may 21.2 0 0 4 - Just Oait 37 F IL IW I f e want to demystify the gay relation­ ship...to demonstrate that male cou­ ples are not so different from straight couples," says Portland filmmaker Aaron K. Douglas, who, along with co-producers Elaine Miller and Jim Tuchschmidt, is at the helm of a new documentary focusing on male same-sex relationships. Aaron Douglas’ “ My Days "People focus too of Awe and Grief, Part I: much on the differences Dirk and Me” won Best rather than the similari­ Documentary at Portland’s ties," Douglas continues. Forest Film Festival “Tins will explore those similarities at a time when educating people...can help them make informed choices as to whether they support gay marriage or civil unions.” The trio will begin shooting the as-yet- untitled project in the Portland area in the near future, with a release slated for next year. Douglas, something of a renaissance man, has worn many professional hats— broadcast journalism (both radio and television), paralegal work, public relations, workplace and informa­ tion technology consulting, record production and acting as well as producing musical theater. His pursuits have taken him all over the Pacific Northwest, from Springfield (where he was raised and attended college) to Seattle, by C hristopher M c Q uain where he worked for a law firm through the mid- ’90s. The frantic boom in the Puget Sound area Outing” and “Scared Straight.” “I think some saying, ‘Gee, my husband/wife does that, too! inspired a relocation to the more laid-back Rose of the most successful documentaries are per­ How irritating!’ or ‘Yeah, sometimes Jane or City in 1996, when he bought the houseboat he sonal ones,” Douglas says. “It’s easier for the John won’t put out!’ or whatever.” shares with his husband, David, a psychiatrist filmmaker to communicate emotions or themes But the movie will also showcase the queer (which, he jokes, “comes in handy sometimes”). in words and pictures when the story...has ele­ community’s neglected demographic. “Couples of Douglas continued working in the legal field ments of one’s own life experience. O f course, different ages will help us to educate the pub­ it’s also really great personal therapy.” as a marketer, hut, as he says diplomatically, lic. . .that many of these relationships have begin­ “Lawyers are very challenging to work for.” It ning, middle and end-of-life stages just like legal­ was thanks to a particularly unpleasant boss that ouglas is making the leap into longer-form doc­ ly married straight couples!” Douglas notes. he decided to switch focus to his more creative umentary with his latest endeavor, fof which “Middle-age and senior-age gay men are certainly side. “I’m grateful, because otherwise I may have he and his team are seeking supplementary underrepresented in all aspects of gay filmmaking. stayed there many more years,” he admits, “and public funding and screening couples through a One of my personal goals... is to change that.” I’m very excited about this new direction.” “standardized, lengthy interview process.” One of his other goals is to reach a straight Douglas’ new direction took shape during The feature will explore the histories and audience in need of observations on gay lives. his participation in a digital media production experiences of three gay male couples of differ­ “There are lots and lots of hcxiks about the ‘male course at the Art Institute of Portland, where ent generations and in different stages of their couple,’ but no movies,” Douglas laments. “Peo­ he began to conceive and create short docu­ relationships. The 12 couples under considera­ ple are starting to he sensitized to the issue, so it mentaries as class projects. One of these, the tion were culled from among Douglas’ acquain­ is a good time to focus on educating straight autobiographical “My Days of Awe and Grief, tances and those who responded to an open call. people, Iwho] I’m hoping will be interested in Part I: Dirk and Me,” was screened this spring They all hail in large part from the Portland watching this type of program and educating at Fifth Avenue Cinemas and as part of the metro area, hut some are from as far away as themselves instead of remaining ignorant.” J H Forest Film Festival at Clinton Street Theater, Central Point and Washougal, Wash. “We where it won Best Documentary. would like to have at least one couple from a Couples interested in participating in A aron “Dirk and Me" is the first in a five-part series of rural area to get their unique perspectives," D ouglas ’ documentary about gay male films Douglas plans that explore his relationships Douglas says. About half of the couples were relationships should contact the filmmaker at with the people and culture of Springfield. “It’s a recently married in Multnomah County. 503-407-0810. To view "My Days of Awe and conservative place,” he says of his hometown. “It Part of the d(x:umentary’s purpose is to reveal Grief Part I: Dirk and Me” visit was the first city in Oregon to pass an anti-gay law, the experiences and challenges most long-term www.ifilm.com/ifilmdetailJ2483130. and they all voted in favor of Measure 9. There relationships have in common. “I think both gay weren’t any Gay Straight Alliances." and straight people will see it," predicts Douglas. C hristopher M c Q uain is a Seattle writer and filmmaker. “We want Jane and John Doe watching it and Future parts of Awe and Grief include “The Gav gaze A trio of filmmakers will put Portland couples on the big screen D I Elise he network that brought us Queer as Folk and The L Word goes nonfiction with a two-part documentary series titled The Opposite Sex. The intense and rather excruciating “Rene’s Story” premiered May 11 and repeats May 22 and 30. Rene is an extremely distressed and overbearing 31-year-old female-to-male trans­ sexual who has created a successful physical transformation but hasn’t done the psychologi­ cal or emotional work he needs to move into the next phase of surgery. Although surrounded by a reasonably support­ ive family, Rene simply denies his birth past or that he is anything but a “real man," including to his wife of 12 years, who, astonishingly, has never seen him fully naked. Rene’s verbal abuse of and lack of respect for his wife, who is trying to grasp a situation she never seems to have fully understood, alienates him from his clos­ est ally and from viewers. “Jamie’s Story,” airing June 23, will be more accessible to the general viewing public. This story of the male-to-female tran­ “ Rene’s Story” sition of a 47-year-old, repeats May 22 good-old-boy type from and 30 Michigan is anchored in the turbulent but amazingly strong relationship between Jamie and her wife, Brenda. Jamie’s family predictably splits into two camps: the supportive if confused mother and sister and the three brothers, none of whom accept Jamie and only one of whom agreed to be interviewed (but not show his face). What’s missing from both documentaries is any explorations of gender fluidity or expres­ sion beyond a very binary model. However, these are trans people from cities smaller and more conservative than Portland, which makes for an interesting comparison of how transi­ tioning is dealt with in other parts of the coun­ try (hut doesn’t allow viewers nationwide vari­ ant gender representations to consider). This problem is somewhat addressed in the not-to-be-missed after-show discussions with trans people, including Calpemia Addams, whose boy­ friend, Pfc. Barry Winchell, was famously murder by fellow soldiers, and trans advocate Jamison Green, who spoke at Portland Pride 2003. JH JOHN BUTLER California Realty Home Selling Tip # 2 EliseC (ft ; CompassRealty.com www.EliseCampbell.com L isa B radshaw o f Jay M ar grey & Associates Prudential - by Call on one o f Palm Springs most trusted Realtors ^ Simple! 503 307-1353 Showtime produces trans documentaries PALM SPRINGS! Campbell, g r i , a b r Service is the K e y ^ lt s that Call Today! Transi-stony Set the right mood for buying. 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