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APRIL 1,2011
WWW.JUSTOUT.COM
Taste
the Great
Street Foods of
Asia
Stickers Asian Cafe
6808 SE Milwaukic Ave PDX
503 239-8739
Sissy bounce’s reigning queen
brings the beat
BY ERIN ROOK
Yummy Signature Cocktails
www.stickersasiancafe.com
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719 S E M orrison
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Open weekdays 11 am to 2 : 3 0 am
Saturdays 5 i - m to 2 : 3 0 am
Sundays 5 i * m to 1 am
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503.285.5490 atomic-pizza.com
2150 N. K illingsw orth St., Portland, OR 97217
Tue. - Sat.: 11 am - 9 pm , Sun.: 4 pm - 9 pm .
“The pizzas at Firehouse are picturesque and
delicious; they’re a wonderful example of top-shelf
ingredients cooked properly in a wood oven. If I
had one wish, though, it would be for a longer list of
pizzas on the m enu...”
- Slice, 2011
"True to the trattoria tradition, pizza is just one phase of
a meal here but it’s hard not to fixate on the sumptuous
wheels emerging from Firehouse’s Tuscan wood-fired
oven. The ingredients are simple San Marzano plum
tomatoes with a touch of sea salt and fresh mozzarella
but when combined with carefully proofed, quickly
stretched dough and slid into an oven roaring with
Oregon oak, the result is a Neapolitan masterpiece...”
- Portland Monthly, March, 2011
Dinner Wednesday - Sunday 1711 NE Dekum Street
tel 503.954.1702 I www.firehousepdx.com
“helping to put the wood back into Wood I awn"
Shandong
Big Freedia is kind of a big deal. Widely man beat”), PNC’s Mr. Meana said it’s the
heralded as the Queen Diva of New Orleans’ music’s effect that matters.
“Just because a song don’t have a trigger-
bounce music scene, she is paving the way
not only for geographical expansion of the man beat, or something, doesn’t make it not
bounce,” he said in an
hyper-local genre but also
August feature on the
for the mainstream accep
genre in Nor lent. “Bounce
tance of queer hip-hop
is what the music is mak
artists.
ing you do.”
A self-identified “sissy,”
To say that Big Freed-
Big Freedia (pronounced
4! <
na
ia’s music makes people
FREE-da) is best known
■ .
jk v
bounce is a massive un
outside of New Orleans
< V a
for her gender-bending
derstatement. While her
presentation and her abil
dancers set the tone with
complex athletic gyra
ity to inspire even the
tions, the crowd invari
whitest of hipsters to
ably follows suit, popping
shake it on the dance
and shaking with wild
floor. In town, she’s a
abandon, often joining
popular, hardworking art
Big Freedia on stage. (It’s
ist whose peers begrudg
ingly accept the avenues
no coincidence that her
A self-identified “sissy,”
she and other “sissy
biggest hit is the aptly ti
bounce” performers have Big Freedia (pronounced
tled “Azz Everywhere.”)
There’s something in
forged in the national
FREE-da) is best known
fectious about it all,
music scene.
outside
of
New
Orleans
which may explain why
With origins dating
the laws of supply and
back to the early ‘90s, for her gender-bending
demand do not appear to
bounce is a high-energy,
bass-heavy hip-hop deriv presentation and her
apply to Big Freedia.
Though she’s been per
ative featuring call and re ability to inspire even
sponse and overtly sexual
forming as many as six
lyrics that inspire a like the whitest of hipsters to
nights
a week—and
wise lurid party atmo
shake it on the dance floor. sometimes up to three
sphere. While most songs
shows a night—around
feature one of a few signature beats (usually New Orleans for the past 12 years, her fans
a combination of the Showboys’“Drag Rap,” can’t get enough.
Cameron Paul’s “Brown Beat” and Derek B’s
Perhaps surprisingly, Big Freedia is most
“Rock the Boat” referred to as the “trigger- popular with straight ladies (and the men
------------------------------------------------------ 1
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