The W orth C o a s t T im es E a g le , F r i d a y , 3 A u g u s t, 1979 P age 8
FREE S TY L E
by M a r g a r e t M cFadd en
& E liz a b e th M c Q u e e n
T i r e d o f d i s c o s and
T aco B e l l s ?
T hen you s h o u ld go
d i r e c t l y t o La C o c in a
d e l S e n o r R i c o 's i n
C annon B e a c h , w h e re t h e
m u s ic i s a s h o t a s t h e
e n c h ila d a s a u c e .
T he e n t e r t a i n m e n t
b e g in s each e v e n in g , T u es­
day th ro u g h S a tu rd a y ,
w i t h sm ooth and e a s y
j a z z f u r n i s h e d by t h e
C h r i s P a r k e r Duo, and
e n d s w i t h t h e f i e r y and
h a rd d r iv in g so u n d s o f
F re e S ty le .
T hough i t i s a new
b and, F re e S ty le i s
com posed o f m u s i c i a n s
w e ll known t o l o c a l
a u d ie n c e s .
G u i t a r i s t C ra ig
M a y th e r was f o r m e r l y
w ith th e i n t e n s e l y
p o p u l a r H oly M odal
R o u n d e rs , and w i t h S p in
D ri.
He h a s s h a r e d
b i l l s w i t h Boz S c a g g s ,
T he S o n s o f C h a m p lin ,
and Tom P e t t y & The
H e a rt B re a k e rs .
M a y th e r
r e c e n t l y p e r fo rm e d w i t h
l o n g - t i m e Bay A re a f a v o r ­
i t e S a r a h B a k e r.
J im S t e w a r t , a l s o
g u i t a r , i s a v e te ra n
o f t h e I.os A n g e le s m u sic
scene.
He h a s p la y e d
th e T ro u b ad o r i n L .A .,
re c o rd e d th e s o u n d tra c k
f o r t h e m o v ie , ' P a c i f i c
V i b r a t i o n s , ' and h a s
r e c e n t l y r e t u r n e d from
N a s h v i l l e w h e re he
re c o rd e d a d e m o n s tra tio n
t a p e w ith m em bers o f
D o lly P a r t o n 's b a n d .
R ic h a r d E n g lu n d , a
h ig h ly ta le n te d b ass
p l a y e r , h a s w orked i n
r e c e n t y e a r s w ith th e
3 1 e a z y P i e c e s , C a r l S m ith
& T he N a t u r a l Gas Com pany,
Sky R i v e r , and m o st
' r e c e n t l y , H o rse F e a t h e r s .
C r a i g A b ra h am so n ,
p e r c u s s i o n , h a s m u s ic a l
e x p e rie n c e t h a t in c lu d e s
e v e r y t h i n g fro m B ach t o
ro c k .
He s t u d i e d a t
t h e U n i v e r s i t y o f O regon
3 c h o o l o f M u s ic , and p r i ­
v a t e l y w i t h Mel Brown and
J o e A m ato.
H is m u s ic a l
c r e d i t s i n c l u d e t h e N o rth
C o a s t C ham ber O r c h e s t r a ,
ro c k b a n d s U n ite d F l i g h t
S p in D r i , and h e h a s
p la y e d w i t h Ray T a y l o r .
F re e S ty le i s a p p e a r­
in g F r i d a y and S a t u r d a y
n i g h t f o l l o w i n g C h r is
P a r k e r 's Duo, w h ich
b e g i n s a t 7 p .m . On s t a g e
from 9 ;3 0 p .m . t o l ; 3 0
a .m ., F re e S ty le w i l l
a l s o p l a y T u e s d a y th r o u g h
S a t u r d a y n e x t week
a t S e n o r R i c o 's , w h ich
f o r m e r l y was t h e Keg Room.
books
From p ag e 3
b o ok, b u t i t does con­
t a i n l o t s o f new p i c ­
t u r e s — fu z z y s n a p s h o ts
o f a y o u th fu l V irg in ia
p la y in g c r ic k e t in
C o r n w a ll.
T hese h av e a
c e r t a i n charm f o r t h e
d ie h a rd fa n .
