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About Street roots. (Portland, OR) 1998-current | View Entire Issue (Nov. 22, 2013)
NOVEMBER 22, 2013 < " /S b * •<: . ." :• • •' •:<& ♦ is s P H O T O BY G REG G O R M A N © 2 0 1 3 The trash- master him self chats up the season before his one-man Christmas show in Portland BY SUE ZALOKAR S T A F F W R IT E R h a te v e r you know a b o u t Jo h n W aters, w h a t you m ig h t n o t e x p e c t is th a t h e is o n e of th e fu n n ie st p eo p le to have a c o n v ersatio n w ith. H e is o pen, h o n e st, c o m p a ssio n a te and e ffe rv e sc e n t e n th u s ia sm and cu rio sity tow ard u n d e rsta n d in g th e h u m an condition. H e w as b o rn in and c o n tin u e s to m ain tain a re s id e n c e in B altim ore, M d. - th e se ttin g for m o st all of his film s. As a tee n a g e r, W aters b eg an m aking 8-m m u n d e rg ro u n d m ovies. W aters m ad e his firs t film, an 8-m m s h o rt, “H ag in a Black L e a th e r Ja c k e t” in 1964. O ver th e c o u rse of th e n e x t d ecad e, h e w ould re le a s e a handful of u n d e rg ro u n d film s th a t w ould c u lm in ate in 1972 in th e c re a tio n of w h a t w ould arguably b e co m e th e m o st “n o to rio u s” film in th e A m erican in d e p e n d e n t cinem a, “P in k F lam in g o s.” In th e late '8 0 s, W aters b u rs t into Hollywood, w ith h is first box office su c ce ss, “H airsp ray .” H e ta u g h t in th e p riso n sy ste m for m any y ears, h e h a s w ritte n half a do zen bo o k s (w ith a new book W John Waters stars in A John Waters Christmas, Dec. 6, at the Aladdin Theater in Portland. His new book, “Carsick” will be published in June 2014. full of com ing o u t in J u n e 2014), h e h a s a c te d in and d ire c te d n u m e ro u s film s, and h e h as b e e n traveling w ith h is sp o k e n w o rd p e rfo rm a n c e s for d e cad es. W aters will b rin g h is C h ristm a s show to th e A laddin T h e a te r on D ec. 6 . 1 ask ed him w h a t P o rtla n d e r’s can ex p ect. J o h n W a te r s : H opefully th e y can e x p e c t a v ery p re p a re d , w ell e d ite d kind of self-help g ro u p on how you can g e t th ro u g h C h ristm a s — if you love it, if you h a te it, if you d re a d it o r if you a re offended by it politically, religiously. S u e Z a lo k a r : With no shortage of dirty Santa Claus, looking a t y o u rse lf in th e m irro r an d m aking o u t w ith yourself, th is show is for you. I have a way for e v ery kind of p e rs o n (to enjoy m y C h ristm a s show ). If th e y th in k S a n ta ’s ero tic, if th e y th in k th e elves a re tw inks, if th e y th in k th e y w a n t to d re ss up as Jo se p h an d jo in a living nativity sc e n e (w hich I ’m v e ry against). I talk ab o u t e v ery th in g C h ristm as: m usic, fashion, everything! S.Z .: What are your objections to a living nativity scene? J .W .: I find th e m v ery scary. I look a t th e m beyond a D iane A rb u s p h o to . And I always th in k , well first of all, w h a t p a re n t w ould allow th e ir child to b e baby J e su s w h e re th e re a re probably p e rv e rts d re s se d up. A nd th e n th e re a re live m u les in th e re th a t kick, and straw w ith p eo p le holding candles. D idn’t you e v e r se e th e m ovie “S u san S lad e” w h ere C onnie S te v e n s’ baby c a tc h e s on fire and Troy D o n ah u e p u ts it out? B u t I go look a t living nativities. I ’m o b se sse d by comments, I ’m guessing. J W .: If you a re sittin g th e r e d re s s e d as S an ta (The artis t form erly known as) Johnny No Bueno Veering from the learning cliff Reversing the unpopularity o f S T E M in grade schools Talks poetry, streets See WATERS, page 5 Susan Emmons Portland’s housing champion outlines the answer to homelessness Page 8 Page 7 Page 3 ■HMM —