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About Just out. (Portland, OR) 1983-2013 | View Entire Issue (Feb. 19, 1999)
P0RTL4ND AREA .VA BUSINESS ASSOCIATION»^ Speaking on the topic the Portland Area Business Association presents Michael Powell, owner Powell’s Bookstores -Pied “The challenge of being in business and staying competitive” Monday, March 8, 11:30-1:00 - or the Gay Man in Your Life M allory Hotel, 15th & Yamhill Reservations accepted thru Wednesday, March 3. Call 241-2222 or visit our Web site at www.paba.com Pro Lab N.W. Inc. 133 SE Madison Portland, OR 97214 503 231-1599 - • Portland's best selection of gay cards and gifts • New selection of Bear videos • New shipment of German adult videos • South Park bumper stickers • Portland's best selection of gay men's books, magazines, videos, gifts and novelties • Calendars up to 50% off • Orders and requests quickly answered at books@gaipied.com Open Daily 11 am-8 pm FULL SERVICE CUSTOM PHOTO LAB (Fri. & Sat. till 9 pm, Sun. 7 pm) 2544 NE Broadway Portland, OR 97232 331-1125 107 SE Grand • East End of the Burnside Bridge • (541 ) 232-! meghentgesbrompton'scocktai ' W Meg is Austin's finest and most overlooked songwriter. It's as simple as that. Meg Hentges first gained national prominence as a member of the highly acclaimed, deceptively named quartet Two Nice Girls. three r e c id s on the Rough Trade label, d ie Austin-based band received international critical praise and built an enormous and intensely devoted fan base. One overexcited writer even went so far as to proclaim Meg the "inventor of punk rock," a distinction she found puzzling, yet highly amusing. After the split of Two Nice Girls in 1992, Meg began recording as a solo artist, releasing an EP and a full length album on Portland, Oregon, indie Tim/Kerr Records. She confronts catholic sex ual guilt with deeper insight and conviction than Madonna's entire catalog, and that's only in iÿf& fiiÇ jb ïD fo m çj There's no getting i the fact that i (and co-writes^ sophisticated songs; l smart, intricate andi Meg's songs display a mature and fully formed of pop songcraft. One detects the influence classic songsmiths as Patti Smith, Lou Reed, Jagger/Richards, but Meg also cites writers like Nilsson and Jules Shear, as well as classic AM radio singles by groups as diverse as Dusty ipHttgfield, the O'Jays, and the Staple Singers as plrations. In short, Meg is a true student of pop ¡lisle history, and yet has managed to develop a voice that is unmistakably her own. O fffr G ood T hru 3-4-99 MUSICI O MILLENNIUM EA$i£asa£f 32nd & E. Burns,d e * tiyLEQBHANß 23rd & NW Johnson 248-0163