15
THE AMAZING SPIDER-MAN
(3D) PG-13
12:25, 7:05
BRAVE (DIGITAL) PG
11:30, 2:00, 4:30, 7:00, 9:30
THE BOURNE LEGACY (DIGITAL)
PG-13
10:25, 11:55, 1:25, 2:55, 4:25,
5:55, 7:25, 8:55, 10:25
THE CAMPAIGN (DIGITAL) R
10:30, 11:45, 1:00, 2:15, 3:30,
4:45, 6:05, 7:15, 8:30, 9:45
THE DARK KNIGHT RISES
(DIGITAL) PG-13
12:00, 12:35, 1:30, 3:30, 4:15,
5:10, 7:00, 7:55, 8:50, 10:30
DIARY OF A WIMPY KID: DOG
DAYS (DIGITAL) PG
10:30, 11:40, 12:50, 2:00, 3:10,
4:20, 5:30, 6:40, 7:50, 9:00,
10:10
HOPE SPRINGS (2012)
(DIGITAL) PG-13
12:10, 2:35, 5:00, 7:25, 9:50
ICE AGE: CONTINENTAL DRIFT
(DIGITAL) PG
11:35, 2:05, 4:35, 7:05, 9:35
STEP UP REVOLUTION
(DIGITAL) PG-13
12:30, 5:30, 10:30
TED (DIGITAL) R
2:55, 7:55
TOTAL RECALL (2012)
(DIGITAL) PG-13
11:05, 12:30, 1:55, 3:20, 4:45,
6:10, 7:35, 9:00, 10:25
THE WATCH (DIGITAL) R
12:20, 2:50, 5:20, 7:50, 10:20
Adv. Tix on Sale THE EXPENDABLES 2
IMAX: THE DARK KNIGHT RISES (PG-13) ★
Fri. - Sat.1135 310 650 1025
THE DARK KNIGHT RISES (PG-13)
Fri. - Sat.(1105 240) 620 955
THE BOURNE LEGACY (PG-13) ★
Fri. - Sat.(1145 1230 245) 400 430 630 700 730 930 1000 1030
THE CAMPAIGN (R)
Fri. - Sat.(1215 1245 230 300) 445 515 715 745 945 1015
NITRO CIRCUS THE MOVIE IN REALD 3D (PG-13) ★
Fri. - Sat.(1200 220) 500 755 1020
HOPE SPRINGS (PG-13)
Fri. - Sat.(1115 145) 415 645 915
TOTAL RECALL (PG-13) ★
Fri. - Sat.(1235 140) 405 435 655 725 940 1010
DIARY OF A WIMPY KID: DOG DAYS (PG)
Fri.(215) 450 710 935
Sat.(1155) 450 710 935
DIARY OF A WIMPY KID: DOG DAYS [OC] (PG) Fri.(1155 AM)
Sat.(215 PM)
ICE AGE: CONTINENTAL DRIFT (PG)
Fri. - Sat.(1125 210) 440 705
THE AMAZING SPIDER-MAN (PG-13)
Fri. - Sat.950 PM
TED (R)
Fri. - Sat.(1150 225) 505 735 1005
BRAVE (PG)
Fri. - Sat.(1100 AM 130 PM)
MOONRISE KINGDOM (PG-13)
Fri. - Sat.(1130 155) 410 635 910
Summer Movie Express - Tues & Wed. 10 am
ABRAHAM LINCOLN: VAMPIRE
HUNTER R
11:15, 1:50, 4:40, 7:25, 9:45
DARK SHADOWS PG-13
11:40, 2:20, 4:50, 7:35, 10:05
DR. SEUSS’ THE LORAX PG
11:00, 1:05, 3:10, 5:25, 7:30,
9:35
THE HUNGER GAMES PG-13
11:30, 2:30, 5:30, 8:30
THE HUNGER GAMES (DIGITAL)
PG-13
4:00, 7:00
KATY PERRY: PART OF ME
(3D) PG
1:00, 10:00
MEN IN BLACK 3 PG-13
12:55, 3:30, 6:05, 8:35
MEN IN BLACK 3 (3D) PG-13
11:10, 2:00, 4:30, 7:10, 9:40
PEOPLE LIKE US PG-13
1:40, 7:15
PROMETHEUS R
11:25, 2:05, 4:45, 7:40, 10:20
SAVAGES (2012) R
11:20, 3:20, 7:20, 10:10
SNOW WHITE AND THE
HUNTSMAN PG-13
11:35, 3:15, 7:05, 9:55
THAT’S MY BOY R
11:45, 2:25, 5:00, 7:45, 10:25PM
WHAT TO EXPECT WHEN
YOU’RE EXPECTING PG-13
11:05, 4:15, 9:50
Adv. Tix on Sale THE EXPENDABLES 2
THE BOURNE LEGACY (PG-13) ★
Fri. - Sat.(120 350) 420 650 720 950 1020
THE CAMPAIGN (R)
Fri. - Sat.(150) 430 730 1000
TOTAL RECALL (PG-13) ★
Fri. - Sat.(140) 440 740 1030
DIARY OF A WIMPY KID: DOG DAYS (PG)
Fri. - Sat.(120) 400 700 920
STEP UP 4 (PG-13)
Fri. - Sat.(140 PM)
THE DARK KNIGHT RISES (PG-13)
Fri. - Sat.(130) 500 830 930
ICE AGE: CONTINENTAL DRIFT (PG)
Fri. - Sat.(100 PM 340 PM) 640 PM
EUGENE WEEKLY
EUGENE WEEKLY’S PHOTOS FROM
Summer Movie Express - Tues & Wed. 10 am
THE BOURNE LEGACY (PG-13) ★
Fri. - Sat.(100) 400 420 700 720 1000 1020
