G illu m ,
Paul
______________
303 P l e a s a n t
A s t o r i a , O re g o n
503 3 2 5 - 3 5 7 7 o r
l ackaff, Sally_________
- .J
Bo» 1031
97103
3 2 5 -6 7 6 8
C annon Bc*ch. Or 97110
503 435 2037
F in e a r t b r o n z e s c u l p t u r e a n d d e s i g n .
L im ite d e d i t i o n s c u l p t u r e s , u s u a l l y in
m a r itim e th e m e , a l s o a u to m o b ile and
W e s te r n t h e m e s . S i t e s r a n g e t i o m in - h o m e
o r o f f i c e t o m o n u m e n ts .
O w net o f S t u d i o " B ”
Pen and ink. watercolors. Layout
and design
L a m p in g , L i s a
____________
P .O . Box 293 ’
*
......... ...
w a r r e n t o n , O re g o n 9 7146
5 03 8 6 1 - 1 2 0 0
Goodenbei
, John C.
1320 F r a n k l i n A v e ,“ s t u d i o
A s t o r i a , Oi e g o n 9 7 1 0 3
503 3 2 5 -0 2 0 9
H is to ric
b u ild in g
ii a n n e n
’ i m
p . o . Box 30
< 'a n n o n B e a c h ,
50 3 4 »6 2761
S ta in e d
g la s s
re se a rc h
O re g o n
P h o to g ra p h y
O c c a s io n s , p o r t r a i t s ,
p a s s p o rts
B la c k & w h i t e p r o c e s s i n g l a b .
and d e s ig n .
M a r i e . Ann
1 1 7 5 ' l l t l T sT T ^
A s t o r i a , O re g o n
5 03 3 2 5 - 2 3 7 0
97110
w in d o w s an d
H a n n e n , Tom
G ra n t] A -.• • •.
A s t o r i a , O re g o n
503 3 2 5 -0 5 9 6
F
S c u l p t u r e , dr a w in g ,1 e a d s d
i O r ig in a l d e s ig n
C o m m is s io n w o tk
By a p p o i n t m e n t .
la m p s
____
The important thing is not what
the author, or any artist, had in
nund to begin with hut at wha,
point he decided to stop
97103
F in e a i t p a i n t i n g and p r i n t s
G ra p h ic d e s ig n s and p o s te r s
Scr een p r i n t i n g
H a r r i s , H ope
4*8 i T A a I? S t .
A s t o r l a , O te g o n
503 3 2 5 -2 5 2 3
D.W Harding 1963
-»
97103
u
W».
R o b o t*
634 G r a n d A v e.
A s t e n i a , O ie g o n
50 3 3 2 5 - 2 4 3 4
H o w itz , G e o rg e
k t 4 B ox h)0A
A s t o r i a , O re g o n
O
e>oo< s !
S p e le a
C awn / ow &É-ACH
T*su* Pao*
w ith
97103
scree n ,
M ic k e ls o n , B re n d a
P .O . Box 1 8 8 '
, H am m ond, O r e g o n 9 7 1 2 1
5 03 8 6 1 - 3 3 3 3
01 l T<>wn Fi an a n g __
■ a c ia l
A s t o r i a , O re g o n 97103
5 03 3 2 5 - 5 2 2 1
a it
J a n s o n , C . L. _____
“I Ò 6 Ï0 T H ST .
A s t o r i a , O re g o n 97103
50 3 3 2 5 - 2 7 0 7
97138
P rin tm a k e r, p a in te r .
P r o f e s s o r o f a r t C l a t s o p C o n im u m ty
C ol l e g e .
W o rk sh o p s f o r p r o f e s s i o n a l a r t i s t s ,
d e s ig n and c o n s u ltin g .
H ubei , J u a n i t a
“ P .O . Box 1 3 f ---------------------
A s t o r i a , O re g o n 97103
503 3 2 5 - 8 0 5 6
g ta p h ic
1 (X)7 Marine Dr.
Astoria, Or 97103
503 325 2350
N e b e k e t, R oyaI
P .O . Box 2 1 8 4 “
G e a r h a r t , O re g o n
503 3 2 5 -3 7 1 0
M u lti m e d ia - c a s t p a p e r , s i l k
c o lo r e d p e n c il and a i r b ru s h
30 y e a r s e x p e r i e n c e
_____________ _____
NW th e m e s
w a te rc o lo r,
i O ve : b a y , F d w a : I
687 1 4 t h * S t r e e t
A s t o r i a , OR 9 7 1 0 3
503 3 2 5 -1 0 7 5
F in e
o rig in a l
G
.
L andscape o il p a in tin g .
W o o d c a t v i n g , p a i n t e d w ood r e l i e f ,
N o rth w e s t C o a s t I n d ia n c a r v in g and
pai n tin g .
S ig n s .
I n te l lo t r e s t o i a t i o n .
W a t e r c o lo r s .
4 5 8 -6 9 9 1
SW a n d P a c i f i c
papei c a s tin g ,
p rin ts
97103
3 2 5 -0 2 5 0
o u s to
O ^ '
e>yr
2.^8
97103
F i n e a r t o i l p a i n t i n g : m any d e a l
a r c h i t e c t u i a 1 fo rm and d e t a i l .
P o s té is ,
503
Contemporary oils A watercolors
Bronze A stone sculptures
Paints, etching A pottery
■ Q
503
McKay, R oger
651 4 3 r d S t .
A s t o r i a , O re g o n
g la s s
Michael s Gallery
F ra m e d s a lm o n t a b l e s : f r a m i n g o f s m a l l
p ie c e s , in e x p e n s iv e ly .
N e w s le tte r s , p a s te - u p , g ra p h ic d e s ig n .
P o s te r s ; b e a u tif u l h a n d w ritin g .
S ta in e d g la s s .
Hoag,
97103
108
A
L
L
TEN TH
ASTORIA O O tC O N 971OJ
E
R
Y
STR EET
T il 503/325 5450
fu rn itu re