Just out. (Portland, OR) 1983-2013, January 18, 2008, Page 39, Image 39

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    JANUARY 18, 2008
JUSt|OUt¡39
( Winter ( Weekend
levels. Catherine Deneuve
provides the voice of
Satrapi’s mother. Opens
A member-run, not-for-profit convention in Portland, OR
Join us to share traditions in the darkness of winter
with ritual, mirth and reverence; to respect,
to learn from one another and exchange
ideas among all Pagan traditions
Jan. 25. A
—Stephen Blair
Teeth
Teeth is a somewhat
J an . 25-27, 2008
muddled horror/thriller/
The seductive French countryside features prominently in Looking
for Cheyenne.
satire about a comely young
countryside have never looked more seductive—
vagina dentata. I know, you’re thinking, “Oh God,
breathe life into this complex hut always intelligi­
not another man-eating-vagina movie," but Teeth
ble drama. Acting is uniformly excellent, although
does feature a few semi-funny moments along with
Dekker occasionally slips over the top during one
a determined and surprisingly effective performance
of her screaming denunciations—“Stuff your fuck­
from Heather Graham look-alike Jess Weixler as the
ing money!”—of Sonia and the system that
girl with a pronounced tendency to overbite.
betrayed her.
Music ♦ Dance ♦ Bardic
Contest ♦ Artisans' Marketplace
Art Gallery ♦ Panels ♦ Workshops
maiden with a nasty case of
www.magickalwinterweekend.org • 503.626.7078#3
Unfortunately, director Mitchell Lichtenstein can’t
Some viewers might be put off by a kind of
decide whether he is imitating David Lynch, Michael
“magic realism” in which characters who aren’t
Lehmann or any number of 1980s teen gross-out
actually present pop up in each other’s bedrooms or
horror comedies, so the film veers wildly in tone
kitchens for philosophical chats. But this is minor
and style. Still, it isn’t every day you get to see
carpiqg given the film’s fresh take on love under
a Doberman munching away on a Prince Albert-
siege by a stressed-out society and by less definable
crowned, chewed-off dick. Opens Jan. 25. C
but equally powerful inner forces. A
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Toys, novelties, magazines and more
—Jon Kretzu
—Gary Morris
There Will Be Blood
Mad Money
This loose adaptation of a novel by Upton
Thelma & Louise writer Callie Khouri directed
Sinclair creates a showcase for the acting talents of
this entertaining chick-flick comedy featuring a stel­
Daniel Day-Lewis and the audacious filmmaking of
Paradise Video
lar cast. Diane Keaton stars as upper-middle-class
director Paul Thomas Anderson. Set in the early
Upscale Adult Video Store
wife Bridget Cardigan, who needs to find work after
decades of the 20th century, it follows the exploits
503.255.9414
her husband (Ted Danson) gets laid off. Having nev­
of oilman Daniel Plainview and the vicious com­
er held a job in her life, she accepts the only one she
petitive streak that shoves every human feeling out
can find: a janitor position at the Federal Reserve
of his life. Influenced by the work of directors like
Bank. She befriends co-workers Nina (Queen
Stanley Kubrick, Terrence Malick and Robert
Latifah) and Jackie (Katie Holmes), and together
Altman, There Will Be Blood is psychologically
they come up with a plan to steal the money that
complex, politically nuanced and multifaceted—
seems to be so close but so out of reach every day. B
and occasionally hilarious, even if it’s the opposite
—Yvonne P. Behrens
of a feel-good popcorn flick. Now playing at
Cinema 21. A
e
Persepolis
—Jemiah Jefferson
Marjane Satrapi’s celebrated graphic novels about
growing up in Iran and Austria have jumped from the
Walk Hard: The Dewey Cox Story
page to the screen with most of their charm, intelli­
It’s always annoying to see a comedy full of smug­
gence and edginess intact. Except for a few color
faced actors who can’t help but let the audience
scenes, Satrapi and co-director Vincent Paronnaud
know they’re in on the joke. This is exactly why John
stick to simple black-and-white animation that is
C. Reilly’s earnest face is a refreshing fit for a faux
refreshingly heartfelt and old-fashioned compared to
biopic. Whether ripping sinks out of the wall,
all the frenetic computer animation out there. It
lamenting his “smell blindness” or singing lines like,
takes a while for the film to strike a balance between
“In my dreams, you’re blowing me.. .some kisses,” he
Satrapi’s silly humor and her horrifying recollections
carries the picture. Don’t miss the full-frontal male
about war and oppression in Iran, but by the midway
nudity in the hotel scene. A-
point the story is completely engrossing on both
—Julie Sabatier ©
nop
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