Just out. (Portland, OR) 1983-2013, September 06, 2002, Page 43, Image 43

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P reviews
Continued from Page 2 9
K e K ulana H e M a h u :
R emembering a S ense of P lace
Noon Sept. 28
fascinating documentary about the strug­
gles of Hawaii’s indigenous people, Ke
Kulana He Mahu features interviews with
writers, performers, educators, religious leaders
and activists, shedding light on the negative
influences of Western culture on this part of the
world. As Western religion gave rise to homo­
phobia in high Hawaii, the sacred Mahu
(androgynous or trans) in the ancient culture of
the Kanaka Maoli has been destroyed. As they
attempt to regain what has been lost, the public
might learn by their example the tme meaning
of unconditional love and community solidarity.
n
H appy B irthday
IA 5 p.m. Sept. 28
en Tan’s directorial dehut is a quiet, sensi­
tive and, in many regards, masterful work
about five people in crisis— all of whom are
queer and share the same birthday. As the big
day approaches, all five must confront various
difficult family and social issues causing them to
explore the nature of love, family and personal
boundaries. Happy Birthday is a rare film—
astutely directed with assured perfonnances—
that causes viewers to reflect on their own lives.
D addy & P apa
4 p.m. Sept. 28
See review on Page 25.
G roup
6:15 p.m. Sept. 28
I
nventive and original, Marilyn Freeman’s
Group was shot on digital video with an
improvised script and utilizing multiple
frames to present the story from six different
viewpoints simultaneously. The loosely struc­
tured narrative follows nine women for 21,
weeks of “queer-friendly” therapy. T he women
in the group consist of an assortment of odd
and intriguing characters, including the ner­
vous Grace, played by Carrie Brownstein of the
hand Sleater-Kinney. Group is a dynamic study
of female bonding in the face of personal emo­
tional challenges that transcend race, religion,
class and sexuality.
A ll the Q ueen ’ s
8:45 p.m. Sept. 28
“Enigma” m achine— a
decoding device th at
will help end the war.
However, w ith G e r­
man men o n the front
lines, the Enigma fac­
tory is staffed entirely
by women. Enter drag
queen Tony (Eddie
Izzard) to assure the
men are trained in the
skills and arts
of...being women!
Hijinks and hilarity
ensue as the ragtag
group form alliances,
plan their infiltration
and prove that
w hether m en or
queens, this troop
w on’t “skirt” its patri­
otic duties!
M en
oosely based on a true story, All the
Q ueen’s Men is an over-the-top espi­
onage comedy set in W orld W ar II G e r­
many. A n A m erican officer (hunky M att
LeBlanc of Friends) must lead a group of
British soldiers into G erm any to steal the
BEYOND VANILLA
Learn how to go Beyond Vanilla in this kinky, how-to erotic journey
11:15 p.m. Sept. 28
(explicit content; no one younger than 18 admitted)
8 W omen
5 p.m. Sept. 29
s the title suggests, Beyond Vanilla
explores the kinkier aspects of sex. W ith
his new film from France’s most daring and
interviews, demonstrations and a good
inventive writer/director, Francois Ozon, is
dose of how-to instruction, this documentary
a comedic murder mystery uniting an all-
covers the gamut of fetishes and S/M prac­
star lineup of French cinema’s top actresses. A t
tices. From bondage, flogging and fisting to
an isolated mansion in the snowy countryside
knife play, fire and golden showers, direc­
of 1950s France, a family is gathered for the
tor Claes Lilja takes you on an unforget­
holiday season when their beloved patriarch is
table journey th a t’s neither exploitive nor
murdered! The killer can be only one of the
clinical. Rather, it’s an honest, humanistic
eight women staying in the house. Each has a
approach seeking out the most informed,
motive, but only one of them is guilty. Humor­
intelligent spokespeople for each subject.
ous situations arise as the search for the killer
unearths dark family secrets. Glamorous cos­
S ome R eal H eat
tumes, colorful art direction and set decora­
1:30 p.m. Sept. 29
tions for each musical number destines
8 Women for camp classic status!
n California, women didn’t become part
S pecial S neak P review
of the fire service until 1987. Some Real
Heat offers a portrait of this upward
7.30 p.m. Sept. 29
climb by exploring the small and relatively
new world of female firefighters in San
lthough we can’t tell you the title of this
Francisco. Six daring women demonstrate
very special screening, we are honored
how they single-handedly turn gender roles
and excited to bring it to Portland. This
upside down by putting their lives on the
film has not screened at any other festival in
line everyday. Uncovering both the myth
the country! The director is a New Yorker who
and reality of this dangerous profession,
now makes Portland his home. During the past
Some Real Heat intimately delves into the
decade, he has created award-winning,
strength and character that distinguishes
provocative films that explore human nature
these women as modern-day heroes.
and interaction with uncommon depth and
intelligence. He will be attending this screen­
Q uestioning F aith
ing along with some cast and crew! JP1
3 p.m. Sept. 29
See review on Page 25.
Film previews courtesy of SENSORY PERCEPTIONS.
T
I
a
Tough firefighting chicks in the celebrated Some Real Heat
i^e&tsldey
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