WHAT’S IN THE THEATERS AROUND EASTERN OREGON NOW PLAYING 15 JULY 27�AUG. 3, 2022 ‘Where the Crawdads Sing’ gets winning adaptation By Mark Meszoros The News-Herald (Willoughby, Ohio) “Where the Crawdads Sing” benefi ts from a woman’s touch. Actually, make that many women’s touches. The largely bewitching adaptation of fi rst-time novelist Delia Owens’ hugely sell- ing romance-mystery drama of the same name — in theaters now — is directed by Olivia Newman, working from a screenplay by Lucy Alibar. It is lovingly shot by director of photog- raphy Polly Morgan (“A Quiet Place Part II”) and boasts thoughtful production design by Sue Chan (“Shang-Chi and the Legend of the Ten Rings”). Daisy Edgar-Jones fl ourishes as the story’s central character, Kya Clark, with Jojo Regina — making her feature-fi lm debut — excelling in one very impactful moment as a younger version of Kya. And while she does not appear in the fi lm, actress-producer Reese Wither- spoon largely is responsible not only for this adaptation being made — the fi lm is produced by Hello Sunshine (“Little Fires Everywhere,” “The Morning Show”), which she co-founded — but also for some of the book’s success. (After she selected it for her Reese’s Book Club, it skyrocketed up the bestseller lists, selling more than 12 million copies and setting a record for the most weeks atop the New York Times hardcover fi ction bestsellers list, accord- ing to the fi lm’s production notes.) Oh, and the movie features the haunt- ing ballad “Carolina” by one Taylor Swift. “Where the Crawdads Sing” takes place over the 1950s and ‘60s, the story consisting of two timelines that eventu- ally merge. It is set in Barkley Cove, North Carolina, which gives the fi lm much of its personality. Here, Kya becomes a thing of legend as the mysterious girl who lives out in the marshlands, aka the “Marsh Girl.” First, though, we meet Regina’s version of Kya, whose abusive, heavy-drinking father (Garret Dillahunt of “Ambulance”) fi rst drives away her mother but then also Penguin Random House/TNS Kya’s handful of siblings. For a while, when it’s just daddy and daughter, he stops drinking and teaches her a few things, but a reminder of the past undoes the prog- ress he’s made. Soon enough, he’s gone, too, leaving the uneducated girl to fi gure out how to take care of herself alone in the family’s secluded home. In the present day, Kya is accused of killing Chase Andrews (Harris Dickinson, “The King’s Man”), a town celebrity as its former star quarterback. While many in town believe her to be guilty, she is defended by a kindhearted lawyer, Tom Welcome Rodeo Fans! 524 S River St, Open Mon - Sat Enterprise, OR 97828 10 am-6pm 541-426-4393 Milton (David Strathairn), who will do his best to poke holes in the prosecution’s narrative surrounding Chase’s death. Before the jury of her supposed peers reaches its verdict, we get the fuller Kya story, a tale involving romances with the good-natured Tate Walker (a solid Taylor John Smith of “Sharp Objects” and “The Outpost”), who was a childhood friend of her brother Jodie, and then with Chase. While she connects with both young men, each will let her down, albeit in diff erent ways. Tate has an extremely positive impact on her life; he fi rst brings her gifts and teaches her to read and later encour- ages her to use vast knowledge of the marshland and its wildlife toward what could be a fulfi lling and lucrative ven- ture. However, Tate has goals of his own, ambitions that butt up against her fear of the outside world. “You can’t live here in the marsh forever,” he tells her. Her fi ery response: “Watch me!” With Chase, it’s diff erent. He can be kind and … not so kind. Does he truly care for Kya or does he simply enjoy getting away from the stresses of his everyday life to enjoy some secret time with her? “Where the Crawdads Sing” is at its most engaging when we spend time with Kya living her unusual life — when she’s collecting seashells for research or inter- acting with the few people in her life, such as husband-and-wife owners of the local Are you a local artisan? Where is EXIT 306? bait-and-tackle shop, Jumpin’ (Sterling Macer Jr.) and Mabel (Michael Hyatt), who are a positive force in her life, especially after her father leaves. Edgar-Jones (“Normal People,” “Under the Banner of Heaven”) gives an under- stated but penetrating performance. Although her older version of Kya is quite standoffi sh early on after being arrested for the crime — it’s frustrating that she’ll barely speak with Tom when he visits her in jail to off er his help — we will feel her ups and downs throughout the fl ashbacks. The story’s emotional resonance also is a credit to Newman (“First Match”), Alibar (“Beasts of the Southern Wild,” “Troop Zero”) and, surely, Owens, a wildlife scien- tist herself and the author of nonfi ction books about her work in Africa. “Where the Crawdads Sing” is less successful as a murder mystery, the pro- ceedings in court feeling like too much of an afterthought. Similarly, at least in the fi lm version of the tale, Tom is a frustratingly underde- veloped character, especially given just how dependable Strathairn (“L.A. Con- fi dential,” “Nomadland”) is with a range of character types. We see Tom have a gentle interaction with a young Kya, but the movie doesn’t show us what really makes him tick. 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