Fall production in full swing Students demonstrate their foosball skills in the recreation center Photo by Duffy Coffman Rec room offers more By Elena Vancil Of The Print Once known as the Game Room, -the pool and foosball alcove across from the cafeteria now boasts more than a new name. Ideas'from student ac tivities personnel present an in teresting future for the newly dubbed “recreation center.” After attending a recreation management seminar, Debbie Baker saw a need for a definite training program for attendan ts, along with need for a new name for the facility. Baker has worked at establishing a manual that all as attendants will use guidelines for maintenance, atmosphere, and being respon sive to students. A two-hour training seminar will put that to use. Any person attempting to enter the recreation center between 3 and 5 p.m. today may be disappointed. The training seminar will be in progress orienting the atten dants on the ins and outs of managing a recreation center. That is only the beginning. The first gesture made to acquaint students with the room’s new image was at new student orientation, when recreation center coupons were circulated. The coupons could be redeemed for free' playing time. According to Baker, coupon returns were minimal, “but it was a step towards establishing a system.” Other recreation center ac tion includes tournaments which will start on Oct. 22 with “8-ball billiard singles.” Foosball competition will be on Oct. 29, table games (backgammon and chess) on Nov. 5, then foosball again on Nov. 26. On Nov. 13-16, Jack White, poolologist, will demonstrate his talents. Regulations and prizes have yet to be worked out, accor ding to Baker, but information about that will be available prior to the first tournament. “If students have a special request or suggestion concer ning prizes, they should contact. Tricia Spurgeon, the tour nament manager,” she said. GET DOWN!! with Audio Disco Systems “Thank God it’s over!” shouted one of the auditioners after trying out for the College’s fall play, “The Real Inspector Hound.” Try-outs were last Friday with 18 .people auditioning for roles in the satirical farce. Students used scenes from the play for their tryouts. There was a great deal of tension throughout the theatre, but that is a tradition in theatre tryouts. Now that the cast has been chosen, the pace will become hectic. “The energy is high around here,” Director Jack Shields explains, “like a beehive.” The cast who will perform Nov. 29 and 30, and Dec. 1 and 2, includes; Moon, Randy Evans; Birdboot, Steven Huft: Simon, Franklin Morris; Magnus, James Nicodemus; Hound, Steve Howard; Felicity, Sheila Crocker; d thia, Gail Taylor; Mrs. Drul Lisa Kaser; Radio Vo Deena Brown. Producer, directo to present lecture “Westside Story,” “Cabaret,” “Funny Thing Happened on the Way to the Forum,” and “Fiddler on the Roof” are just a few of the credits attached to Hal Prince, Broadway producer and direc tor. He will conduct a workshop and seminar that will take place at St. Mary’s Academy on Oct. 18. Admission is $8, but the College Drama Club will | half for each student I wishes to attend. The Drama Club will I provide transportation toI 1 workshop which will take pl that afternoon. A two-] break will take place for me] Any student interested! going should deposit $4 to I Drama Club account at J student activities office.™ bring the receipt to the the] department. Who disc lacks power By Mike Koller Of The Print The Who’s new album on MCA Records is a double live soundtract to their recent documentary movie, “TheKids Are Alright.” The album contains live performances spanning The Who’s history from 1964 up to their 1978 tour of Amer ica. Almost all of The Who’s classic recordings, like “My Generation,” “Pinball Wizard,” and “Won’t Get Fooled Again,” are included in the package. But without the visual impact of the movie, the album often bor ders on becoming monotonous. The opening cut, “My Generation,” proves this point. It was recorded in 1967 on the Smothers Brothers television show when The Who were iust starting to break big in America. The movie cap tures the anarchy created by The Who as lead guitarist Pete Townshend and drummer Keith Moon batter and smash their instruments all over the stage before a bewildered audience. All the album can give is Tommy Smothers introducing the group, then at the end of “My Generation” distorted sounds for the listener’s imagination to decipher. This is the case throughout the entire album, mainly because in live performance The Who are a highly visual band. The Who’s other live album, “Live at Leeds,” contains a rawness that “The Kids Are Alright”. definitely lacks. Often the sound quality on the album is in ferior as “Won’t Get Fooled Again” and “My Generation Blues” are just a notch above bootleg recordings sound. Despite these flaws, the album does have certain high points. The version of the rarely performed live, “fl Quick One,” is a master] piece, it is the only piece o] material ever released iron the famous “Rolling Stone! Rock and Roll Circus,” J special television shot] hosted by the Rollin] Stones. Also, “Long Liv] Rock,” the single released oi the album, is an excellel rocker in the best Wh] tradition. The album contains an ill formative booklet with man] photos and interesting fact] on the group which shoul] appeal to the avid Wh® fan Overall, “The Kids Ari Alright” serves as a fairly in] teresting anthology of Th] Who’s career. But seethl movie first, then decide ¡1 you want to spend 10 bucll on the soundtrack. For ml money, $10 is too expel sive for a souvenir of an el cellent movie. 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