The upper left edge. (Cannon Beach, Or.) 1992-current, October 01, 1994, Page 14, Image 14

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    T a k e H e a r t w i t k R e m a in * o f t k e Ikay
JOtM IN A C H I I t A T I O N O» IK T IO M T H A T *! H I T
T O » 1A O AT THIS M O ST M Y l T I t t O U t TUw( O i
T IA *
Ay TTkydSa W e e w
C A N N O N BEA C H - T H E C IT Y T H A T M A D E
M C T A R N A H A N ’ S ALE F A M O U S !
M ore M c T arnahan ’ s A le
in
C annon B each
m toe Eight*» it «a s •intimacy ‘
Thdt «orc kept croppmg j O < i
nonfebon b o o titles as m ? v a p »
tra m mama- An at ¡P im a a r i h e
Nineties the « a d * toeart ’ as «
. a r i from. toe »tea;:
t it a n Can it be toa: r e literary
is sold
per capita than
ANY O T H E R C IT Y IN T H E W O R L D .
wood has exhausted toe subject of
inwnacy and moved on to ¡argot a«a»rs
of toe heart'1
C ertartv B o ra n s at fie Da»
A C C O R D IN G TO C A N N O N B E A C H
N a h í O t t a . T m i M o a v O k » h o t i i o n t m i
lO N C
1 1 *0 1
P lN IN IU IA
tin iN C
IO *
resident
N lw
Yo«»i».
a \ a » t l i m t u i M T i T i a r n o v h
l i r n i ( i i t r u t n l n i n t M i i i i n \ t m i » t a c i
io
• M ac ” M ac T arnahan ,
Kazuo IsNguru s award w m n g novel
and one ot the years outstartang
mowtes argues a g a rs: in s notxx it
takes the reader and newer) on a tea
o* rtm a c y avotoance « te e also
e x p ta n g toe depths 0» toe human
heart Slovens i Anthony Hop» ns
choked by Ns ovir cnpf*ng tack of
connection » near goes through toe
m o to r« of He as a butter « to ai toe
d g n ty he car master but sady
without Miss Ken»n (Emma
Thompson), ns heart s desxe
Doomed to n o a lo n because he
cannot ’atoom «mat N t heart desres.
he goes to ro m t » * caught up m the
'a m and ta r to n , manners and
manner-sr.s ol tr# Outer m Ns
esteem ec roe ir, toe British houseNx!
ol >esteryear Having reached neary
toe p m a a e o* success r Ns chosen
prolesson he somehow senses toai
sometNng is missing Ustafces are
tatong place arooto toe N xisehod «
must be a staling problem
Fnaty. he must take Ns journey
¡ate n hie but nevertheless at tong last
anotoe' Nineties trend see Awakening
the Archetypes Wstomi Having-ed a
W HO E A R N E D A G O L D M E D A L W IT H
* t m i ii c o N O a n n u a l w a r m » H a u o w -
w o i i i m o » i o * M T T T ia v w a r r i a t
*v t-
his
iin
S cottish
ale .
iH M ip o» m o h iw
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0
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» • * * . * * * • *
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Q » v e » f a S fl,
J o i n a \ a » t U i n u i
i » ( C iA i C V IIT
m o it
mo
* » ih o p u a p m -
V lN t lN T K O M lil
aiciNT iiOON L a p k i n
WHOM
m v i t i »» i u
» t
M IT T M I 17 AN D I
ANO
C m i i J t l l l A N N I A \ a »I
ano tm i m o i »
Oie»
M a i »
W M O W i l l AAA»| TM I» H A i l O W I I N N l l a l N O A
C IA IN A P T T H A T • • A l A « IX »TOUT
T»K »t
N O T W IT M IT A N O IN C 1
Toaiei p itc u n ip last v i a * i n c i u p i d T h i
I m N T U I IIH IN O AAVTTiaV «VRITINC. THI
RIM O» THI IpAAU OITICTIVI IN »OPUIA*
ncTiON P im a iN T loaAAt tu ta iN M c a n
IIC IT IM A T U T TA R I, TMI auatH H IN C ,
INPU»T»V"» ATTITUOI TOWAXO THI MTV
T ia r n o t h .
lo a INQUiailt ANO aiMRVATlONI W«IT| TO
M o e r D ic k M t i t i r y W aiT ia t W i i k i n p
P O B o m 8 )
N a m c o t t a . W A 986)7
oa cAit
0 0 6 ) 665 4 M )
remarkably virtuous hie aspiring to
reach the very lop ol Ns prolession to
have dgrvty arc a n ^ r se^se ol duty
and toyalh he musi now ¡eave toe
womb the visage the country
represented by Ns lordship s estate
and go out nto toe world
As he takes toe hero s journey. he
oo«5 back one' the coirse o’ Ns
career, s tii tearing to quest« n toe
intaMtoikty ol toe man he chose to serve
l a X years His devotion has been
am ost pnestty His allegiance to toe a«
too human L a d Dartingtor threatens
to make a mockery ol n s irfe ol
- À 4 ,
J U ij.
