The Clackamas print. (Oregon City, Oregon) 1989-2019, May 07, 2008, Page 4, Image 4

Below is the OCR text representation for this newspapers page. It is also available as plain text as well as XML.

    4
Clackamas Print
Feat
Wednesday, May 7, 2008
the completed product.
4
But it is important to note that
;
part of the only class that is working 1
latest production.
While the actors perfect their pe g
Whitten aud his Technical Theatre S ijj
toil over the set and props.
In a Shop behind the stage, the stmk nis,(
much of’the term turning different pi2
wood into the necessary settlements Sil
a wheeled shop stand are blueprints and J
of what the play will require.
a
“We’re supporting technically whatl
On May 22, the currents will rise in the
Niemeyer Center for the theatre ’ de partm en t’s petting emotionally^on stage .as, thçy re|
a story, and all of it without thomjdie\j
first showing of William Inge's “Bus Stop.”
But before the actors' take the stage for the realizing we’re trying to do that.” Wi \
■openiog#erfortnance of’ any production, they- “If they don’t noticéîthat we’re here. ;5,
•
t
engage^tp- months .pi preparation.. Every detail accomplished our task.”
Technical Theatre- Study also searcll
Is-'explored. from obviously important matters,
rJM^A^s.d^ermyingjhe cast list, tò facies that 'Westerns that èanriÆ simply be madel
most audience members take for granted,. like wood, which, for “Bus Stop.” include j
* ing refrigerator and solid j
lighting and,sound.
stove-The class will also j
The most basic step in this
produce a working sink I
process is the choice regard­
production.
I
ing the show itself. Theatre
“We’re
The final touches will bl
Instructor and Director David
supporting
during lech week - the wel
Smith-English, and Instructor
ing up’ to the first show |
technically
Chm Whitten, select a different
will start that Sunday’ witl
production each term.
actors, during a cue pracg
This year hai 'already. aeeft
happening
the technicians , involved q
diverse plays including the con­
show.
Cr
is
temporary “Reckless” and the
emotionally
Monday willBee the casi|
logical “Quilters.” The last the-
on
stage
as
tume
for
their
first-time
[
afrital production of the school
on the full set.
3
they’re telling
year will be the American clas-
Up until Thursday. event
s^^Bus.Stop,” written in 1955
a story... ”
ber, including tech and acta
by Inge and made famous by
required* to stay at practitj
the film of the same name star-
having successfully finis!
' ring Marilyn Monroe,
Chris WMtten
rehearsal. For some plavj
• want ty pick -shQ’g'S tly
Theatre instructor
an
meansworking till 10 d
a contrast so that yor
' preparation foropsuing rug
canove
At the end of the cigf
enee “ t J real variety of expert'
run, the actors will have!
enei within the theater itself,’
anywhere from 80 to 100 hours oft
Smr_ •English
„w.____ said.
During the casting procedure, Smith-English Musicals are even more time-con sum
decides who would excel in what role andL an average pf 130 hours, according] •il
meanwhile, best complement the other actors. English.
Castag for “Bus Stop” concluded before thè. s One of the overlooked parts of a n
end of winter term, allowing the actors to begin ■though, is the ushers, who have the o
memorizing their finds before the fìrsf rehearsal’ to watch the play for free,
gt “We’re always looking for ushers
jgpring yrm
.......
want- tn--tynecastypeopM” Smith- call,” Spiitji-Euglish said.
Once the curtain fall;» lor the las 3
English said. ”1 want to give them a new expe­
rience so that they will be playing a character 1, bringing the final night of “Bus St«
close, the cast and crew will know th
different than what they have played before.”
Once spring term Commences, the ■ actors of the audience probably does nt tea
meetfduring class Mondays, Wednesdays and countless hours that were put into raaj
Fridas. In rehearsal, they develop their charac­ performance run smoothly, and truthfull
ters and establish what will eventually become just the way they want it.
Every term, a small army of
students and instructors work on a
main-stage play in the hopes that no
one will notice their hard work
»ll^tm.by.KyleSteele C/arfca»«« Fri»/
j
I
I
•
—........................................................... J
TOP: Technical Theatre Study Instructor Chris Wl
bends a metal pipe that will be used to hang curl
i
MIDDLE: Student Noreen Brahim mixes in white pl
produce the desired set color that will be used di
spring term’s production of “Bus Stop. *
I
J
BOTTOM: All set pieces start out in scale-model^
created by Instructor Chris Whitten^ Student Ashl
Larkin puts a finishing coat of paint on a set wall]
will be hung in the coming days.
|
I