ATT Tl? TT.Sl
The Clackamas print Page 5
_________________ Wednesday,Feb.22,1995
di "Toikiiuj Piefuw'* pftujuvugki, Hivtte Fcate
A cfMB-up
by Jocelyn Gauthier
Feature Editor
“Sone people get up in the
morning and go to Wall Street.
Or to their job in a department
store. Or a supermarket. Or a
newspaper office. Or to fly an
airplane.
“Horton Foote gets up in the
morning and writes plays,” said
Jerry Tallmer in his introduction
to “Four New Plays.”
Foote is a playwright of sev
eral American theater, film and
television productions, including
CCC’s Winter Term production of
“Talking Pictures.” A few of his
movies include “To Kill a Mock
ingbird,” which he received an
Academy Award for, “Tender
Mercies” and “Of Mice and
Meh.” /
Foote turned to play writing
after early training in acting, and
was quickly rewarded in 1944
with his first Broadway produc
tion at the age of 28. This suc
cess led him . to television, for
which he wrote “some of the fin
est drama of its Golden Age,” ac
cording to the book jacket of
“Cousins” and “The Death of
Papa.”
The name Horton Foote was
often attached, to some TV show
in the 50’s and 60’s, “a good,
plain American name, like the
good plain American people he
wrote about - writes about,”
Tallmer said.
“But there are no good, plain
American people. There are no
good, plain people. There are
people - each of them ever bom
contains the entire drama history
of the world, not to mention that
little atom of the world that is the
parched, worked-out cotton and
oil county of Texas, USA, in and
around the city of Galveston on
the Gulf of Mexico,” Tallmer said.
“The thing that is relevant for
all time,” Foote said, “is the sub
ject of grief.”
He writes the way people
talk, “or the way you think they
talk, or the way you wish you
thought they talk, or once did talk,
in your mind’s eye (and ear). The
way they talk in that perfect /im
perfect American of‘Yes, Ma’am’
and ‘Yes, Sir,’” Tallmer said.
In the 60’s, Foote retreated to
New Hampshire, fed up with the
theater, and stayed ‘til the 80’s.
It was his “15-year intermission,”
Foote said, “while I was away in
the country.”
“It was as if he’d dropped off
the face of the earth,” said actress
daughter Hallie.
The Broadway that Foote
once knew is disappearing, and
so are the movies that Tallmer
cares about, except when Foote
writes them. “Movies about hu
man beings, not robots, not auto
mobiles, not ghosts, not body
builders, not super warriors, not
dinosaurs, not twerps and nerds.
(Well, there are twerps in Foote
too, but interesting ones,)”
Tallmer said.
Talking Pictures’ main char
acter, Myra, is a woman who is
about to lose her job playing pi
ano in a movie theater that - in
1929 - is converting from silent
films to sound.
Her landlord, a railway en
gineer, faces similar obsolescence.
“One day we could wake up and
find there are no trains at all,” he
tells his wife.
“’Talking Pictures’ is a play,
a short play, that mixes light and
heavy and light again, just as the
shadows of a movie do,” Tallmer
said..
Horton Foote, playwright of “Talking Pictures,” CCC’s
So just what is Foote all Winter Term production, has won several Academy
about? “Heartbreak and forgive Awards for other plays and films, including “Tender
ness,” Tallmer said.
Mercies.”
to
i9tk tenfivuj piw wuwic
by Jocelyn Gauthier
hadgift lit
Feature Editor
JeUuderGoodenbergerwill
mcjudeeamtemttean Schu*
mann’s life* iu which Good-
composing* but did it partly be*
cause it was expected of all pia
nists* She was mote comfort
able as an interpretive artist, but
cantinucdiowritesongs,atrio*
a piano concerto andwoiks for
the violin. Had she had more
t^ahdhihd
enberger’s interest began over
’ 14 years ago. She has worked
soctetal influcnces telling her
that women did not and eoutd
to understand who Schumann ’
nothavegreatcreative grits, she
ClaraSchumanuat 7:30 tonight
■■ Her free performance will
CONCORDIA COLLEGE
Goodenberger has worked to
understand who Schumann
was and what she can teach,
especially to women of the
20th century
was and what she can teach* es*,
pecially to women ofthe 20th
century.
* ,
\
Schumann, bom in teip
zig, Germany in 1819, was
trained as a pianist by her jfe-
therand debuted whensbk«ir
• nwy hayebei^
pent composes^ ; : .
A Bachelor of Science Degree in
Management and Communication Can:
*
*
*
*
,
several music courses, intiiidihg
music hisioryànd opefaat
GlateOp^muïdty/doliègé'
cific,” “Fiddler On the Roof,”
“Info thé Wpods” “Annie” “f
pieté silence .white composing poll Doi” and^QadterS*” '
and shèheïped prepare his mu- ■ ... Goodenberger receive# bér.
sic fnyterfOrthance, as well aS
raise eight children..,;
After, thé death of tier this?
DO YOU HAVE ONE NIGHT
A WEEK FOR YOUR FUTURE?
r, ba|' taught
and Mhrylhurst'College* and;
It By i83.8,^waàr^wnèd also teaches music and healing
in Europe for her technique and . seminars*-A.
;..
musical senritivity.
'
,
She has also worked ex Pen
In 1840* Jhp carried 4 sively as a musical director, and
cotripdsbr in opposition tdher
her credits include
frih^?-:K!htriage«teà©d tnahy... “Guys and Dolls," “South Pa
obstacles for Schumann’s ca-
reçhWhtis^di^utfédoteti«:.
School of Business
master’s degree in music cdm-.
position from Northwestern
University in 1989. She teaches
band, rite returned to an active private piano and wrote,“Sub*
concert life and was called : ject Guide to Classical instru
“Priestess” by her peers. She mental Music "
Increase job options
Enhance your earning power
Bring personal satisfaction
Prepare you for Graduate School
Phone 280-8585 for a free information packet
You can earn your 4
year degree in as little
as 13 mos. if you meet
the following require
ments:
*An Assoc, or Oregon
Transfer Degree
*2 years of transfer
able college credit
*5 years of significant
work experience
*2.0 GPA
CONCORDIA COLLEGE
Please send me free information
Name________________________________
Add
City/State/Zi p__________________________
(Home Phone)
(Work Phone)
Return to: Accelerated Degree Program
2811 NE Holman St.
Portland, OR 97211
Phone (503) 280-8585
Fax (503) 280-8555