aprii 16. 1999 ’ J u st u u t 41 ▼ aised by musicians Loudon Wainwright III and Kate McGarrigle, Rufus Wain- wright was playing the piano at age 6. When he was 14, he was nominated for a Juno (Most Promising Young Artist) and his song “I’m A-Runnin” was nominated for a Genie for Best Song in a Film. (Junos and Genies are the Canadian equivalents of Gram- mies and Oscars, respectively.) Now, at 25, the queer Wainwright has graced the cover of Out magazine as one of the “People Who Rocked 1998”; was named Rolling Stone magazines Best New Artist of the same year; and repeatedly asked viewers what they were doing New Year’s Eve in a holiday- themed television commercial for The Gap. It would seem the world is on fire for the young Wainwright. His music, with influences ranging from Tin Pan Alley to Edith Piaf to Tosca, is pleasantly pop, though heavy-handed enough to keep lis­ teners from feeling pandered to as they tap their toes. And his gay love songs are a breath of fresh air. From his song “Danny Boy,” for example: R any way? Are you primed to become the next Dana Plato? Well, I’m not that young. I’m 25 and I’ve been doing this for about 10 years, so it’s not overwhelming me or anything.... I mean fame is great and I guess one has to work with that when you’re trying to make money or some­ thing, but I’m really more into just trying to make really good records. Despite the Rolling Stone accolades, your music seems a bit esoteric. 1 don’t know if have to speak their language—like Verdi and Maria Callas. I definitely have a large dead contingent. Mykonos for sure...and visit the Oracle of Del­ phi. There’s nearly a consensus that you’re the new “it” boy, so to speak. Is it talent, effort or luck? The talent is about 10 percent. It’s mostly work, I tell ya. I’ve been on the road since May and I’ve played tiny stages, and then I’ve played for 20,000 people opening up for the Barenaked Ladies, and I’ve done Japan and ss over fus \up-and-coming ¡oy has n early ived .O’B ryan l was hanged at the doorstep, p b yed like a tw o to a fourset Had like poor Job in the Bible by God (Copyright 1998 SKG Music) Just O ut was able to catch Wainwright— currently touring the United States and soon to arrive in Portland—via telephone in New Orleans. you would agree, but with that in mind, would you still hope to someday sell out Madison Square Garden? Yeah, I’d like to sell out Madison Square Garden, but I’d probably be happy with selling out Carnegie Hall. I think it’s esoteric, the music and everything, but I think once you get the orchestra out there.... Maybe Radio City Music Hall. I’d settle for that. Which leads me to ask, how do you find Portland? I’ve only been there once and I played at this one club [LaLuna] that was sort of on the outskirts of Portland, so I don’t know what it’s like at all. Your music also seems a little haunted— like you stole it from the playlist of some steerage-class minstrel on the Titanic. Oh, yeah, that’s kind of a a x il vision. Then next time should be nice and fresh. You’ve had a fair measure of fame since you were 14— is that fair to say? Nothing compared to what I’m going to have. [Laughs.] Or what I have now. I had a lit­ tle bit of it, but no overdose of fame or any­ thing. What haunts you? What motivates you in that way? Let’s just say that all my favorite influences are dead, most of them. A lot of the time when I play, I’m trying to impress those people, so I You’re still fairly young, so given that, would you say that fame has spoiled you in P R E S E N T E D BY T HE C O N C O R D C O M M U N I T Y OF C H O I R S Granted, you weren’t a “superstar” when you were 14, but what influence did your fame have on your coming out process? You had some notoriety when you came out, I’m guessing. No, not really. I wasn’t known at all. I did one thing when I was 14, which was sort of known in Canada, but then I didn’t do any­ thing for years. When I came out it was pretty much a family and friends affair. It wasn’t broadcast in Times Square or anything. [Laughs.] Now, as it turns out, you are famous and you are gay. You’re this kind of gay role model. Do you appreciate that? Well, yeah. I’ve been doing a lot of tours recently in some pretty strange places. Like the other night I played [yells out, “No offense!” apparently to someone nearby] Birmingham, Ala., and Louisville, Ky., before that. A lot of those people really appreciate me coming there. 1 meet a lot of young kids who really, really need the support. I never expected to be a role model in that way. I didn’t really go for that, but I’m certainly happy to be of service and to be an inspiration. Why not? [Laughs.] Why not?! You broke m y heart Danny Boy Not your fault Danny Boy Hi. How is New Orleans? Well, it’s pretty muggy and there’re a lot of, you know, rickety buildings...and it’s great! Is this going to be hedonistic? Oh, yeah. I’m pretty much hedonistic wher­ ever I go—Mykonos or Albany, N.Y. Europe. It’s mostly just perseverance and work—and practice. It’s very boring when you think about it. [Laughs.] But it’s worth it in the end. It’s not exhausted you? You’re still moti­ vated? No, it exhausts me and I’m certainly near the end of my tether, hut a little exhaustion never killed anyone. The world’s your oyster. Where do you go from here? I want to make a lot of money and get a place in Paris. And also I want to write an opera. And I want to date some prince who lives in a castle. I’m like a 14-year-old girl, basi­ cally. Is there anything special in store for your Portland show? One thing that’s going to be really cool is that my sister will be there. Singing backup? Singing backup, and also she’s opening for me as well. My sister will get up and sing a few songs and she’s pretty amazing. What do you do to recharge? Where do you go on vacation? I’m going to go to Greece—unless this Kosovo thing blows up. ■ R ufus W ainwright perform s a free a lleg es show at 6 p.m . W ednesday, April 21, at M usic Millennium N orthwest, 801 N.W. 23rd Avc. He perform s with Ben Lee Thursday, April 22, at Berbati's Pan, 231 S.W. Ankeny St., at 10 p.m . 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