THE WATCH (R)
Fri. - Sat.(100 PM 345 PM) 630 PM
THE DARK KNIGHT RISES (PG-13)
Fri. - Sat.(115) 500 900 930
TED (R)
Fri. - Sat.(130 PM)
Times For 08/10 - 08/11 © 2012
22 AUGUST 9, 2012
he easy joke about Len Wiseman’s
Total Recall is that it gives you
so little to remember. You might
recall the Blade Runner-esque neon-and-
concrete vision of its future, or the look
on Kate Beckinsale’s face as she tries to
squeeze the life out of Colin Farrell’s
Douglas Quaid. But Wiseman, who cut
his teeth as a director on two Underworld
fl icks, has plenty of experience directing
Beckinsale at ass-kicking. Two hours of
her and Jessica Biel fi ghting in an inexpli-
cably complex bank of elevators would be
considerably more memorable.
Total Recall just doesn’t have anything
to say. Doug, a factory worker in a future
where living space is at a premium (yet
there are still three-story buildings), has
a lovely wife and a recurring dream about
being chased by the authorities. Trying to
shake the feeling that something is missing,
he goes to Rekall, a sort of mental opium
den where technicians slide manufactured
memories into your head. He and McClane
(John Cho) trade stoner-grade cracks about
reality versus illusion, and before you can
say Whoa, dude, deep stuff, something
in Doug’s mind trips Rekall’s oh-shit
detectors. All hell breaks colorfully loose,
and Wiseman and his cinematographer,
Paul Cameron, shoot Doug’s awakening
like a video game, veering around poles,
chasing the end of his gun.
It’s one of the fi lm’s livelier sequences,
but the subsequent absurd rooftop chase
(did we learn nothing from the Bourne
fi lms?) is a disappointment. The action
picks up again when Jessica Biel, sporting
some covetable resistance-fi ghter togs,
shows up in a fl ying car to spirit Doug
away from the cops. She calls him Hauser,
glancing longingly in his general direction;
he maintains the same slightly confused
expression. Farrell’s not a bad actor, and his
boyish face is developing some attractive
gravitas, but his character is a blank: He
doesn’t know who he is, and he’s too busy
staying alive to think about it much.
Despite the “Is it real/is it Rekall”
tagline, Total Recall doesn’t spend much
time on the question of whether Doug/
Hauser’s newfound double-agent past is
real or just happening in his head; there
are a lot of explosions to get to, and more
running and jumping to squeeze in. The
fi lm’s plot involves haves and have-nots,
government and colonists, resistance
fi ghters (Hey, look, it’s Bill Nighy for 5
minutes!) and robot soldiers, but none of
it gels; all that really matters is that Bryan
Cranston maintain a suffi cient creep factor
and the future cityscapes be appropriately
dark and curiously imagined. Total Recall
has moments of delicious escapism, but
they’re snack-sized. As a whole, it’s
neither entertaining enough nor intelligent
enough to leave you with more than a
vaguely sci-fi taste in your mouth — and
maybe a faint interest in watching the 1990
Schwarzenegger/Verhoeven Recall again. ew
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