Vernonia's voice. (Vernonia, OR) 2007-current, January 05, 2010, Page 12, Image 12

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    12
community
january 5
2010
Dog Salmon and Rutabagas continued from front page
as he called it.  Kytr said he had “sear-
ing images” of driving through the Til-
lamook Forest immediately after a forest 
fire,  images which left a big impression.  
Kytr had also planted trees in the forest 
as an eighth grader.  “I had a chance to 
meet people who had seen the Tillamook 
Forest before it burned for the first time 
in 1933, and I became really interested 
in what had happened in this area,” said 
Kytr.  “I am deeply attached to this re-
gion  and  I  wanted  to  learn  about  the 
unwritten background of this wonderful 
area.”
 
It  was  around  this  time  that  a 
Vernonia  local,  Dave  Brunsman,  with 
whom  Kytr  was  acquainted,  first  intro-
duced  him  to  John  and  Kim  Cunnick.  
“Brunsman  told  me  there  were  some 
neat people I should meet,” remembers 
Kytr.  “They were living out in Keasey, 
writing  music  and  playing  homemade 
instruments.    The  first  time  I  went  out 
to meet them, they weren’t home, but I 
just camped out overnight and woke up 
being  greeted  by  their  big  dog,  Dufus.  
John had to rescue me.  And that was my 
introduction to John Cunnick.”
 
Kytr  remembers  John  Cunnick 
as, “... a striking and profound individ-
ual--  a  very  interesting  guy.”    Cunnick 
grew up in Ohio, and had run away from 
home  and  headed  west  when  he  was  a 
sophomore  in  high  school.    According 
to Kytr, Cunnick had lived in San Fran-
cisco for a time, and worked for an un-
derground newspaper in Seattle.  When 
Kytr met him, he was playing old-time 
music from the twenties and thirties, “...
music  from  the  very  first  days  of  early 
recordings,” according to Kytr, and writ-
ing his own songs as well.  
 
Unfortunately,  Kytr’s  relation-
mountain.    Cunnick’s  truck  slid  off  the 
road  and  down  a  very  steep  embank-
ment in a sleet and snow storm.  Appar-
ently Cunnick survived the accident, but 
his  body  wasn’t  found  until  five  days 
later by friends who were searching for 
him.  “John was sitting with his feet in a 
stream, his hands positioned as if he was 
playing  a  mandolin,  with  his  favorite 
pick  in  his  hand,”  said  Kytr.   Vernonia 
and  a  close-knit  community  of  friends 
were devastated by the loss.
 
The Cunnick’s friend, Jim Bux-
ton,  helped  Kim  with  the  funeral  ar-
rangements, and Johns’ body lay in state 
on  the  Buxton’s  front  porch.    Cunnick 
was  buried  on  private  property  in  Ke-
and  guitar  and  telling  the 
stories, while accompanying 
Vernonia  photographer  Jen-
elle  Wiggins,  who  showed 
historical slides of old timber 
camps.    “Jenelle  was  a  big 
part  of  it,”  says  Kytr.    “She 
and I were artists in residence 
in  1978  in  Clatsop  County, 
and  we  collected  those  sto-
ries and documented the his-
tory together.”  
 
Berge  and  Kytr 
continued  to  play  together 
in  various  bands  over  the 
Members of the band Timberbound— 
Dave Berge, Kim Cunnick,  
years,  eventually  playing 
Hobe Kytr and Mark Loring.
together  at  a  monthly  old-
(Photo by Janelle Wiggins)
time  country  dance 
in  North  Plains.    It 
treated  to  stories  from  the  early  years 
was  during  this  time  that  they  from  some  of  the  other  “silver-haired” 
met  many  of  the  musicians  ladies in attendance.  They called these 
who would appear on the Dog stories “dog salmon and rutabagas”  sto-
Salmon and Rutabagas CD. 
ries.  Apparently, before any roads were 
 
