Tcw arda
Society 5 a language
h*d>
AvU
P o si
O llie r Ho» MM
•
/a r n r <r
an exchange of m eanings
an agreement ic o n M in im ns
Bat the oíd d efm tions no lunger do -
o u wor*d mast b * appraised a new
A^K’CÎ a Î a ZH'
C jnnon i t r * h
( )M
4 ? IIU
Som ew tierv twcween the idoa ar«d the thinq
is the w x d . which is nether >Jea nor thinq
w e trust t too much. I thir*
even in ts i»*s
The m eaning uf te«e»ision is con»une
of newspapers, conform,
?nd ihe m eaning • r $« bool
s h o u ld be c a rv e d o n s to n e
behave or you will cease to be
O cean H a * u
1
We watc h the sun set
and w a it back to the cabin
Others watch r rise
2
M oonlight dazzles her
Sends her running to the sea
never to re tu n
3
a gold sun tonight
a seagull flies inside it -
my sadness leaves me
4
a dozen seagulls
standing beside the ocean
they begin to move
5
covering the shore
w tiere there were none yesterday,
thousands of smooth stones
In m * < am pler fy of o u -T a m m v
ue<> ts a b iltv to continue Trie learning
of o u lanqua-> r -g u re s such effort*
Enough to get by is a full tm e j o t .
you know that, a nd on o u >wn tin e
we rnaxe room for the ma ndatory
the gr.-uming. the preening.
the Tenzy of the holidays.
the >v< rnp’osed p ie a s u e s -
tr»e TV, the pat-er the Prozac the suk h > note
Beware of Hue ncy
Beware know ledge of the ‘grammar of society
because in trie learning of te ianqua«>*
lies the m aking of v v u cage
But muteness is no solution ether
for tt*at way <ippression lies
Perhaps t is r the m cm entary crack: of stillness
ite ra tio n can be found The old yogis
know som ething about that -
- Bill Clume
stillness
c o r a m l c » c u lp t u r o • c e r a m i c g a r d o n a r t
M a x im u m BrowsoPW tyi
B a c k r o o m b o o k » to re
prints a r .d a rt
w em • xm co^»n-w n u « oc
Or perhaps there is in
voluntary
distancing from the cash flow
of my tm e s that a place
of freedom ca n be spied
Espec a lly f you are there
I m think ing there's a n a narc hy
to o u love that precludes trie tyranny
of symbol structures
1
B62‘
‘Toiovana cjallery
WhitSird
in the touching of you
there is a know ing of means
and a way of seemq, there is
in the touching of you
(it's ik e a dancing
in the waves) that y o u eyes
becom e a briqhtly spray
and when you re shining
on my face I
have to laugh and say
that in the touching of you
there is a feeling l i e a child
beside the sea at play
I laine I llioil
I COD 4U VM4
Mavbe holding y o u hand as we w a l
next to the ocean is a music
of non-|uddmeor and on that p u c h a s e
we can furge a r e w way
of t a i inq about things
that leaves a title -'oom for quiet
Or maybe w e ll find a chant that m ete
the cotter pin at the center
of this language of rapaciutisness
and around o u ears w ill fall
the broken buttresses of a cq u isiio n
l i e a trillion trays of dishes t«emg dropped
th e r crashes dying to a tinkle
o f b r d notes, of m usical new words
and a fnendty paradigm
of verbs that soothe and heal
of nouns that are collective,
a nd articles that state o u rights
to tend the earth with tenderness
and speak o u m inds w th reverence
arid love wth tie arts unsullied by
the m illion lies of m odern lie ,
and live ten thousand days in paradise
- Bill Clunte
P irrv w u j Jtodb
m H ot 9 9 9 U t i t l
O r * f 971 I t
I I r tn
¿ 5 4 Tenth Street
- Bill Clume
O rw n
0 7 jo jû
At*.u, Su»^ri ,L»fw .u.. io -r; >0
L
. i ) , ;■■■>• .
I
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