Just out. (Portland, OR) 1983-2013, January 06, 2006, Page 7, Image 7

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    JANUARY 6, 2006
JUStjOUt 7
| GOLDEN GLOBE > NOMINATIONS
Greenwood, whose sister is deaf.
A short version of Greenwood's documentary,
Austin Unbound, will be shown at the conference,
which will be held Feb. 10 to 12 at American
University in Washington, D.C. The work-in-progress
film follows the life of a deaf transgender Portlander
through the transitioning process.
The conference began in 1993 with an explo­
ration of how queers use language in everyday life
and how language is used against sexual minorities
by others.
ilarities and differences in queer culture and how
both
subsets and
subcultures,”
said
Greenwood.
For more information visit www.greensodapro-
Members of Gay Shame burn an effigy of then-
mayoral candidate Gavin Newsom in the Castro
on June 27, 2003. Gay Shame members protest
what they believe are Newsom's attacks on the
poor and working class, as well as his attempts,
along with his moneyed gay allies, to sell out
San Francisco's gay community.
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The city' of Portland’s Community Vision Project
is extending a grant opportunity to visionaries in the
community.
the group urged the attendees
Grants of between $ 1,000
to question whether Newsom
and $ 15,000 are available for
is a true friend of the queer
com m un ity- based organiza-
community.
tions submitting proposals to
Rather than donating mon­
improve Portland in the long
ey to Newsom's campaign, the
term.
Mayor
Tom
Potter
money
wants
to
hear
from
protesters
urged,
Portlanders about innovative
should be directed to organi­
zations that empower and help
homeless people.
Participants plan for Portland's future
at a recent Vision Committee meeting.
ideas and aspirations for the
city during the next 30 years.
Newsom himself received
The program will provide
a copy of their flier, as Portland activists did not rec­
funding to support-bringing people together with the
ognize him by face at first. He appeared confused until
ultimate goal of asking a series of questions regarding
someone informed him that it was a protest. To his
Portland’s future. Creativity is encouraged!
credit,
he
quickly
recovered
and
declared,
“Democracy in action!” Adams also received the flier,
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Share your feelings about the film, the connections you felt and bow watching it
might have brought back memories of your own at www.brohebaclimountain.com
Don’t Get Sold Out! For advanc® ticket »aloe fog on to www.fandango.com or www.movfoticketa.com
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For more information call 503-823-7838 or
e-mail plvision@ci.portland.or.us.
which he read intently before heading to two other
Shields Takes New Job
parties that night.
State Rep. Chip Shields, D-Portland, had taken on
Language Barrier
a part-time job in addition to his legislative obligations.
Portland queer film­
He was recently hired as the
maker Eliza Greenwood
employment and development
will speak on a panel at
specialist
next
Lavender
Tradeswomen. Shields is a long­
Languages and Linguistics
time supporter of the queer
Conference, with her col­
community.
month’s
for
Oregon
Mauldin,
The nonprofit organization
about language in relation
aims to promote success for
to deaf and queer cultures.
women in the trades through
league
Laura
“We re going to exam­
ine different signs used in
Multnomah County Commissioner
Serena Cruz stands with Chip Shields.
education, leadership and men­
torship. Since its founding in
1989, Oregon Tradeswomen has
the deaf community, and
we’re going to talk about how some of these signs
helped hundreds of women enter high-wage, high-
don’t
skilled careers in fields traditionally staffed by men.
translate
culturally
into
English,”
said
"For over seven years, I have worked to help
people in Northeast Portland find and excel in living­
wage jobs. 1 am excited about furthering that goal
through such a remarkable organization as Oregon
Tradeswomen,” said Shields.
Connie Ashbrook, executive director of Oregon
Tradeswomen, said Shields will bring many impor­
tant skills to the agency.
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Austin Richey, who is featured in a documentary
about deaf and queer culture, chats with
filmmaker Eliza Greenwood.
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Continued on Page 8