The print. (Oregon City, Oregon) 1977-1989, October 13, 1982, Page 5, Image 5

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    arts
Sterling, Rose Mime for class
By Brett Bigham
Of The Print
Pat Sterling and Joey
Rose performed a series of
mimes and lectures for the
Clackamas Community Col­
lege Humanities students last
Tuesday. Both players have
done professional mime work
on and off for the past seven
years.
Rose performed several
original acts from her repertoire
including “Little Jack Horner”
and a mime to Judy Collins’
“Send in the Clowns.” She also
lectured on the history of mime
and its characters.
Sterling also created his
own mimes. His acts included a
football skit and “The Hobo”.
“Hopefully I will be learning from Joey.
She is somewhat of a pro.”
The two will be working
together with their talents and
may prepare some dual
routines. “Hopefully I will be
learning from Joey,” Sterling
said, “She is somewhat of a
pro.”
Sterling, 19, is a theater
major here at the College.
Before moving to Oregon he
Glass sculpture show
held in Pauling Center
By Brett Bigham
Of The Print
Pauling Center will be hosting a
Glass Sculpture show now
through October 15. Two glass
blowing and sculpture
workshops will also be featured
on Saturday, Oct. 9 at
Clackamas Community Art
Center.
The show will feature
gave mime performances for
elementary and high school
assemblies as well as private
Metro-area artists and their
varied works in glass. Ray
Ahlgren, Linda Denning,
Fabrille Studios, Lonnie
Feather, Leroy Goertz are a
few of the displaying artists.
“When I start working, I let
the glass take shape as I work
with it,” said LeRoy Geortz.
“After I have a certain portion
of it done I can see where I
want it to go.”
parties. “My ultimate goal is to
be a successfull actor,” Sterling
said, “Mime is just a back-up
system.”
Rose, the Communica­
tions
and
Theater
Department’s secretary here at
the College, began her mime
lessons in 1975. She also
founded Les Mimes Femini-
ques here two years ago.
The two are considering
more performances in the
future. “We would like to per­
form on campus,” Rose said.
“Occasionally we get paid if
we’re lucky . . . and usually it’s
gas money.”
Book Review
Pat Sterling and Joey Rose display some basic
mime techniques.
life of fallen 60’s star
By F. T. Morris
This is a book that ficult to figure out just who the
everyone with an interest in the
Today, nearly 11 years 1960’s should read; I can’t speaker is and how they fit into
Edie’s life, and the first 60 or so
after her death at age 28, too recommend it highly enough,
pages, though important in
few people remember who because it touches on so many
establishing her background,
Edie Sedgwick was. She was subjects and different facets of
are quite dull), will find it
the quintessential ’60’s girl; the life—as did Edie, and this is, I
rewarding, though extremely
Warhol superstar; the socialite
think, what makes her story depressing. (This is perhaps a
from a New England “old such a good read. Edie went
good place to add that the
money” family; all of the above
ferocious language is liable to
and then some. In a word Edie
through it all: she was, at alter­ offend many—so be warned.)
was complex.
Jean Stein has remarkably nate times in her short life, a Edie is an emotional ex­
captured all the sides of Edie in drug addict, victim of anorexia, perience that one simply can­
this fascinating, informative biker, woman, child, model, not shrug off with a nervous
and unique biography. Inter­ actress, wife, always a girl-of- laugh. It is a haunting book told
viewing nearly everyone who the-moment, living on the in such an intimate, painstak­
ingly detailed way, that to finish
knew or ever came in contact edge.
Those who can stick with it is to finish a chapter in one’s
with Edie, Stein has come up
with a diverse assortment of the book (it is occasionally dif­ own life.
viewpoints. The 10 years
worth of interviews have been
edited into a collage of voices
(everyone from Norman Mailer
to Diana Vreeland, from Andy
Warhol to Patti Smith, even-
very frightening—Edie herself,
from old interview tapes), giv­
ing a strange, day-to-day quali­
<.
ty to the account of Edie’s life.
Your art and literature
It is a risky way to assemble an
contributions are needed. Call
entire book, but the risk has
ext. 309 for info.
paid off beautifully.
Rhapsody
is looking for
you . . .
NIGHT CLASS
SCHEDULE (Oct. 13-16):
Wed.-Tommy Smith & the Fuse
Thurs.-Dick Brothers
Weekend-LIGHTS OUT
HOMEWORK ASSIGNMENTS
LeRoy Geortz cleans one of his sculptures before the
show.
Wednesday, October 13, 1982
Happy Hour= 4-7 p.m.+ Mon.-Fri.+95‘ Well Drinks
Ladies Night= 7-dose + 95 < Well +75c W’ne+50' Beer
Fridays s Ladies Free-f- $1 script for gents
Saturdays ■=. $1 script w/cover (Good on food and drink)
19195 S. Molalla
655-4022
page 5