Image provided by: Silverton Country Historical Society; Silverton, OR
About Torch of reason. (Silverton, Oregon) 1896-1903 | View Entire Issue (April 16, 1903)
T orch “ TRUTH R eason . of B E A R S T H E TO R CH IN T H E S E A R C H FO R T R U T H .” — —— VAT » r »x P IT '.' î » ’T- T ’» ■ ».«»W <♦* .< “* . * • *.■ V* . l 0. h i R anch P hilo so ph y. consciously produces that which in their hearts. This can be done SO CIO LO G Y appears the unconscious result.” only by following the impulses of BY SAM ESTOX FOULDS. Poetry must rest on the experi the heart, the winged fancies of How It Becomes a Science. ence of men—the history of heart the brain—by wandering from the ’V E k in d e r d o n e som e s e a rc h in ’ A ro u n d to find th e T r u th , BY PR O F. L E ST ER F. WARD. and brain. It must sit by the fire paths and roads, keeping step with H ave e x p ec te d to find it p e rc h in ’ side of the heart. It must have to the rythm ic ebb anti flow of the H ig h on som e c h u r c h ’s roof. (F ro m “ P u re S ociology.” ) A n ’ I ’ve se arc h ed till I was w eary, do with this world, with the place throbbing blood. H E favorite standpoint of T ill m y b rain fro m to il fagged o u t, in which we live, with the men T ill ey elid s w et a n ’ te a ry , In the olden time in Scotland, all who dispute the title of M ade so ft a h e a rt once sto u t! and women we know, with their most of the so-called poetry was Sociology to rank as a sci A t la s t I ’ve fo u n d a S avior, loves, their hopes, their fears and written by pedagogues and p ar ence is that of mathematics. The My re d e e m e r tr u ly lives, their joys. A n ’ I ’m b a sk in ’ in his favor, sons—gentlemen who found out law’s of Astronomy, of Physics, E n jo y in ’ th e b est he gives; A fter all, we care nothing about what little they knew of the living and to a large extent of Chemistry, W hile songs of g lad th a n k s g iv in ’ gods and goddesses, or folks with World by reading the dead lan can be reduced to mathematical L ik e sw e llin ’ a n th e m s raise, F ro m o u t a h e a rt t h a t ’s liv in ’ wings. The cloud-compelling Ju p i- guages—by studying epitaphs in notation. The assumption is that A ’ b u b b lin ’ o’e r w ith p ra ise . ters, the ox-eyed Junos, the feather- the cemeteries of literature. They anything that cannot be so reduced How d id I find th is S avior? heeled Mercurys, or the Minervas knew nothing of any life that they cannot be a science. Comte, who L o o k in th e g lass a n ’ see. J e s t ch an g e d m y m in d ’s b ehavior, that leaped full armed from the thought poetic. T hey'kept as far was himself prim arily a mathema A n ’ heaven cam e dow n to me. thick skull of some imaginary god, from the common people as they tician, protested against this a tti W hile a ray of pow er a n ’ sw ee tn e ss Illu m e d m y S o u l’s d a rk d e p th s , are nothing to us. We know noth could. They wrote countless verses, tude and called it, as it seems to As th e e v e n in ’ s t a r w ith m eek n ess ing of their fears or loves, and for but no poems. They tried to put me, very appropriately “m aterial T h e d a rk n e s s in te rc e p ts . that reason, the poetry that deals metaphysics, that is to say, Calvin ism,” because, as he says, “it tends L ik e a b a ttle ste ed a c h a m p in ’ with them, no m atter how ingeni ism in poetry. As a m atter of fact, to degrade the noblest conceptions H is b it before th e fray , Y o u r S o u l w ith in is s ta m p in ’— ous it may be, can never touch the a Calvinist cannot be a poet. Cal and assimilate them to the gross L oose re in a n ’ give fu ll sw ay ! human heart. T he fiery sw ord of E d en vinism takes all the poetry out of est,” and he characterizes the abuse O r s tro n g b o u n d g a te of H ell I was taught that M ilton was a the world. If the existence of the of mathematics as the initial phase C a n ’t k eep from fields E ly s ia n , wonderful poet, and above all oth Calvinistic, the Christian heli could of materialism. But he it was who If one c ares th e re to dw ell ! —[F ro m “N ow .” ers sublime. I have read Milton be demonstrated, another poem pointed out that mathematics is once. Few have read him twice. never could be written. not a science but only a standard POETRY— W ith splendid words, with mag In those days they made poetry or criterion. It is a measure of nificent mythological imagery, he abdiit geography, and the beauties the relative “positivity,” i. e., ex Illustrated by Robert Burns.