Just out. (Portland, OR) 1983-2013, November 11, 2011, Page 38, Image 38

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    I«
38
NOVEMBER It, 2011
La Femme Magnifique
Oregon Proudly Presents
CONFLUENCE
W I L L A M E T T E VALLEY LGBT CHORUS
presents
( ' ) / / / '< - / ' . / ) r / A
An Evening of KoCiday Ç [amour
— performance —
tfoliday WCihe^
Glamour Shots
Kaj-anne Pepper’s Genderfantasy to debut
at The Headwaters Theatre
BY RYAN J. PRADO
K osted by
IL
La Lemme Oregon Vj
HeavenCy <B(iss &ÊÊt
La Lemme OregorrL^
I M ay, I wCiJv X
...be at peace, open hearts, spread joy,
share the love. A concert of choral
wishes for this holiday season.
K ß ftfo fm n n a j s M
P o r t la n d
Saturday, December 3 at 7:30 pm
Now performing at
Metropolitan Community Church
2400 NE Broadway
Sunday, December 11, 2011
P>a reelle X V ShowpCace
208 K W 3rd A te.
To purchase tickets and for directions,
see a Chorus member or go to
(Doors 5 — Show 6pm
conf1uencechorus.org
S 5. 00- 10.00 donation
To ßenefit <BradCey-AngCe e£
Lsther's Lantry
Also find us on Fatebook.
PROCRASTINATORS
REJOICE!
0p«*> Every D*y Dec. 17 - 24
Portlàhd SxtuKcl^y M*rk*t
FESTIVAL
OF THE
V.
* LAST
MINUTE
Sf>o*>Sor«<i ¡1% p X r t l»y
Porti kudSadurdiky
Sometimes all it takes to get a great idea Reed and Lillian Rossetti, reveling in fluid
off the ground is a little bit o f support. As a movements while donning dirty glamour
member o f notorious drag troupe Sissyboy, makeup and teased blonde wigs. “Tranny-
Kaj-anne Pepper established a fertile founda­ pop” purveyor Cabiria Jones— o f CJ and the
tion for the power of collaborative art, con­ Dolls— contributes beats to Pepper’s sound
ceptual dance and the strange beauty o f gen- collage, and local business Fliptography will
derqueer narcissism. W ith Sissyboy a thing provide an installation for attendees to par­
of the past, Pepper’s oeuvre had taken on the ticipate in, producing 60-page personal
form o f drag, painting, dance and much more, flipbooks to take as souvenirs.
The concept o f image and gender as so­
but one project loomed on such a grand scale
that without a strong shoulder to lean on, it cial constructs resides at the heart o f Pep­
may not have happened.
per’s creation, and with flourishes like
Fliptography, he hopes
Thanks to a generous
“ It’s always going to be
audiences will be able to
grant from the Regional
evolving,
just
like
our
better grasp the ideas
Arts and Culture Council
behind his performance
last December, a whole lot construction of gender is
o f rehearsing, planning
by delving headfirst into
always evolving, and just
them.
and collaboration— and
like
the
construction
of
how
the artistic flexibility in­
“[The
partnership
herent in facing a giant we see each other in our
with] Fliptography is
learning curve, Pepper’s
own identities, how gender another comment on the
Genderfantasy has finally
construction o f a person­
lays
on
the
body,
and
how
I
come to life.
ality and o f image, and
how rapidly each still,
Pepper, 26, describes the believe that gender in
work’s drag/dance premise
frozen moment changes
essence is a fantasy.”
and how we’re really a
as “an exploration of queer
-K A J-A N N E PEPPER
collection of these frozen
glamour and quicksilver
identities which shift and change alliances moments, and how that applies to gender
and relationships.” But the scope of the per­ and relationships,” explains Pepper. “W hen
formance isn’t easily summed up in a sound everyone is going through that installation,
bite. Instead, Genderfantasy is prone to ab­ they’re allowing themselves to be part of
straction. Based as it is in an undefined, that process o f the construction o f their own
dream-like habitat that could be a nightclub glamour. They’re literally initfating them ­
or a theater, with the choreography repre­ selves into an aspect o f what we’ve been
senting either dance pageant or competition, working with for a while.”
nothing in Genderfantasy seems certain
As a performance, Pepper says Genderfan­
within the’identities o f the characters or the tasy is also a vehicle to reveal histories of lib­
location.
eration, and to pay homage to his queer an­
The performance itself consists o f Pepper, cestors. Through the process of self-discovery
along with dancers Keyon Gaskin, Michael and identity, Pepper hoped to answer for him-