Listening  to  the  music  put through the valley and the mill was 
Kytr and Berge have preserved  built, money was scarce and contracts for 
is  like  taking  a  leap  back  in  school teachers, postmasters and church 
time.   The  songs  tell  the  story  preachers were paid in salmon and veg-
of the region when salmon ran  etables.  All the ladies had “dog salmon 
thick  in  the  rivers  and  creeks  and rutabagas” stories, and shared them 
John Cunnick’s funeral in Keasey.  
and the Oregon-American Mill  with  Kytr  and  Wiggins,  making  quite 
(Photo by Janelle Wiggins)
was still in operation.  The song an  impression  that  day.    The  song  fea-
asey, in a hand-built cedar box, wearing  Dead Kids Drop was written while Kytr  tures “The Rutabaga Chorus”-- longtime 
his  favorite  pair  of  wing-tipped  shoes,  lived  at  Camp  Keasey  and  is  about  an  friends of Kytr’s from Keasey, Vernonia, 
his body wrapped in a quilt.  Tony Hyde  old,  rotten  trestle--  a  place  that  would  and  Mist.    Kytr  dedicates  that  song  to 
carved a cherry-wood banjo for the top  naturally attract curious children.  Roust- Janelle Wiggins,  who  lost  a  long  battle 
of  the  casket  and  Kytr  wore  Cunnick’s  about, Sveet Voodt, and  Oregon-Ameri- with breast cancer over ten years ago.  
rubber boots.  “It wasn’t a religious cer- can are about logging camp life and mill   
Kytr continues to play and per-
emony, but it was profoundly spiritual,”  operation,  and  feature  the  Keasey  area  form, although he has given up on mak-
said  Kytr.    “Everyone  came  to  honor  as their inspiration.  Old Hollow School  ing it a career.  He still plays the banjo, 
their  friend,  John,  and 
was  written  by  and his wife Gina accompanies him on 
say goodbye to their bal-
John  and  Kim  fiddle.  He is one of the founding orga-
ladeer-- their minstrel.”
Cunnick,  Spring nizers of the Fisher Poets Gathering, an 
 
Cunnick  left  be-
Rain was  written  annual gathering in Astoria that has gar-
hind  a  musical  legacy 
at Kim Cunnick’s  nered national attention and is held dur-
that  still  survives  in  the 
cabin and  Trees  ing the last weekend in February.  Today, 
region,  including  cop-
was  written  for  he works at “Salmon For All” in Astoria. 
ies  of  his  songs,  pub-
John Cunnick af-  
Kytr felt it was important to turn 
lished  in  the Timber-
ter his death.  
the original recording of the songs into a 
bound Songbook.    Kytr, 
  The  title  song,  CD.  “I didn’t want this project to die,” 
Berge  and  Kim  Cunnick 
Dog Salmon and said Kytr.  He printed a lot of copies of 
began  playing  music  to-
Rutabagas, has  the  CD  himself,  and  would  like  to  get 
gether  around  Oregon 
one  of  the  more  them  out  into  the  hands  of  people  who 
and  the  Northwest  as  a 
interesting  back- will  appreciate  the  music.    “I  have  lots 
string-band  called  Tim-
ground  stories.   of other songs I want to get out there.” 
berbound,  touring  at  one 
Kytr  attended  a 
time  with  famous  folky 
birthday  party  You can get your own copy of Dog Salm-
Timberbound Songbook cover  
Mike  Seeger,  and  once 
in  1980  where  he  on  and  Rutabagas by contacting Hobe
artwork by Tony Hyde.
A young John Cunnick 
playing for Oregon Gov-
was  asked  to  play  Kytr. Send $15 for the CD, plus $3 for
at the Keasey Cabin.
ernor Robert Straub.  And John’s inspi- some songs for Lesta Weed Garner, who  shipping to: 5253 SE Ash St., Astoria,
ship with John Cunnick was to be short- ration appears throughout Kytr’s music. was  the  daughter  and  granddaughter  of  OR 97103. You can also reach Hobe
lived.    That  next  winter,  John  Cunnick   
Kytr  continued  to  gather  ma- the first two pioneer families in the Ne- by email at kytrfam@charter.net or by
tragically  died  in  an  auto  accident  on  terial  for  what  he  called  “Songs  of  the  halem Valley.  While at the party with his  phone at 503-325-0278.
Highway 47 on his way back from Mist  Northwest,”  performing  them  on  banjo  friend, photographer Wiggins, Kytr was 
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