Eugene weekly. (Eugene, Oregon) 1993-current, February 23, 2012, Page 14, Image 14

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    MEEK’S CUTOFF
nothing about Bausch and very little about dance, yet I left the fi lm
feeling as if I’d begun to understand, a little bit, what it means to those
who perform it. I left another exceptional documentary, How to Die in
Oregon, beginning to understand, a little bit, how people can make the
decision to end their lives, and what it means for a society to accept this.
And then there’s Certifi ed Copy, Abbas Kiarostami’s philosophical,
charming, playfully brilliant refl ection on originality, perception and
truth. “Refl ection,” like “meditation,” too often suggests “boring talky
talking piece,” and there’s a lot of talking in Copy, but the shifting
narrative, gorgeous scenery and exceptional performance from the
always-reliable Juliette Binoche make Copy into something truly
unexpected: a fi lm that satisfi es even as it offers you nothing defi nite,
nothing like resolution — nothing but questions. What is the truth of the
relationship between the main characters? What history do they share?
Does it matter? Does their conversation ring any less true if they’re
strangers? Does their relationship change depending on how they are
perceived by others?
Will you get something out of this fi lm other than what I did? Yes,
most likely. And that’s as it should be. The past year had its cinematic
frustrations, but it also had a bounty of fi lms that were beautiful, stunning,
revelatory, clever, funny and smart — and that refused to spell things out
for their audiences. They gave us questions and explorations, challenges
and inspirations. “Films have the power to capture dreams,” says a
character in Hugo. Idealistic? Yes. True? Also yes. Sometimes, all you
want from a fi lm is a pretty explosion. Sometimes you want a challenge.
Sometimes you get a little of both.
ew
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14 FEBRUARY 23, 2012
EUGENE WEEKLY
Current movie
schedule was
unavailable at
time of press.
Please visit
cinemark.com
for movies and times
Adv. Tix on Sale DR SUESS' THE LORAX
ACT OF VALOR (R) - ID REQ'D
Fri. - Sat.(1130 200) 430 700 930
WANDERLUST (R) - ID REQ'D
Fri. - Sat.(1210 240) 510 740 1010
GONE (PG-13)
Fri. - Sat.(1140 210) 440 715 945
THIS MEANS WAR. (PG-13) Fri. - Sat.(1145 220) 445 710 940
THE SECRET WORLD OF ARRIETTY (G)
Fri. - Sat.(1135 155) 420 650 925
GHOST RIDER: SPIRIT OF VENGEANCE (PG-13)
Fri. - Sat.(1205 PM 235 PM) 1025 PM
GHOST RIDER IN REAL D 3D (PG-13) ★
Fri. - Sat.505 PM 750 PM
SAFE HOUSE (R) - ID REQ'D Fri. - Sat.(1245) 415 735 1015
STAR WARS: EP. 1 IN REALD 3D - EVENT PRICING (PG) ★
Fri. - Sat.(1155 300) 635 935
THE VOW (PG-13)
Fri. - Sat.(1150 230) 500 730 1000
IMAX: JOURNEY 2: THE MYSTERIOUS ISLAND 3D (PG) ★
Fri. - Sat.1200 225 450 720 950
JOURNEY 2: THE MYSTERIOUS ISLAND (PG)
Fri. - Sat.(1230 PM)
THE WOMAN IN BLACK (PG-13)
Fri. - Sat.435 PM 800 PM 1030 PM
CHRONICLE (PG-13)
Fri. - Sat.(1220 250) 515 755 1020
THE GREY (R) - ID REQ'D
Fri. - Sat.955 PM
HUGO IN REAL D 3D - EVENT PRICING (PG) ★
Fri. - Sat.(1240 PM) 400 PM 655 PM
THE ARTIST (PG-13)
Fri. - Sat.(1235) 410 640 915
THE DESCENDANTS (R) - ID REQ'D
Fri. - Sat.(1215 255) 630 920
Adv. Tix on Sale DR SUESS' THE LORAX
ACT OF VALOR (R) - ID REQ'D Fri. - Sat.(140) 420 715 1000
THIS MEANS WAR. (PG-13)
Fri. - Sat.(130) 410 705 950
GHOST RIDER IN REAL D 3D (PG-13) ★
Fri. - Sat.(150) 430 735 1010
SAFE HOUSE (R) - ID REQ'D
Fri. - Sat.(200) 440 725 955
JOURNEY 2: THE MYSTERIOUS ISLAND (PG)
Fri. - Sat.(340 PM)
STAR WARS: EP. 1 IN REALD 3D - EVENT PRICING (PG) ★
Fri. - Sat.(100 PM) 645 PM
JOURNEY 2: THE MYSTERIOUS ISLAND IN REAL D 3D (PG)
★
Fri. - Sat.(110 PM) 640 PM 930 PM
THE VOW (PG-13)
Fri. - Sat.(120) 400 655 945
CHRONICLE (PG-13)
Fri. - Sat.(350 PM) 935 PM
GONE (PG-13)
Fri. - Sat.(130) 430 700 950
WANDERLUST (R) - ID REQ'D Fri. - Sat.(115) 415 720 1000
THE SECRET WORLD OF ARRIETTY (G)
Fri. - Sat.(120) 400 655 925
STAR WARS: EP. 1 IN REALD 3D - EVENT PRICING (PG) ★
Fri. - Sat.(100) 410 710 1015
Times For 02/24 - 02/25 © 2012
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