* musfers the heavenly m ilitia—puts of the Scotch Kirk, and even about actness, of all the sciences. epaulets on the shoulders of God law. The critics have always been The mathematicians, astrono BY RO BERT G. IN G ER SO LL. and describes the Devil as an artil looking for mistakes, not beauties mers, and physicists, who affect to lery officer of the highest rank. —not for the perfections of ex decry Sociology because not suffi (F ro m D resd en E d itio n , Vol. 3.) E have met tonight to Then he describes the battles in pression and feeling. They would ciently exact for their habit of honor the memory of a which immortals undertake the im object to the lark and nightingale thinking, usually overlook Biolo poet—possibly the next possible task of killing each other. because they do not sing by note gy, which they conceive as simply Take this line: —to the clouds because they are the study of plants and animals, to the greatest that has ever w rit ten in our language. I would place “F ly in g w ith in d e fa tig a b le w ings over not square. and hence proper enough and quite th e v a st a b r u p t .” At one time it was thought that innocent, and reserve th eir c riti one above him, and* only one— Shakespeare. This is called sublime, but what scenery, the grand in nature, made cisms for Psychology and Sociolo the poet. We now know that the gy. But all they say of these It may be well enough at the does it mean? We have been taught that Dante poet makes the scenery. Holland would be equally true of Biology. beginning to inquire what is a poet ? W hat is poetry7 ? Every was a wonderful poet. H e de has prtxluced far more genius than There has been no greater progress one has some idea of the poetic, scribed with infinite minuteness the Alps. W here N ature is prodi in reducing the phenomena of life and this idea is born of his experi the pangs and agonies endured by gal—where the crags tower above to exact mathematical form than ence—of his education—of his su r the damned in the torture-dun the clouds—man is overcome, or there has in so reducing those of geons of God. The vicious twins overawed. In England and Scot mind and society. In fact, in cer roundings. There have been more nations of superstition—malignity and sol land the hills are low, and there is tain departm ents of both these than poets. Many people suppose em nity—struggle for the mastery nothing in the scenery calculated latter fields there has l)een more that poetry is a kind of art, de in his revengeful lines. But there to rouse poetic blood, and yet these progress in this direction than in pending upon certain rules, and was one good thing about Dante, countries have produced the great any departm ent of Biology. In economics, for example, and in that it is only necessary to find he had the courage, and what might est literature of ail time. be called the religious democracy, The truth is that poets and heroes statistical researches, much use these rules to be a poet. But these rules have never been found. to see a pope in hell. That is make the scenery. The place has been made of mathematics, the where man has died for man is only danger being that of abusing The great poet follows them un something to be thankful for. So, the sonnets of Petarch are as grander than all the snow-crowned this method and making the ap consciously. The great poet seems parently exact results stand for as unconscious as Nature, and the unm eaning as the promises of can summits of the world. A poem is som ething like a more than they are really worth. product of the highest art seems to didates. They are filled not with I t does not always follow that have been felt instead of thought. genuine passion, but with the feel mountain stream that flashes in The finest definition perhaps that ings that lovers are supposed to light, then lost in shadow—leaps because the phenomena embraced with a kind of wild joy into the by a science are subject to uniform has been given is this: “As N a have. Poetry cannot be written by rule; abyss, emerges victorious, and laws they can always be reduced ture unconsciously produces that which appears to be the result of it is not a trade, or a profession. winding runs amid meadows lin to mathematical formulas. Only consciousness, so the greatest artist Let the critics lay down the laws, gers in quiet places, holding w ith a comparatively small part of and the true poet will violate them in its breast the hills and vales Physics is of a character to require ♦T his le c tu re is p rin te d from n o tes fo u n d am o n g Col. In g e rs o ll’s p a p ers, all. By rule you can make skele and clouds—then running by the mathematical treatment. It is still b u t was n o t revised fo r p u b lic a tio n by tons, but you cannot clothe them cottage door, babbling of joy, and less so in Chemistry. Still, the h im . W e r e p r in t it as a c o n tr a s t w ith th e p o e try an d e s tim a te of W h itm an with flesh, put blood in their veins, m urm uring delight, then sweeping laws of Thermology, Electrology, in th e la s t T orch .—[E d . T orch . thoughts in their eyes, and passions on to join its old mother, the sea. and Chemistry are just as invaria- I T W