T he c o n c l u s i o n s a r e
much t h e sam e a s any
t h o u g h t f u l r e a d e r w ould
h a v e g a r n e r e d from
L e o n a rd W o l f 's a u t o b i ­
o g ra p h y and V i r g i n i a
W o l f 's l e t t e r s and d i a -
r i e s — L e o n a rd was a c a r e ­
f u l k e e p e r o f h i s w i f e 's
h e a l t h ; w i t h o u t him s h e
p r o b a b ly w o u ld h a v e b e e n
mad much m ore o f t h e t i m e .
I t i s t o t h i s m a r r ia g e
we owe t h e d e b t o f h e r
n o v e l s ; t h e y c o u ld n o t
have been w r i t t e n w ith ­
o u t h i s lo v e and i n ­
te llig e n c e in h e r l i f e .
S he was p r o f o u n d ly and
h a p p i l y aw are o f i t ; we
s h o u ld be a l s o .
I , fo r
o n e , do n o t m ind r e a d i n g
a n o t h e r p e d e s t r i a n book
t o re m in d m y s e lf how f o r ­
t u n a t e we a r e t o l i v e
i n t h e same w o rld w ith
TO THE LIGHTHOUSE and
MRS. DELLOWAY.
I f r e a d i n g t h e s e tw o
b i o g r a p h i e s l e a d s you t o
w o n d e r a b o u t t h e form
i t s e l f ; you may w ish t o
l i s t e n i n on a sym posium
t h a t to o k p l a c e a t t h e
N a tio n a l P o r t r a i t G a lle r y ,
S m ith s o n ia n I n s t i t u t e i n
t e l l s ab o u t th e c h o ic e s
im p lic it in c re a tin g a
form f o r a l i f e , D o ris
K e a rn s t e l l s how t o
k i s s and t e l l f o r t e n u r e
a t H a rv a rd , B a rb a ra
Tuchman e x p l a i n s t h e u s e s
o f b io g r a p h y t o i l l u m i n ­
a t e an a g e . A l l s e v e n
a r e l i v e l y and t h o u g h t ­
f u l e s s a y s — i t i s im p o s­
s i b l e to a g re e w ith a l l
s e v e n and so a w i t t y
d ia lo g u e i s s tim u la te d in
o n e 's h e a d . H o p e fu lly
i t i s a d ia lo g u e t h a t w i l l
c n n t i n u e th r o u g h o u t t h e
r e a d i n g o f m any, many
n o re b i o g r a p h i e s , n o t a l l
o f th e m , l e t ' s h o p e ,
a b o u t B lo o m sb u ry .
The First TIM E S
EAGLE
A n e w sp a p e r i s n o t
c o m p le te w ith o u t a
c ro s s w o rd p u z z l e . We
a s k e d Jo h n F r a z i e r t o
p r o v id e one o f h i s no­
t o r i o u s e x am p les o f
th e a r t .
He t o l d us
t h a t h a l f o f Cannon
Bieach h e lp e d him w ith
t h e f o l lo w in g p u z z l e r .
ACROSS
2. P e rs o n s h o u ld r e a d
Luke 6 :4 9 .
5. M i n n i e 's 14 down.
6 . S l i p p e r y a s an
7 . I n O rg an K e ith o t h e r
jo b h e h ad t o b e
____ e d .
8. When smog l i f t s i n
S o. C a l i f . U .C .
9. P a r t i a l s p e l l i n g o f
18 down.
10. The b r a i n b e h in d an
e n d a n g e re d b i r d .
1 3 .Doug S w e e t's T w is t
1 5 . F iv e i l l u s t r a t i o n s
on M alo e.
18. ;___e r Brown
19. ___ and D .C.
20. P o p ey e n e v e r g e t s to o
s o i l y when h e g o e s o u t
w ith O liv e ___ .
2 1 . W h a t's i n B la c k R u s s ia n
( in t.).
2 2 . E r e a m b u la to r p u s h e r .
How many D a ir y Q ueens
a r e t h e r e i n Cannon
B each?
I t ' s k e e n and p e a c h y
t o b e a t t h e ___.
S i t t i n g on t o p o f
- . (S p a n is h )
To p u r c h a s e / o r
B ird ie .
. F i r s t a i d ;___ and
m a le h e i r .
1 2 . "C heck y o u r s h o e s f o r
-----” . ( s p e l l e d b a c k ­
w a rd s) .
---- .ro a d ( i c e c r e a m ) .
1 6. B r e a k f a s t
th e " C itru s T re e ".
1 7. B i l l ' s ------- ( a b b r e v i a ­
tio n )
18. Good____ _
Tenth Street
A storia, Oregon
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