arts Sterling, Rose Mime for class By Brett Bigham Of The Print Pat Sterling and Joey Rose performed a series of mimes and lectures for the Clackamas Community Col lege Humanities students last Tuesday. Both players have done professional mime work on and off for the past seven years. Rose performed several original acts from her repertoire including “Little Jack Horner” and a mime to Judy Collins’ “Send in the Clowns.” She also lectured on the history of mime and its characters. Sterling also created his own mimes. His acts included a football skit and “The Hobo”. “Hopefully I will be learning from Joey. She is somewhat of a pro.” The two will be working together with their talents and may prepare some dual routines. “Hopefully I will be learning from Joey,” Sterling said, “She is somewhat of a pro.” Sterling, 19, is a theater major here at the College. Before moving to Oregon he Glass sculpture show held in Pauling Center By Brett Bigham Of The Print Pauling Center will be hosting a Glass Sculpture show now through October 15. Two glass blowing and sculpture workshops will also be featured on Saturday, Oct. 9 at Clackamas Community Art Center. The show will feature gave mime performances for elementary and high school assemblies as well as private Metro-area artists and their varied works in glass. Ray Ahlgren, Linda Denning, Fabrille Studios, Lonnie Feather, Leroy Goertz are a few of the displaying artists. “When I start working, I let the glass take shape as I work with it,” said LeRoy Geortz. “After I have a certain portion of it done I can see where I want it to go.” parties. “My ultimate goal is to be a successfull actor,” Sterling said, “Mime is just a back-up system.” Rose, the Communica tions and Theater Department’s secretary here at the College, began her mime lessons in 1975. She also founded Les Mimes Femini- ques here two years ago. The two are considering more performances in the future. “We would like to per form on campus,” Rose said. “Occasionally we get paid if we’re lucky . . . and usually it’s gas money.” Book Review Pat Sterling and Joey Rose display some basic mime techniques. life of fallen 60’s star By F. T. Morris This is a book that ficult to figure out just who the everyone with an interest in the Today, nearly 11 years 1960’s should read; I can’t speaker is and how they fit into Edie’s life, and the first 60 or so after her death at age 28, too recommend it highly enough, pages, though important in few people remember who because it touches on so many establishing her background, Edie Sedgwick was. She was subjects and different facets of are quite dull), will find it the quintessential ’60’s girl; the life—as did Edie, and this is, I rewarding, though extremely Warhol superstar; the socialite think, what makes her story depressing. (This is perhaps a from a New England “old such a good read. Edie went good place to add that the money” family; all of the above ferocious language is liable to and then some. In a word Edie through it all: she was, at alter offend many—so be warned.) was complex. Jean Stein has remarkably nate times in her short life, a Edie is an emotional ex captured all the sides of Edie in drug addict, victim of anorexia, perience that one simply can this fascinating, informative biker, woman, child, model, not shrug off with a nervous and unique biography. Inter actress, wife, always a girl-of- laugh. It is a haunting book told viewing nearly everyone who the-moment, living on the in such an intimate, painstak ingly detailed way, that to finish knew or ever came in contact edge. Those who can stick with it is to finish a chapter in one’s with Edie, Stein has come up with a diverse assortment of the book (it is occasionally dif own life. viewpoints. The 10 years worth of interviews have been edited into a collage of voices (everyone from Norman Mailer to Diana Vreeland, from Andy Warhol to Patti Smith, even- very frightening—Edie herself, from old interview tapes), giv ing a strange, day-to-day quali <. ty to the account of Edie’s life. Your art and literature It is a risky way to assemble an contributions are needed. Call entire book, but the risk has ext. 309 for info. paid off beautifully. Rhapsody is looking for you . . . NIGHT CLASS SCHEDULE (Oct. 13-16): Wed.-Tommy Smith & the Fuse Thurs.-Dick Brothers Weekend-LIGHTS OUT HOMEWORK ASSIGNMENTS LeRoy Geortz cleans one of his sculptures before the show. Wednesday, October 13, 1982 Happy Hour= 4-7 p.m.+ Mon.-Fri.+95‘ Well Drinks Ladies Night= 7-dose + 95 < Well +75c W’ne+50' Beer Fridays s Ladies Free-f- $1 script for gents Saturdays ■=. $1 script w/cover (Good on food and drink) 19195 S. Molalla 655-4022 page 5