music
Label-Jumping, Jump-Starting, Ever-Evolving Bastards
Take the duo She and Him, subtract Zooey Deschanel’s cutesy retro twang, add some indie-folk swagger with rangy vocals, and
Heartless Bastards begin to take shape. Erika Wennerstrom is the woman behind the striking vocals of the band, which started in 2002
as only a recording project. Throughout the band’s somewhat rocky history, Heartless Bastards have cycled through a number of different
musicians, with singer/guitarist/songwriter Wennerstrom remaining the one constant. With some of the original band members now back
in the lineup, Heartless Bastards consist of drummer Dave Colvin, bassist Jesse Ebaugh and guitarist Mark Nathan.
“I feel really great about the band I’m playing with,” Wennerstrom says. “I feel like we have a really good chemistry that maybe hadn’t
been there before.” Her speaking voice sounds like a slightly less assured version of her singing voice — a bit gruff, but solid.
In a sort of backwards chain of events, the Bastards toured in support of their current album before recording it. Almost all of the
tracks on Arrow were laid down live, post tour, so the band had the chance to get completely comfortable with the songs before
committing them to posterity. The resulting sound lends an authenticity and character to the album that well suits Wennerstrom’s strong
voice and somewhat old-school melodies.
“Arrow is the first album where the live sound of the band has really been captured,” Wennerstrom says. “I feel like it sounds like we’re
just sitting, playing on a porch somewhere.”
Along with this new approach to recording came a new record label. For nearly a decade the Bastards were signed with Fat Possum
Records, but last year they announced they were switching to the Brooklyn-based label Partisan Records. Don’t bother scouring Gawker
for evidence of any messy affairs though. According to Wennerstrom, there was no scandalous reason behind the switch. It was just “a
good time for the band to make a change,” she says.
“Partisan is newer and trying to make their way in the world,” Wennerstrom explains, “and the Heartless Bastards are too.”
Heartless Bastards play with David Vandervelde and Brian Lopez 9 pm Friday, April 6, at WOW Hall; $15 adv., $18 door.
— Natalie Horner
28 APRIL 5, 2012 EUGENE WEEKLY
Vintage Pop, Pure Soul
& One Pecan Pie
Leo London loves old things. His Eugene
apartment is filled with vintage movie post-
ers, vinyl records and a typewriter.
“I’m a digger,” says London. “I love to
find the kernel.”
As a child, London inherited a record col-
lection from his dad and uncle — the “good
shit,” he clarifies, like the Beatles and the
Clash. He grew up with a printing press and
linotype in the garage, sparking a young
man’s romance with relics from another time.
And this love affair with the past shows
up in Leo London’s songwriting, inspired by
big names like Nilsson, Newman, Lennon,
Cohen and Reed. His latest release Televi-
sion Kids pays tribute to these icons and
more. And it’s good, really fucking good —
both too good for our modest city, and as
good as Eugene’s unheralded music scene
is capable of being.
“So Long” is a big soulful weepy piano
ballad with London’s voice at times a dead-
ringer for Damon Albarn of Blur. “Sun
Punches” is an Elliott Smith-style, lo-fi folk
guitar interlude. And “PDX” recalls `70s New
York post-punk revamped via early Strokes.
All of this makes sense, because London
recorded Television Kids at former Eugene
musician Justin King’s Brooklyn studio,
allowing a bit of big city soot to creep into
his sound. The songs feature a New York
drummer who played in exchange for only a
pecan pie — a debt London has yet to repay.
Planning a “soft release” of the record
at Sam Bond’s (CDs will be given away),
London will press Television Kids to vinyl by
the end of April. So come to the show and
help London’s drummer finally get that pie.
Leo London plays with Boom Chick 9 pm
Saturday, April 7, at Sam Bond’s; $7.
— William Kennedy
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