N a I k >NAl OPGANUAT k * « IO ® 'M l
R h o o m o * M arijuana L aws
10 0 1 C o n m c ' “ i’ A v in u N W
S e n tí
»010
W ashing io n . D C 20036
HE
S C U L P T O R
. 'ir '« "
442$ SI W2«J
W DIGGER
Tnxadik . Owfo« 97060 *1
( sen 66$
'
P erform ante
S t u d i o —7 4 W
T h e S p o o n H i r e r A n t h o l o g g O p e n e d F r id a y Sep
’
G uitar
N I n s t r u c t io n ( 5 0 3 ) 3 2 5 - 4 1 5 0
E x c h a n g e , A s to r ia , O R 9 7 1 0 3
3 0 th
A Fun. CoiorEul. A ll-C otton
Clothing 5 to rc W th A Tyv»st
a n d « i l l b e p e r f o r m e d a t t h e N e h a le m C o m m u n i t y C e n t e r ,
( i n N e h a le m ) a g a in o n O c t
7 th A 8 th
T h o u g h v e a re n o t
For Children 5 A d u lts
s u r e o f t im e s , v e d o k n o v a lo t o f fo lk s In th e p la y a s v e i l
Unxiuc G ift item s
a s t h e d i r e c t o r , v h o s a id s h e v o u l d g iv e u s fr e e t ic k e t s , b u t
v e c a n t g o c a u s e v e h a v e to p a c k t o v e c a n m o v e , th o u g h
v e d o n 't h a v e a h o u s e to m o v e in t o y e t
T H IN K C O O O T H O U G H T S
D r E a r k e y s is
33-w S E ha »VT h O<? ne
PORTLAND. OR 97214p.
(503) 235 0439
Open Oa.ly
p la y in g m u s ic fo r i t a n d o u r f r ie n d a n d re v e r e d b a r te n d e r
J e s s i c a is I n
it
It,
s o f i n d o u t v h e r e I t Is a n d v h e n i t Is a n d g o
O k a y '’
ISA
KITTY ' MADY
(2(Xi) 2 4 9 5 5 5 5
Nprr/ntf'vZ by \o r ih H e s t (m llery
’4iJ»
-ST
^4
2 3 9 N o r t h H a m lc x h
C ann o n B aach
O r » f lo n 9 7 1 , 0
MONTESANO MERCANTILE
72H E. P ione er
P O. Box 1 0 2 ,
5 0 3 /4 3 6 0 7 4 1
JOYCE L IN C O LN . D ire c to r
Pacifii North
Contemporary Art 4 Croft
Celebrating ^th Year m Cannon Reai h
M o n te s a n o . W A 9 H 5 6 3
_____
L et l i c e a n d L a v a g e O p en s At th e C o a s t e r T h e a t r e in C a n n o n B e a c h , f e a tu r in g
V ic t o r ia P a rk e r
I t r u n s F r id a y s A S a tu r d a y s a t 8 p m th r o u g h N o v e m b e r 5 th
devoton to toe end. ik e toe Aposne
Pete» Steven» d r w s toe very master
he has spent ns days serving
Bui Ns ultimate sm o< proe Ns
Njbns. has been toe ta A re to * t down
Ns guard, to let anyone see benear Ns
wall ol ikgniiy toe leefcngs at toe
heart ol Ns ide toiprsoned by Ns ¡me
he can or*y fudge Nmsev by ns
pertormance (Tony Keflcgg s N m an
dang ratoer toan a Ndhan beKig and
by toe x c a u o n a crumbs ol prarse
tossed Ns way by toe upper oass men
and women ot moortanoe Ltoatteto
aomewtodge a N g h r order he goes
through tile adhering id toe eufcst
views of toe nj»ng gentry toa: "ne'e
ordtfiary peep« are not »t to rJe to
judge to vote but onty to seme The
ru a g gentry becomes Ns Higher
Power
Insernng he is a kn d of Chnsl **e
hgure Yet he is so estranged from
matters o' toe heart, that he cannot
manage «na; n s heart no doubt yearns
lor rtim a cy M ss Kenton is not
allowed to bnng howers mto Ns
pr vale quarters. » see what book he
isre a ^n g in tact, he <s 'eadng a
romance but he tarts to see too as
arytong but an e«ercoe to improve n s
«ccafxAa'v He camo! see what her
eyes and heart tel her to a th e o a
roman&c caught up m toe trappings ot
Ns profession, unatfe to dea! « to toe
lotkes and takes ot toe real world
O nN sjO i/ney he gets an nking ot
«hat has been mtssng it has to do
« to "bantering • isNguru weaves toe
thread ot bantering siuittuity
throughout toe narrative in toe
beginning Stevens stoves to ¡earn to
bante' soieiy to improve toe quatity of
Ns service to ho new American master
At toe eno. he begins to see that toe
mtamabty and spontaneity ol
ajnienng, v/xto he has missed out on
most ot Ns hie, may hold toe keys to
happiness This stutty British word
S i / tis up m buflemse toe message
oeNrw [fie Ano! inimaot Yaans
ftertt toe Heart, and The Paffl M E
Heart
Havng spent most of Ns ble m
a persistent LsM oe irofT inumacy.
Stevens resolves to find its true
meaning through ban'.enng, for
whatever remains of toe days before
Nm
As a son. Slevens respect lor Ns
lather knows no bounds, yet even this
reia&onshp must play second hOdie to
Ns own «orkahok path His sad
repetition of Ns father s life even to
the pomt of allowing small errors to
creep in after years of o th e r« se
perfect service makes tots story a kind
ot codependent tragedy Doomed to
repeat his family of origin Nstory,
riddled « to pertectcmsm. unable io
form intimate attachments Stevens
toe butter is toe modem anti hero,
symbolizing ail that is noble yet tragic
about toe unrecovered human condtion
As ta Miss Kenton she serves ta
longer than could be expected m ths
dysfunctional household, seeing n
Stevens what he unfortunately can
neitef see n hrnselt an a« too N/nan
stoe that is toe reason t a her
endearment it intimacy is 'Kno«ng
yourseft in the presence ot others; as
defined m [he Art o! Intimacy, then
Stevens tails to achieve ths, though
toe meetings t a tea at toe end of each
day with Miss Kenton b m g Nm closest
to fulNlmg tots unconscious Ongng
Decevmg Nmselt nto tNNung he is
merely extertang Ns dutws. he 'emans
a n d io toe meaning beNnd these
ntam al sessions the meanng beNnd
Miss Kenton s «»ngness to prolong
the work day to be « to Nm. and toe
inner yeanngs oi Ns Own heart
Without reveamg the end ot toe
book and mowe one can only say that
Stevens journey through toe Engbsn
countryside dnvmg Ns master s Ford
ends « to toe discovery ot A Path « to
►«art to be traveled by way oi
bantenng Like a iw a M ^ S Pdfiy.
that other journey of toe heart, [he
Everly Guitars
(JOJ) 797 «69! Home
. (SO), 231 1912 M m >
P O Bo» 25)34. Portland. OR 97225
Kobrrt 3. Stnnrggrr
lalhici
'tom ans o! the Day explores the
common bonds between master and
servant n termer times, ano toe
ultimate tnumph ot intimacy over class
distinctions As tor toe tove atarf
between butter and housekeeper, you
may have to wait t a Snaflowands to
" H r d i d n ' t » a y 'a l d e n l e . ' d i d f c e ? "
I
see Anthony Hopkins ower ns British
guad
DON PETRIE’S
ITALIAN FOOD COMPANY
613NW Third 265 FOOD
Nye Beach, Newport
PTxjths rNoor» recently took a box of
t» iu » 5 to the mo y » S / k ó o w Iwxh where
Acttwrxj Hopk»ts at last « permitted to
J
C R r a m lc s c u lp tu r o • c e r a m i c Q a r d o n a r t
display hts full r 0 9 e of emotuos
? w v /s
c p h \ T l s e d «K K i t t - H< x >k.s
SZA.ZX 5
f-tue & Rare Editions
K, x SHAVHt
ÍK ,- G n e n g M rv rt. 'A ix x lljr u l U a v h in g to n *JHr»7-t
M micfrEKtoamiw
barry g to a m a n
37109 s o a p crwwk ro o d
c o rv a to orwgon 97330
T e le p h o n e (2 0 6 ) 225 ’’ 444
503«745*5244
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